Movies First: Film Reviews & Insights

In this compelling episode of *Movies First*, host Alex First explores the haunting film *I'm Still Here*, which vividly chronicles Brazil's turbulent history during the military dictatorship that seized power in 1964. The narrative centers on the Paiva family, whose lives are irrevocably altered by the regime's oppressive actions. Set against the backdrop of 1970 Rio de Janeiro, the episode delves into the family's seemingly normal life, which is shattered when Rubens, a former congressman turned engineer, is taken by military forces, leaving his wife Eunice and their children to navigate the ensuing chaos.
Alex discusses the film's authenticity, rooted in the personal experiences of Marcelo Rubens Paiva, whose own family story inspired the screenplay. Director Walter Sales, with his intimate knowledge of the Paiva household, brings a unique perspective to the film, enhancing its emotional resonance. The episode highlights the meticulous cinematography that combines 35mm and Super 8 footage, immersing viewers in the historical context of the era.
Fernanda Torres delivers a powerful performance as Eunice, earning critical acclaim and an Oscar nomination for Best Actress, as she embodies the strength and resilience of a woman facing unimaginable challenges. The film's structure, weaving through different time periods, captures the escalating tension and trauma experienced by the family, making the political deeply personal.
Listeners will appreciate the film's poignant exploration of how political violence invades domestic life, transforming ordinary experiences into extraordinary tales of survival and resistance. With an impressive rating of 8.5 out of 10, *I'm Still Here* stands as a testament to the enduring impact of Brazil's authoritarian past on its collective memory.
**Highlights:**
- **Authentic Storytelling:** The film is based on real events, offering a personal glimpse into a family's struggle against political oppression.
- **Powerful Performances:** Fernanda Torres's portrayal of Eunice showcases the complexities of strength amid trauma.
- **Historical Context:** The film's attention to detail immerses viewers in a crucial period of Brazilian history.
Join Alex First for an insightful discussion that not only examines *I'm Still Here* but also reflects on the broader implications of living under authoritarian rule. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform!
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In this thought-provoking episode of *Movies First*, hosts Chris & Jessica delve into the poignant biopic *Maria*, which chronicles the tumultuous final days of legendary opera singer Maria Callas, portrayed by Angelina Jolie. The film explores the stark contrast between Callas's once-vibrant career and her tragic descent into isolation, raising profound questions about the price of genius and fame. Alex examines the striking visual storytelling directed by Pablo Larrain, who masterfully alternates between black and white and color footage, creating a dreamlike atmosphere that reflects Callas's deteriorating mental state.
The episode highlights the complexities of Callas's relationship with Aristotle Onassis, emphasizing how his attempts to silence her artistry contributed to her decline. Alex discusses the film's portrayal of Callas's loyal staff, who witnessed her struggles and sought to support her amidst her self-destructive tendencies. The conversation touches on the duality of Callas's persona—her fierce diva-like presence juxtaposed with her deep-seated need for validation and adoration, ultimately leading to a heartbreaking exploration of identity and loss.
Listeners will be moved by the emotional weight of Callas's journey, particularly the powerful scene where she attempts to reclaim her voice, symbolizing the loss of her very identity as an artist. The film's reflection on the treatment of aging performers resonates deeply in today's culture, prompting critical discussions about society's obsession with youth and perfection.
**Highlights:**
- **Visual Storytelling:** Larrain’s innovative use of footage creates a hauntingly beautiful narrative that mirrors Callas's inner turmoil.
- **Complex Relationships:** The film explores the devastating impact of Callas's relationship with Onassis on her life and career.
- **Identity and Loss:** A poignant examination of what it means to lose one's voice and identity as an artist.
Join Chris & Jessica for an insightful discussion that not only captures the essence of Maria Callas’s life but also reflects on the universal themes of art, fame, and vulnerability. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform!
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In this captivating episode of *Movies First*, host Alex First dives into the biographical film *A Complete Unknown*, which chronicles the transformative early years of Bob Dylan from 1961 to 1965. The narrative unfolds against a backdrop of significant social and political upheaval in America, showcasing Dylan's evolution from a 19-year-old aspiring artist to a controversial figure that reshaped the folk music landscape. The episode highlights a poignant moment where a young Dylan, played by Timothée Chalamet, seeks out his idol Woody Guthrie, portrayed by Scoot McNairy, in a veterans hospital, setting the stage for his remarkable journey.
Alex discusses the film's portrayal of key figures in Dylan's life, including the legendary Pete Seeger, played by Edward Norton, whose unwavering support helps propel Dylan into the folk scene. The dynamics of Dylan's relationships, particularly with artist Sylvie Russo, and folk singer Joan Baez, reveal the emotional complexities of his life and the sacrifices made for his artistic vision. The episode also explores the tension between Dylan's growing fame and his desire for authentic self-expression, culminating in the iconic moment at the 1965 Newport Folk Festival when he controversially embraced the electric guitar.
Director James Mangold's dedication to authenticity shines through as the film captures the essence of the early 1960s, immersing viewers in a crucial period of American music history. Alex reflects on the film's musical authenticity, with actors performing their own songs, and its successful portrayal of Dylan as a cultural icon who defied conventions. With an impressive rating of 8.5 out of 10, *A Complete Unknown* stands as a testament to Dylan's enduring influence and the spirit of a changing era.
**Highlights:**
- **Authentic Portrayal:** Timothée Chalamet’s nuanced performance encapsulates Dylan’s complexity as an artist driven by conviction.
- **Cultural Impact:** The film explores Dylan's role in the broader cultural shifts of the 1960s, highlighting his defiance of musical norms.
- **Musical Authenticity:** The commitment to period detail and live performances enhances the film's immersive experience.
Join Alex First for an insightful discussion that delves into the life of Bob Dylan and the profound impact of his music during a pivotal time in history. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform! https://www.bitesz.com/podcast/movies-first

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In this evocative episode of *Movies First*, hosts Chris and Jessica delves into the poignant film *The Last Showgirl*, which captures the fading glamour of Las Vegas showgirls in a world that seems to be moving on without them. With only a mere 2% of the original shows still running, the film tells the story of Shelley, a 57-year-old performer who clings to her place in the spotlight. Alex discusses the intriguing choice of Pamela Anderson for the role, noting how her personal experiences mirror Shelley’s journey through the complexities of aging in the entertainment industry. The episode highlights the film's raw portrayal of the physical and emotional toll of a showgirl's career, contrasting Shelley’s long tenure with the choices of her peers, like Jamie Lee Curtis's character Annette, who left the stage for a more stable life. The mother-daughter relationship between Shelley and her daughter Hannah serves as a powerful narrative thread, illustrating the personal costs of a life dedicated to performance. Alex also explores the film's technical aspects, from the gritty cinematography that reveals the underbelly of Vegas to the striking music that bridges classic and contemporary entertainment. The conversation touches on the broader implications of the film, reflecting on the swift changes in the entertainment landscape and the universal fear of obsolescence that resonates with audiences from all walks of life. Join Alex for a thoughtful discussion that examines not only the decline of a vibrant art form but also the human stories at its heart, reminding us of the delicate balance between preserving tradition and embracing progress.
**Highlights:**
- **Authentic Performance:** Pamela Anderson’s portrayal of Shelley adds a meta layer to the film, reflecting her own experiences in the industry.
- **Interpersonal Dynamics:** The strained relationship between Shelley and her daughter Hannah illustrates the personal sacrifices made in pursuit of a career.
- **Cinematic Techniques:** The unique cinematography captures the beauty and decay of Las Vegas, enhancing the film's emotional impact.
Tune in for an insightful exploration of *The Last Showgirl*, a film that not only mourns the loss of an era but also questions the future of entertainment and the cost of progress. For more film reviews and discussions, subscribe to *Movies First* on your favorite podcast platform! https://www.bitesz.com/podcast/movies-first

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In this engaging episode of Movies First, host Alex First explores the remarkable success of the French film *A Little Something Extra*. With over 10 million admissions, this comedy has shattered box office records and secured its place among France's highest-grossing films. The review dives into the film's unique narrative, which follows two petty criminals, Lucien and Paulo, whose lives take a comedic turn after a botched jewel heist leads them to a summer camp for intellectually disabled adults. Alex examines how the film balances humour with sensitivity, showcasing character development and the evolution of relationships within the camp setting.
Alex highlights the film's ability to resonate with mainstream audiences while tackling sensitive subjects, while praising the performances, particularly that of Alice Bilaidi as the camp manager, who adds emotional depth to the story. The review also touches on the film's bold approach to politically incorrect humour and its reliance on visual gags and well-timed one-liners. As he reflects on the characters' journeys of redemption and personal growth, Alex suggests that *A Little Something Extra* offers a meaningful exploration of human connection amidst comedic chaos.
**Highlights:**
- **Box Office Success:** The film's record-breaking admissions highlight its broad appeal and the audience's appetite for comedy that tackles sensitive topics.
- **Character Dynamics:** A deep dive into the evolving relationships between the criminals and camp attendees, showcasing growth and redemption.
- **Bold Humour:** A discussion on the film's politically incorrect humour and its successful execution in today's cultural climate.
Join Alex First for a lively review filled with insights into this charming film that proves comedy can indeed be both entertaining and thought-provoking. Tune in for more film reviews and discussions in upcoming episodes!  https://bitesz.com/podcast/movies-first

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In this thrilling episode of *Movies First*, host Alex First takes a deep dive into the audacious film *The Monkey*, a dark comedy that transforms Stephen King's chilling 1980 short story into a blood-soaked spectacle. Directed by Osgood Perkins, the film follows the Shelburne family as they grapple with a cursed mechanical monkey that brings death to anyone unfortunate enough to possess it. With an array of excessive violence including beheadings and disembowelments, the narrative is not just about horror but also a poignant exploration of family dysfunction and generational trauma.
The story oscillates between 1999 and the present, beginning with a blood-stained Adam Scott attempting to pawn the sinister toy. As the narrative unfolds, we delve into the lives of brothers Hal and Bill, whose childhood is irrevocably altered by their father’s mysterious disappearance. The film cleverly juxtaposes their traumatic upbringing with the ongoing chaos wrought by the monkey, which proves impossible to destroy. Perkins introduces a twin dynamic that adds emotional depth, brilliantly portrayed by Christian Convery and Theo James.
As Hal struggles with his own demons as a single father, the return of Bill forces a reckoning with their shared past and the malevolent monkey that haunts their lives. The film thrives on its dark humour, treating the absurdity of death with a comedic lens, while also embracing its chaotic nature. With a daring blend of horror and humour, *The Monkey* challenges viewers to suspend their disbelief and revel in its outrageousness.
**Key Points:**
- **Dark Comedy & Horror:** A unique blend that pushes the boundaries of both genres, delivering over-the-top violence and absurdity.
- **Emotional Core:** The relationship between the twin brothers serves as a compelling exploration of trauma and its effects on family dynamics.
- **Memorable Imagery:** The film’s elaborate death scenes and self-aware dialogue create a lasting impression, ensuring viewers won't soon forget the chaos.
With an MA rating and a score of 7 out of 10, *The Monkey* is sure to polarise audiences, appealing to those who appreciate its extreme approach while potentially alienating others. Join Alex for an engaging discussion that delves into this outrageous cinematic experience and its cultural implications.
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**Host:** Alex First
**Guest Critics:** Sandy Kaye, Peter Krause
**Episode Summary:**
In this lively episode of First on Film & Entertainment, host Alex First is joined by critics Sandy Kaye and Peter Krause for a spirited conversation leading up to the 97th Academy Awards. With excitement in the air, the trio discusses the nominations and their predictions for the big night. The episode kicks off with a humorous exchange about the Oscars and the quirky happenings surrounding the event, setting the tone for a fun-filled discussion. The critics delve into the standout films nominated for Best Picture, including *Conclave*, *The Brutalist*, and *Emilia Perez*, sharing their insights on storytelling, performance, and cinematic artistry. Alex challenges Sandy and Peter to a trivia quiz about the longest films in Oscar history, leading to surprising revelations and friendly banter. As the conversation unfolds, they explore the significance of inclusivity in this year's nominations and highlight the contributions of Australian talent in various categories. Listeners can expect a blend of insightful critiques, engaging trivia, and a passionate celebration of film as the Oscars approach.
**Highlights:**
- **Oscar Predictions:** A spirited debate on the Best Picture nominees, with *Conclave* and *The Brutalist* emerging as frontrunners.
- **Trivia Fun:** A light-hearted quiz on the longest films in Oscar history, showcasing the hosts' knowledge and camaraderie.
- **Australian Talent:** Acknowledgment of the significant contributions from Australian filmmakers and actors in this year's nominations.
00:00:00 - Sandy Kay and Peter Kraus discuss the Oscars ahead of time
00:02:52 - There are 10 nominations for best picture this year, Sandy. What have been the longest
00:05:34 - Alex asks some trivia questions about the Oscar nominations for best picture
00:08:03 - Three films received 10 or more nominations in this year's Oscars
00:12:20 - Timothee Chalamet is 12th person to portray Oscar nominee
00:13:23 - We haven't talked about Australians. We gotta talk about Australians, don't we
00:15:31 - Porcelain War is nominated for documentary feature Oscar
00:16:53 - Nominations for best picture go to Conclave, Dune Part 2
00:21:11 - Sandy says Conclave will win best film
00:23:29 - So let's go to Best Director. Who do you think will win
00:26:27 - Peter Howell picks his favourites for best actor and best actress
00:30:13 - Sandy: I'm rooting for Demi Moore. I think she did a sensational job
00:32:45 - Peter Sheridan: Excellent film. I think it works extremely well
00:34:13 - Sandy thinks Kieran Culkin will win Best Supporting Actor
00:36:01 - Best Supporting Actress, Monica Barbaro for A Complete Unknown
00:37:26 - Okay, let's go for the next category being Best Original Screenplay
00:40:08 - We haven't seen a lot of the best animated feature films yet
00:41:27 - This is Best International Feature. Of international features. Amelia Perez from France nominated in Spanish
00:42:21 - Dan: I think Seed of the Sacred Fig will win cinematography Oscar
00:46:39 - Peter Howell gives odds for the Oscars in various categories
00:49:18 - Best Actor is short priced favourite for Adrian Brody
00:52:48 - Do you think the host will do a decent job at the Oscars
00:53:20 - Gene Hackman died at 95 from apparent carbon monoxide poisoning
00:55:18 - We got to go. Let's, uh, circle the wagons and see how we did at Oscar ceremonyJoin the First on Film & Entertainment team for this engaging episode, and stay tuned for more film insights and reviews in the weeks to come!
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In this delightful episode of Movies First, host Alex First takes a deep dive into the much-anticipated fourth installment of the beloved Bridget Jones franchise, *Mad About the Boy*. Returning after a nine-year hiatus, this film brings a fresh yet familiar narrative that expertly balances humor and heartache. The story unfolds as Bridget, played by the charming Renée Zellweger, grapples with life as a widow following the death of her husband Mark Darcy, who tragically lost his life during a humanitarian mission in Darfur. As she navigates her new reality as a single mother to her two children, the film poignantly explores themes of grief and the challenges of moving on.
Bridget's chaotic charm remains intact as her friends push her back into the dating scene, leading to a comical yet heartfelt encounter with the handsome groundskeeper, Roxster McDuff. The film also sees Bridget returning to her career as a television producer, adding layers to her journey of self-discovery. With the return of Daniel Cleaver and the introduction of Mr. Scott Wallacher, portrayed by Chiwetel Ejiofor, the film is rich with comedic moments and emotional depth.
The screenplay, crafted by Helen Fielding, Dan Mazer, and Abby Morgan, successfully captures the franchise's signature wit while introducing new dimensions to the beloved characters. Under Michael Morris's direction, *Mad About the Boy* strikes a beautiful balance between comedy and emotional resonance, showcasing exceptional performances from the cast, including Emma Thompson and Isla Fisher in memorable supporting roles.
**Key Points:**
- **Character Evolution:** Bridget Jones's journey of grief and rediscovery resonates with audiences, showcasing her growth while retaining her iconic humor.
- **Strong Performances:** Renée Zellweger leads a talented cast, bringing both charm and maturity to her role, while Chiwetel Ejiofor and Huw Grant add depth and comedic flair.
- **Cinematic Balance:** The film masterfully blends humor with serious themes, making it a relevant and engaging addition to the franchise.
With a solid rating of 8 out of 10, *Mad About the Boy* proves that there's still plenty of life in Bridget Jones's story, leaving audiences with smiles on their faces. Tune in for a lively discussion filled with insights into this charming film and its cultural significance.
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**Final Thoughts:**
Join us as we celebrate the return of Bridget Jones in *Mad About the Boy*, a film that beautifully captures the essence of love, loss, and laughter. Stay tuned for more cinematic explorations in upcoming episodes!
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**Host:** Alex First
**Guest Critics:** Greg King, Sandy K, Peter Krause
**Episode Summary:**
In this captivating episode of First on Film & Entertainment, host Alex First is joined by critics Greg King, Sandy K, and Peter Krause as they delve into the latest cinematic offerings just in time for the Oscar season. The discussion kicks off with *The Last Showgirl*, a gritty portrayal of an ageing Las Vegas showgirl played by Pamela Anderson, who delivers what many are calling the performance of her career. The critics explore the film's emotional depth, character dynamics, and the challenges faced by women in the entertainment industry, with Sandy expressing her surprise at Anderson's compelling portrayal. The conversation then shifts to the darkly comedic short film *The Monkey*, based on a Stephen King short story, where the panel debates its over-the-top gore and humour, with opinions divided on its effectiveness as a horror satire. Finally, the critics share their thoughts on the much-anticipated *Bridget Jones: Mad About the Boy*, with mixed reactions to the film's nostalgic charm and character development. Listeners can expect a lively exchange filled with insightful critiques and engaging commentary on contemporary cinema.
**Highlights:**
- **The Last Showgirl:** A raw and emotional exploration of the struggles faced by ageing performers, with a standout performance from Pamela Anderson that challenges preconceived notions.
- **The Monkey:** A pitch-black comedy that blends horror and humour, leaving critics divided on its excesses and appeal.
- **Bridget Jones: Mad About the Boy:** A nostalgic return to the beloved character, sparking discussions about growth, maturity, and the complexities of single parenthood.
00:00:00 - Around about this time of the year, there are some good movies around
00:01:04 - The Last Showgirl is a gritty piece about an ageing Las Vegas showgirl
00:05:29 - Alex says Pamela Anderson looks fabulous in new film Last Show Girl
00:10:47 - Greg King: I have misgivings about The Last Showgirl
00:16:03 - Showgirl panelists give their scores on last rated M M movie
00:17:46 - The Monkey is a pitch black comedy based on a 1980 Stephen King short story
00:22:43 - Greg: This is one of two gory horror films around town at the moment
00:23:42 - Peter Moore: I was disappointed by this film. I was expecting it to be stronger
00:28:45 - Greg says movies in general depict violence in such a way that it motivates
00:31:31 - There are suggestions now that if somebody sees a violent act they'll film it
00:36:17 - Greg: Based on how good Pamela Anderson looks, I give this movie three stars
00:37:39 - Give me a score for the Monkey. Peter, I'm scared to ask
00:38:35 - Greg Gutfeld was pleasantly surprised by the latest Bridget Jones movie
00:39:45 - Greg Gutfeld: Were you pleasantly surprised or not about Bridget Jones
00:41:39 - Sandy says many common names are made up nowadays
00:44:18 - The film stars Hugh Grant as Bridget Jones
00:45:49 - Peter Howell was pleasantly surprised by the fourth Bridget Jones film
00:48:50 - I felt that the Bridget Jones character was regressive in this film
00:51:53 - Of the four second best movies, where would this one sit
00:52:57 - Peter says he doesn't always promote Nick because he has his own opinions
00:54:31 - James Bond is the UK's biggest film franchise, I have to say
Join the First on Film & Entertainment team for an engaging episode filled with passionate discussions and cinematic insights. Don’t miss out on next week’s exciting film reviews!
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**Host:** Alex First
**Episode Summary:**
In this captivating episode of Movies First, host Alex First dives into the supernatural thriller *Presence*, a film that intricately weaves the complexities of family dynamics with otherworldly phenomena. The narrative follows an ambitious family of four, led by Rebecca, portrayed with fierce determination by Lucy Liu, as they relocate to a house harboring an unseen presence. The film explores the tension between Rebecca's favoritism towards her elite swimmer son Tyler and the emotional struggles of her younger daughter Chloe, who grapples with the trauma of losing her best friend Nadia to a drug overdose.
As Chloe begins to sense the lingering presence of Nadia within their new home, the supernatural elements gradually escalate, complicating the already strained sibling relationship as Tyler dismisses her experiences. Chris, the father, played by Chris Sullivan, faces mounting concerns over his family's well-being and his wife's suspicious behavior, leading to a potential marital crisis. The film's technical execution shines through director Steven Soderbergh's innovative use of handheld camera work and carefully structured vignettes that enhance the atmospheric tension.
**Key Points:**
- **Family Dynamics:** The film delves deep into the complexities of familial relationships, emphasizing the impact of favoritism and trauma on the family unit.
- **Supernatural Elements:** The gradual manifestation of the supernatural presence serves as a catalyst for the family's confrontation with their internal conflicts.
- **Character Performances:** The young cast delivers compelling portrayals, with Eddie Madae capturing Tyler's arrogance and Kalina Liang embodying Chloe's vulnerability, highlighting the contrasting sibling experiences.
- **Cinematographic Excellence:** Soderbergh's innovative techniques create an immersive viewing experience, blending suspenseful horror with emotional depth.
As the family confronts both the supernatural threat and their own fractured relationships, *Presence* maintains a delicate balance between psychological tension and supernatural intrigue. With a rating of 7.5 out of 10, the film is praised for its engaging narrative and technical prowess, making it a standout in the supernatural thriller genre. Tune in for an insightful exploration of this gripping film and its thematic depth.
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**Final Thoughts:**
Join us as we unravel the layers of *Presence*, a film that masterfully blends supernatural horror with the intricacies of family drama. Stay tuned for more cinematic explorations in upcoming episodes!
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