Head VI - Francis Bacon, 1949, is a haunting masterpiece of existential turmoil, psychological vulnerability, and visceral intensity. Reimagining Velázquez’s iconic portrait of Pope Innocent X, Bacon dismantles traditional sacred iconography, trapping a tortured, isolated figure within a ghostly, transparent cubic space frame. The entire composition is engulfed in heavy, dripping vertical streaks of rich imperial purple, deep violet, and abyssal black, creating the illusion of a suffocating velvet enclosure or an acoustic isolation chamber. The upper half of the figure’s face is shrouded in dark shadow and kinetic blur, channeling the entire weight of human anguish into the wide, open mouth a silent, frozen roar that echoes violently through the claustrophobic expanse. Through aggressive yet controlled brushwork and suffocating linear geometry, Bacon strips away all armor of status and authority to expose the fragile, terrified human psyche beneath, standing as a timeless visual study in isolation, paralysis, and unfiltered internal chaos.

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The milestone 50th chapter of MuséeCast is helmed by Mandruvá, an artist whose sound lives in the dark, tactile shadows where visceral tension meets hypnotic precision. Known for carving out uncompromising, deep-seated sonic narratives, Mandruvá approaches the decks with an intense, raw artistic focus.

In this powerful set, Mandruvá builds a subterranean landscape that directly mirrors the claustrophobic brilliance of Bacon’s canvas. The mix navigates through brooding basslines, abrasive textures, and industrial tinged rhythms, creating a heavy, atmospheric enclosure. Yet within this dark, kinetic space, precise melodic cuts and driving grooves emerge like a silent scream breaking through the noise an unyielding, deeply cathartic journey that explores the boundary between containment and total sonic release.

Follow the artist:

@mandruvamusic

@perolabranca

https://mandruvamusic.bandcamp.com

www.instagram.com/mandruvamusic

The Lantern Bearers - Maxfield Parrish, 1908, is a luminous masterpiece that captures the mystical, cinematic threshold between waking life and dreamlike surrealism. Set against an expansive, velvety twilight sky saturated in the iconic, glowing "Parrish blue," the composition features enigmatic figures dressed as Pierrots perched on a grand neoclassical staircase. Each figure cradles a brilliantly glowing golden lantern, their warm, radiant light piercing through the heavy, uncertain darkness of the surrounding landscape. Parrish masterfully uses this striking contrast between shadow and illumination to create a deep sense of atmosphere and introspection. The lanterns serve not just as physical light sources, but as profound symbols of inner guidance and solitary intuition. The painting invites the viewer into a quiet, emotive space a timeless, theatrical moment where hope gently emerges from the vast, encroaching night, standing as a breathtaking visual metaphor for carrying one's own light through the unknown.

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The latest chapter of MuséeCast is all about Poizon Ivy, an artist who flawlessly balances earthy rhythms with electric, hypnotic atmospheres. Known for her dark, groovy, and subtly psychedelic sound, she brings a captivating sense of mystery and seamless storytelling to the decks.

In this immersive set, Poizon Ivy crafts a transformative journey that mirrors the enchanting twilight of Parrish’s canvas. The mix explores the feeling of searching for your way when the path ahead is uncertain. Guiding the listener through dark, vast sonic landscapes built on minimal beats and tribal undertones, the deep grooves are continuously pierced by warm, golden melodies that act as a compass. Through playful, deliberate transitions, the set becomes a powerful reflection on intuition and hope a reminder that even in the unknown, we carry our own light.

Follow the artist:

@poizonivy_music

Bal du moulin de la Galette - Pierre-Auguste Renoir, 1876, is a radiant Impressionist masterpiece that stands as one of art history’s most celebrated depictions of communal joy, dappled light, and human connection. Set on a sun-drenched Sunday afternoon at an outdoor courtyard in Montmartre, the canvas dissolves rigid classical form into a fluid, shimmering tapestry of life in motion. Renoir masterfully captures the fleeting nature of warmth and shared happiness, using soft, feathery brushstrokes to render patches of golden sunlight filtering through the leafy canopy onto the dresses, straw hats, and animated faces of the crowd. The composition buzzes with a layered, effortless energy: in the foreground, friends gather around wooden tables in intimate conversation over drinks, while the middle ground swirls with couples drifting across the dance floor in a seamless, hypnotic rhythm. Rather than using harsh, dark shadows, Renoir saturates the scene with glowing violet, slate blue, and luminous rosy hues, creating an ambient atmosphere where light and human movement blur into pure sensation. Painted at the height of the Impressionist movement, this masterpiece stands as an eternal visual ode to collective euphoria capturing a fleeting slice of time where music, laughter, and light merge into a single, breathtaking harmony.

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MuséeCast 048 belongs to MA7A, a Vienna-based artist and core member of the Garten von Eben collective. Conceived like the image of someone wandering through different stages of sleep and dreaming, this set is built as an emotional journey across shifting worlds. Much like Renoir’s canvas brings together countless distinct human interactions and micro-moments into one grand atmosphere, MA7A connects contrasting emotional states to form a single, immersive picture.

Partly surreal, partly soft, and at times deep and dark, the selection balances hugging, warm textures against sharp, unexpected noises. Moving through unexpected feelings and changing mindstates, MA7A invites us to travel through a whole trip to different realms together a nocturnal space where every shift in tone reveals another layer of the dream.

Follow the artist & collective:

@maja-faller

@gartenvoneben

Featured artists in the mix:

@apaj_duc, ARY, @baril-music, @bawabmusic, @elelelelelele, @iorie, @isaque-solaris, @kokolja, @laaarmusic, @landhouse, @lorikeeeeeet, Maraki, @niju-1, @ninze, @olefonken, @reyneke, @seyde-music, @wide-awake-8

The English Bed by Guillermo Lorca, 2021, is an intrinsically unsettling oil painting that masterfully pulls the viewer into a strange, dreamlike world. At first glance, the scene feels almost like a dark fairy tale: a massive, luxurious bed wrapped in rich, heavy fabrics, where a young girl rests with absolute calmness while a huge, powerful leopard looms intimately right over her head. The initial impression might make you think the girl has somehow domesticated or tamed this wild creature. However, as you linger on the image, the quiet assurance in her eyes and the subtle, knowing smile on her face begin to completely shift the narrative. It forces you to stop looking at the leopard as a dangerous, external threat and instead ask a much deeper psychological question: What if this fierce apex predator is actually a physical manifestation of her own aura, her soul, or the wild, hidden part of her identity that she has not yet named? The mirror in the background, a third character in this scene, seems to hold the clue.

Lorca brings this haunting scene to life using chiaroscuro, a classical painting technique centered on intense, dramatic contrasts between bright light and deep, heavy shadows, heavily inspired by Old Masters like Velázquez and Rembrandt. By placing this pristine, safe domestic setting under such theatrical, high-contrast lighting, the canvas ceases to be just a bedroom and becomes a profound stage for the human psyche.

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Le Musée is proud to present Rys.Om, an artist defined by her deeply narrative approach to music. Masterfully weaving together genres from varying registers and global cultures, she treats each set not just as a mix, but as a rich storytelling medium. For this MuséeCast, Rys.Om delivers a deeply evocative sonic journey conceptually anchored in Guillermo Lorca’s masterpiece, The English Bed. Strikingly tense and atmospheric, the mix invites us to look past the canvas and question whether the looming leopard is an external force or a reflection of the girl's own unspoken shadow self and inner power. This set acts as an auditory expedition into the deep psyche, unlocking at the 3:24 mark to navigate the intense friction between strength, surrender, fear, and desire. Moving from slow, awakening mechanics through earthy textures and a Deleuze fragment on desire, the mix descends into a dark tunnel before rising into ancestral ritual dances. Ultimately, what reads as madness becomes a beautiful acceptance of her hybrid self, closing in a profound state of grace and liberating laughter where the taming is completely undone.

Follow the artist:

@ryslaine

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Tracklist:

Neuronal Clock - Gasteropod

Tender Flames - WOJTEK

Aguas da Amazonia - Philip Glass x Concierto Para una Voz - Sound Unlimited Orchestra (Original Mix by RysOm)

Neuronal Clock - Gasteropod

Cabuya - Joaquín Cornejo

Yport - Alles Ablenkung

Planète Sauvage - MALADE § GOUPILE

Desert Rain - Seyde x Extract of Gilles Deleuze 1973 (Original Mix by RysOm)

No Fear - ele

The Animals We Didn't eat - Fabi Yond (Laaar remix)

Nfrt.Y.Ty feat Sunru - LUM

Adimiz Miskindir Bizim - Goran Kajfes Subtropic Arkestra

Samba Em Prelúdio - Vinicius de Moraes (Dr Parnassus Edit)

Wayu - Nato & Sahalé

Nostalgia - mimikri & iorie

Mond - Thea & Schtu

Vespera - Ektoplast & Nada

Where is my mind - Silentology & Nijland & Gerstenberg

Long Dark Tunnel - Landhouse

Dream for Dreaming - Laaar

La Danza De Las Abuelas - Xtis & Kapchiz

Elle, Dani... - Léna C.

Attendez un Moment - Few Lab

Dança-Poesia - Vanessa Moreno

bern - ali dada (chöko aba RMX)

Too Close - Dandara & Arutani (Lories Pink Glasses Mix)

Divisibilité indéfinie by Yves Tanguy, 1942, remains inherently alienating; his surrealist creation expertly transports observers inside some bizarre, visionary realm. Upon early inspection, the vista appears resembling some dystopian wasteland: one towering, intricate monument composed of polished bone fragments alongside metallic joints balances precariously upon some vast, empty desert plain. Such preliminary observation suggests the structure denotes some forgotten architectural ruin or scattered mechanical debris. Concurrently, prolonged inspection reveals the meticulous equilibrium within each interlocking segment; the surgical alignment of these shapes starts radically transforming the commentary. The arrangement compels observers to abandon viewing these items as meaningless, extraneous refuse, prompting far more complex existential inquiry: Perhaps these fragmented configurations represent some tangible illustration of inner consciousness fracturing amidst duress, alternatively compartmentalized segments of memory being systematically dismantled? The seamless horizon melting toward infinity offers some essential guide toward resolving the riddle.

Tanguy executes his surreal environment via precise aerial perspective—the draftsmanship methodology emphasizing hyper-realistic textures blended into smooth atmospheric gradients, significantly borrowing from early metaphysical art plus Euclidean geometry. Through positioning sterile, foreign shapes within some unyielding, endless void, the picture plain transcends any mere desert topography, evolving into some evocative landscape mapping mental alienation.

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For this MuséeCast, Saint Barnabus delivers a deeply evocative sonic journey that charts a mesmerizing course between stillness and momentum. Strikingly atmospheric and cinematic, the mix invites us to step into an expansive auditory territory where coastal elements meet hypnotic depths. This set acts as a rhythmic expedition through the human subconscious, unlocking to navigate the intense friction between ambient serenity, earthy percussive textures, and ancestral grooves. Moving from misty, slow-awakening sonic mechanics into driving subterranean club energy, the mix builds an infectious tension before ascending into warm, sun-drenched rhythmic peaks. Ultimately, what begins as an introspective drift becomes a powerful, liberating celebration of movement and hybrid identity, closing in a profound state of grace where all boundaries completely dissolve.

Follow the artist:

@saint_barnabus

Phenomenon (Fenómeno) by Remedios Varo, 1962, is a meticulously executed oil on masonite masterpiece measuring 55 by 40 centimeters that stands as one of the most brilliant, philosophically profound works from the final years of the Spanish-Mexican surrealist master's life. First unveiled to the public during her highly successful second solo exhibition at the Galería Juan Martín in Mexico City just a year before her untimely death, this exceptional painting beautifully exemplifies Varo’s mature artistic style a mesmerizing intersection of highly precise architectural draftsmanship, heavily influenced by her childhood training under her hydraulic engineer father, and a deeply atmospheric, glowing amber-toned color palette that magically transforms an illogical event into something that feels scientifically plausible. At the absolute core of this enigmatic visual narrative is a shocking metaphysical disruption and a literal inversion of the laws of nature that acts as a profound allegory for psychoanalysis and Carl Jung’s concept of the "shadow self," which represents the hidden, repressed aspects of the human subconscious. The composition focuses on a central male figure dressed in a formal suit who has been utterly stripped of his physical volume, leaving his corporeal body flattened into an empty, helpless, two-dimensional dark silhouette that drapes limply and submissively across a flight of rising stone stairs and the tiled floor. In a startling, surreal role-reversal, his shadow has gained an independent, autonomous life of its own, detaching itself entirely from its owner to morph into a fully formed, transparent, three-dimensional human figure that confidently walks away while leaning gracefully on a cane. As this newly sentient shadow makes its bold escape into the wider world, an unseen, magical or magnetic force emanating from its footsteps physically wrenches and peels up the heavy stone floor tiles behind it, leaving a trail of environmental fracture in its wake. Tucked away securely in the background of this claustrophobic stone hallway, a lone female observer stylized with Varo’s iconic autobiographical traits of large, wide, almond-shaped eyes and a sharp, prominent nose quietly peeks out from a tiny open window to bear silent witness to this astonishing transformation. Ultimately, Varo’s Phenomenon captures an eerie yet victorious psychological rebellion where the long-suppressed inner self completely overthrows the superficial mask of the social ego, leaving behind a hollowed-out external identity that is now entirely subservient to its own liberated, runaway shadow.

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Le Musée welcomes J-litu to the Museecast series with a deep, hypnotic, and completely immersive guest mix. this seamless underground journey flows through sophisticated deep grooves and driving rhythms, serving as a sonic exploration of a deeper conceptual narrative:

A pendulum of resistance, hope, bargaining and unsolicited realisations.

A thought that maybe in assigning faces, unchosen costumes are worn.

A question, that perhaps sometimes one looks for answers in the wrong places.

Perhaps, the answer has always been sitting in the same room, staring back, silently.

Waiting to be given a voice, to be trusted.

Known for a sharp musical intuition and an incredible ear for track selection, J delivers a performance that keeps the energy moving flawlessly from start to finish. This mix highlights a true dedication to the electronic craft and captures the undeniable momentum building behind the music right now proving that J is an exciting rising force with a remarkably bright future ahead.

Follow the artist:

@j-litu

The Garden of Earthly Delights - Hieronymus Bosch, c. 1490–1510, is a sprawling, chaotic oil-on-wood triptych that serves as a timelessly surreal masterpiece exploring temptation, human indulgence, and psychological breakdown. When the outer panels are closed, they reveal a fragile, monochrome Earth floating in a dark void during creation, but opening the wings explodes into a vivid, multi-layered narrative read from left to right. The artwork begins in a deceptively peaceful Garden of Eden where God introduces Adam to a newly created Eve near a futuristic pink fountain, yet subtle, bizarre corruption already lurks in the margins as mutated creatures crawl out of a muddy primordial pond and a cat stalks away with its prey. The narrative then explodes into the massive, hedonistic center panel—a chaotic playground where hundreds of naked figures frolic with oversized strawberries, lounge inside cracked crystal spheres, lock themselves in giant pools, and ride exotic beasts in hypnotic circles within a false paradise of fleeting earthly pleasures. The journey concludes in a terrifying, pitch-black nightmarish hell panel where humanity faces its final damnation, unleashed through brilliant psychological horror, burning cities, musical instruments turned into weapons of torture, and iconic imagery like a bird-headed monster devouring sinners on a throne or the haunting, hollow "Tree-Man" staring blankly back at the viewer. Painted centuries before modern surrealism or psychedelic art had a name, this masterpiece brilliantly maps the unfiltered architecture of the human subconscious, standing as an unforgettable visual bridge between soft, hedonistic dreams and sharp, dark nightmares.

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For this edition of Muséecast, I'm thrilled to host a true cornerstone of the Greek underground electronic scene: Pale Penguin. Based in Thessaloniki, Pale has spent over two decades molding the electronic landscape as a relentless DJ, veteran producer, and multi-label visionary behind highly influential imprints like V.I.M. Records, Diablo Loco, and Shango Records. Renowned for his deep versatility, his signature style effortlessly bridges everything from sharp, intricate breakbeats and hypnotic tech-house to deep, electronic afro-tropical grooves.

Pale brings his legendary curation skills to the forefront, weaving a sophisticated and driving sonic journey that perfectly balances late-night underground energy with a flawless technical flow. It is a brilliant masterclass in rhythm, atmosphere, and selective depth from an artist who remains at the absolute cutting edge of electronic music culture.

Follow the artist:

@pale-penguin

@shango-records

www.facebook.com/palepenguin

Nature of Mind by Alex Grey, 1996 is a monumental, seven-paneled oil-on-wood altarpiece that serves as a profound visual homage to the Dzogchen (Great Perfection) teachings of Tibetan Buddhism. The polyptych beautifully chronicles a seeker's archetypal seven-stage spiritual evolution, tracking the psychological shift from the chaotic, dualistic loops of the everyday conceptual mind into the vast, unconditioned sky of non-dual consciousness. In Dzogchen philosophy, ordinary thoughts are viewed merely as passing clouds that temporarily obscure the eternally clear, open sky of our true primordial nature a distinction Grey carefully maps across the narrative arc as a wanderer discovers the path, transcends the ego, embodies ultimate truth, and prepares to re-enter society. Following the central panel’s intense, cosmic ego-death and awakening, the fifth panel specifically captures this pivotal stage of embodiment and spiritual integration. In this phase, the practitioner's physical form is rendered with Grey’s signature anatomical "X-ray" finesse, dissolving into a translucent light body woven from refulgent energy grids, vital vessels, and glowing chakras to visually demonstrate how one grounds infinite, multi-dimensional awareness back into a physical vessel. This spiritual metamorphosis is further anchored by the rich, sacred iconography sculpted directly into the architectonic gold-leaf frame; it features flying vajras symbolizing the indestructible diamond-essence of mind, Manjushri’s sword of discriminating wisdom cutting through delusion above a blooming lotus, and a melong (a traditional circular mirror) at the pillar's peak to represent a mind that flawlessly reflects reality without getting trapped in judgment. Underneath the entire sequence of panels runs a stylized inscription containing the ultimate kosmocentric aspiration of the artwork, reading, "May all beings awaken to their true nature," cementing this piece as a highly detailed map of spiritual transformation where ancient mystic insight and modern anatomical precision seamlessly collide.

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For this edition of MuséeCast, we are thrilled to host Cologne-based artist Psyrob for a deeply immersive and borderless sonic journey. With a rich musical foundation rooted in the heavy rhythms of the Goa scene since 2012, Psyrob’s sound has beautifully evolved over the years into a completely open-ended, genre-defying experience. Now dedicating his craft to the atmospheric realms of downtempo, he masterfully utilizes live mash-ups to dissolve musical boundaries. This exclusive mix is built entirely on the foundation of spiritual storytelling seamlessly weaving diverse electronic textures to create a fluid, intentional narrative that speaks directly to the listener's heart and subconscious mind. Sit back, open your heart, and let the story unfold.

Follow the artist:

@psyrob1111

@bastetcast

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Tracklist:

1.Tetouze - Celestial

2.KU - Alchemy Dance Meditation Feat Temple De Renca by Kora

3.Geju - Melo

4. Slow Child, Aamiq - Portal

5. Just Emma feat Maher - Thousand Birds

6. Gori - Temnii Les

7. Planctophob - Every Pain Needs A Name

8. Rabih Rizk - Sleep (Rodrigo Gallardo Remix)

9. AI - Jive Mestizo Nina Simmons - Meridiana

10. Manucho, Joma Route - Purring Tones

11. OY - Tricky Herhangis Deep Feels Revision

12. Eternal Moment - Boundless

13. Rapossa - Theta Waves

14. Singers Of The Art of Living - Shiva Manas Puja (Bassment Remix)

15. Ananda Giri - Oneness Mantra (Bassment Remix)

Still Life - Fast Moving, by Salvador Dali, 1956, is Dalí’s way of showing us that the world isn’t nearly as solid as it looks. After the atomic bomb changed the way we think about the universe, Dalí became obsessed with a scientific fact: everything from your favorite coffee mug to the chair you’re sitting on is actually made of tiny particles that are constantly vibrating and never actually touch each other. In this painting, he takes a standard kitchen scene and treats it like a freeze-frame from a beautiful explosion. You’ll see a tablecloth, a carafe of wine, and even a head of cauliflower hovering in mid-air. Nothing is resting on the table because Dalí wanted to illustrate that, at a microscopic level, there is a "gap" between all things. He didn't just throw these objects around randomly, though; he arranged them in a specific, swirling pattern called a logarithmic spiral. He was convinced this spiral was "nature’s fingerprint" because it shows up in everything from the curves of a rhinoceros horn to the seeds in a sunflower, proving that there is a hidden, divine order even in what looks like chaos.

What makes this piece so impressive is how Dalí mixes incredible, old-school painting skills with these big, modern ideas. He paints the texture of the fruit and the clear glass of the wine so realistically that you feel like you could reach out and grab them, yet he places them in a scene that completely breaks the laws of gravity. He called this style Nuclear Mysticism, which was his personal way of trying to bridge the gap between hard science and spiritual faith. While the objects in the foreground are caught in a frantic, high-speed dance, the background shows the perfectly still, crystal-blue water of his home in Port Lligat, Spain. This contrast is his way of telling us that even though the world is made of billions of moving atoms, there is still a deep sense of harmony and peace holding it all together. By turning a "still life" into something that is constantly moving, Dalí captures the invisible, buzzing energy that makes up our reality, showing us that even the most mundane objects are part of a much larger, celestial dance.

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I’ve always been drawn to the idea of a "dusty" sonic space one where the music doesn't just play but feels like it’s living in a room with you, catching the light like sunbeams in an old house.

For this mix, I deliberately stepped away from easy, predictable harmonies and leaned into the tension of dissonance. I wanted to use those slightly "off" notes and clashing textures to create a sense of mystery, much like the way ink clouds in water. It’s about that quiet, unfolding energy where every sound has room to breathe. Instead of just jumping from beat to beat, I focused on the spaces between the notes incorporating organic creaks, grainy textures, and deep, steady rhythms that feel like a human pulse.

Ultimately, this isn't about finding a "sweet spot" or focusing on who made the music; it’s about the experience behind it. This set is a reflection of the introspection that led to its creation, a chain of circumstances involving the good, the bad, the ugly, and everything in between. To me, it is a ritual of letting go. It’s a patient journey that balances raw, edgy moments with a deep sense of soulful calm. I hope when you hit play, it feels less like a performance and more like an honest, atmospheric soundtrack to your own headspace.

Follow the artist:

@dustritual

The Great Temptation, by Antonio Berni, 1962, serves as a profound socio-political interpretation of the human condition under the weight of burgeoning global consumerism. Through the central figure of Ramona Montiel, Berni crafts a narrative where the female body becomes a battlefield for economic survival and social aspiration, representing the broader Latin American working class's struggle against systemic exploitation. Ramona is not merely an individual but an archetype of the "fallen" woman whose trajectory is dictated by the hollow promises of a capitalist dream. The surrounding men caricatures of military, ecclesiastical, and financial authority act as the architects of a society that simultaneously consumes her labor and condemns her morality, creating a biting critique of institutional hypocrisy. The "temptations" scattered throughout the scene, such as the sleek automobile and luxury goods, are interpreted not as symbols of true progress, but as predatory lures that commodify human dignity. Berni’s revolutionary use of "material realism" deepens this interpretation; by constructing the work from industrial refuse, discarded lace, and scrap metal scavenged from the villas miseria, he suggests that the shimmering facade of modern wealth is literally built upon the trash and leftovers of the marginalized. This material choice serves as a searing irony: the very objects used to depict glamour are the discarded debris of the society Ramona desperately tries to join. By blending the gritty urgency of Social Realism with the bold, aggressive aesthetics of Pop Art, Berni exposes the violent friction between local identity and neo-colonial materialism. Ultimately, the work interprets the mid-century economic boom as a tragic spectacle, positioning Ramona Montiel as a resilient icon of a world where people are treated as disposably as the goods they covet a vision so powerful it secured Berni the Grand Prix for Printmaking at the 1962 Venice Biennale.

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For this episode, Andresses’s set from Le Musée delivers a sophisticated, deep journey that artfully bridges the gap between modern electronic music and classical heritage. Inspired by the timeless art used as its visual counterpart, the performance features a curated selection of melodic rhythms and global influences that mirror a spirit of travel and cultural exploration. The mix thrives on a seamless blend of tradition and contemporary sound, creating an atmospheric dialogue with the world of fine art. It is a soulful, rhythmic experience designed to connect listeners through a shared appreciation for diverse sounds and a universal musical language.

Follow the artist:

@andreas_barbarossa

www.instagram.com/andres_barbarossa