Movies imo

In episode ninety-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Phoebe Waller-Bridge’s sublime comedy series FLEABAG. Ben swiftly denounces the cast and crew of THE SQUID AND THE WHALE between analysis of the show’s sly visual scheme, Daniel makes a declarative statement about YOU CAN COUNT ON ME while appreciating Waller-Bridge’s structure around psychology, and Brandon stands behind THE SAVAGES after worshipping at the altar of wit and wisdom in the final scene between Fleabag and her father.

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In episode ninety-eight of movies imo., Ben, Brandon, and Daniel yell over each other about Richard Linklater’s Cate Blanchett-led adaptation of the bestselling novel WHERE’D YOU GO, BERNADETTE? before discussing two other Linklater comedies with a magnetic movie star lead: SCHOOL OF ROCK and BERNIE, both starring Jack Black. Ben finds much to relate to in Blanchett’s breakdown of creative deprivation, Daniel remembers the first time he ever flirted with a man, and Brandon grapples with leaving off a Pixar from his best of the decade list.

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In episode ninety-seven of movies imo., Ben, Brandon, and Daniel yell over each other about Lynn Shelton’s provocative new comedy SWORD OF TRUST before going on to discuss three more of her signature films: HUMPDAY, YOUR SISTER’S SISTER, and OUTSIDE IN. Ben believes Jay Duplass to be one of the finest actors of his generation, Daniel celebrates Marc Maron being born in a trunk, and Brandon shares inside intel on Shelton’s delightful demeanor offscreen.

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In episode ninety-six of movies imo., Ben, Brandon, and Daniel yell over each other about Quentin Tarantino’s penultimate feature film ONCE UPON A TIME IN... HOLLYWOOD before discussing three of their other favorite QT films: PULP FICTION, JACKIE BROWN, and KILL BILL VOL. 1. Ben seconds his teenage Livejournal opinions regarding Uma Thurman’s Bride in the pantheon of great performances, Daniel rewinds on memories of secretly watching Tarantino movies on VHS, and Brandon breaks down the formative impact this collection of bloody pastiche had on him as a young film f*g.

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In episode ninety-five of movies imo., fellow film f*g Cameron Scheetz (@cameronscheetz) steps into Daniel's seat while he's toiling away at the Outfest Los Angeles Film Festival to discuss Jon Favreau’s THE LION KING with Ben and Brandon. They also yell over each other about Beyoncé’s music video SPIRIT and the original 1994 THE LION KING. Ben makes a case for why Caleb Deschanel will certainly win the Oscar for Best Cinematography, Brandon tries but struggles to say something—anything—nice about the film, and Cameron explains why he does not wish to sleep with Zazu in the remake, despite that nerdy bird being a lifelong childhood crush.

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In episode ninety-four of movies imo., Ben, Brandon, and Daniel yell over each other about Lulu Wang’s fake wedding and looming funeral family dramedy THE FAREWELL. They also discuss two other matriarch-near-death films with Michael Haneke’s AMOUR and Chris Colombus’ STEPMOM. Ben delivers a keynote address on the incongruous yet deeply felt ridges of STEPMOM’s emotional landscape, Daniel stans some smoke in the wind, and Brandon declares Wang’s latest to be his favorite film of the year.

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In episode ninety-three of movies imo., Ben, Brandon, and Daniel yell over each other about Ari Aster’s pagan group therapy retreat MIDSOMMAR before discussing two other cult-based horror films with an emphasis on divine authority in Robin Hardy’s THE WICKER MAN and Ingmar Bergman’s THE VIRGIN SPRING. Ben draws a parallel between Aster and the music of celebrated conductor Harold Hill, Daniel opines upon the purgatory of graduate school, and Brandon finds the film of the week to be not quite his tempo.

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In episode ninety-two of movies imo., Ben, Brandon, and Daniel yell over each other - in the shadow of July 4th - about movies that have fireworks in the background (of the shot). Ben brings Kenneth Anger’s FIREWORKS back to the conversation while celebrating the fairground firecrackers in F. W. Murnau’s SUNRISE: A SONG OF TWO HUMANS, Daniel hears the perfect scream in the background of Brian De Palma’s BLOW OUT, and Brandon takes his family on a picnic below pyrotechnics on BROKEBACK MOUNTAIN.

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In episode ninety-one of movies imo., Ben, Brandon, and Daniel discuss TOY STORY 4 in relation to the three previous entries in the TOY STORY franchise. Ben vows to throw this new installment in the trash where it belongs while championing the bittersweet virtues of TOY STORY 2, Daniel wants to hold hands while arguing for the emotional and action-packed stakes of TOY STORY 3, and Brandon sees himself represented in the existential plasticware known as Forky while swearing the toys never got better than the inaugural TOY STORY.

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In episode ninety of movies imo., Ben, Brandon, and Daniel yell over each other about Jim Jarmusch’s zombie movie THE DEAD DON’T DIE before diving into a couple of his earlier genre exercises: the psychedelic western DEAD MAN and the existential vampire romance ONLY LOVERS LEFT ALIVE. Ben feels that Jarmusch leaves too much slack in his intellectual exercises, Daniel compares his dissolve-forward climaxes at the end of the world, and Brandon takes the film f*gz on a tour of Detroit as the podcast’s native Michigander.

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