Movies imo

In episode eighty-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Joe Talbot’s Park City sensation THE LAST BLACK MAN IN SAN FRANCISCO before discussing a few other recent films to win the Directing prize from the Sundance Film Festival: Eliza Hittman’s BEACH RATS, Daniels’ SWISS ARMY MAN, and Sean Durkin’s MARTHA MARCY MAY MARLENE. Ben responds to Talbot and lead actor/collaborator Jimmie Fails’ stylish evocation of Fails’ personal narrative, Daniel hails Durkin’s sense of parallelism, and Brandon mounts a vociferous argument for the destruction of a beloved Disneyland attraction.

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In episode eighty-eight of movies imo., Ben, Brandon, and Daniel yell over each other about Olivier Assayas’ talky lit-crit comedy NON-FICTION before discussing two other Juliette Binoche-Assayas films: CLOUDS OF SILS MARIA and SUMMER HOURS. Ben wonders whether this latest film even counts as cinema while sexting out some non-fiction of his own, Daniel passes time pondering the passage of time, and Brandon stakes the claim for FRANCES HA as one of the top ten films of the decade.

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In episode eighty-seven of movies imo., Ben, Brandon, and Daniel yell over each other about Olivia Wilde’s BOOKSMART before discussing fellow last-day-of-high school comedies DAZED AND CONFUSED and SUPERBAD. Ben wonders whether the film may be a sedative for liberal audiences, Daniel takes a bite from the CRAWL trailer and likes the way it tastes, and Brandon appreciates the hope Wilde gives to a panicked nation in crisis.

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In episode eighty-six of movies imo., Ben, Brandon, and Daniel yell over each other about Joanna Hogg’s exquisitely shattering THE SOUVENIR before discussing her three previous and quite substantial features UNRELATED, ARCHIPELAGO, and EXHIBITION. Ben would risk it all for Tom Hiddleston’s haughty upper crust twink, Daniel responds to the Martelesque attention to sound, and Brandon revs up his Harley to lead the film fagz’s first official meeting of the Wild Hoggs.

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In episode eighty-five of movies imo., Ben, Brandon, and Daniel yell over each other about the Anne Hathaway-Rebel Wilson con woman comedy THE HUSTLE and they also discuss a couple fellow diva pictures in Stephen Frears’ THE GRIFTERS and Preston Sturges’ THE LADY EVE. Ben celebrates the GRIFTERS’ self-sabotage, Daniel admires its headscarves on display, and Brandon makes sure we mention one fantastic shot between Barbara Stanwyck and Henry Fonda.

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In episode eighty-four of movies imo., the film fagz are joined by their first ever very special guest host. Fellow film fag TJ Slipko (@teejslipko) steps into Daniel's seat while he's booked and busy to join Ben and Brandon as they travel back in time to the 48th Academy Awards -- a palette cleanse of an Oscar year. They yell over each other about Milos Forman's five-time winner ONE FLEW OVER THE CUCKOO'S NEST, Fedrico Fellini's AMARCORD, Sidney Lumet's DOG DAY AFTERNOON, Steven Spielberg's JAWS, Akira Kurosawa's DERSU UZALA, Hal Ashby's SHAMPOO and finally, Robert Altman's NASHVILLE. Ben presents a thesis on all these films' commentary on toxic masculinity, TJ admires the incredible acting ability of Jack Nicholson's eyebrows and Brandon reminds us DETECTIVE PIKACHU is now in theaters.

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In episode eighty-three of movies imo., Ben, Brandon, and Daniel yell over each other about Alex Ross Perry and Elisabeth Moss’ scorched earth punk odyssey HER SMELL before stage-diving into two more stories about performers on the brink of psychological collapse under the public eye in John Cassavetes’ OPENING NIGHT and Brady Corbet’s VOX LUX. Ben breaks down Papa John’s play-within-a-play, Daniel ponders the true meaning of pop music, and Brandon compares Lizzie Moss’ possessed tour-de-force to the Kool-Aid Man.

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In episode eighty-two of movies imo., Ben, Brandon, and Daniel yell over each other about David Robert Mitchell’s long-delayed L.A. neo-noir picture UNDER THE SILVER LAKE. They also discuss three (assumedly) major influences David Lynch’s MULHOLLAND DR., Robert Altman’s THE LONG GOODBYE, and John Carpenter’s THEY LIVE. Ben draws a personal comparison to Naomi Watts letting loose, Daniel quibbles with the price of tea, and Brandon cements his status as the ultimate UNDER THE SILVER LAKE apologist with a deep dive theory on dreams.

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In episode eighty-one of movies imo., Ben, Brandon, and Daniel yell over each other about Claire Denis’ latest picture, the black hole of the soul space odyssey HIGH LIFE. They also discuss a light triptych of other sci-fi masterpieces about what it means to be human in a mysterious and unforgiving universe: Andrei Tarkovsky’s SOLARIS, Jonathan Glazer’s UNDER THE SKIN, and Stanley Kubrick’s 2001: A SPACE ODYSSEY. Ben admires Denis’s joy in death, Daniel admits that he might be the baby, and Brandon lets his hair down to break down the fuckbox.

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In episode eighty of movies imo., Ben, Brandon, and Daniel yell over each other about Mike Leigh’s PETERLOO before jumping into two more of his class-conscious, character-driven period pieces: MR. TURNER and VERA DRAKE. Ben performs a dramatic reading of his favorite tweet of all time, Daniel admires the way the sun hits Mr. Turner’s paint hand, and Brandon pivots to the written word with an all-new, very special lit crit segment.

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