We’re cooking up something tasty on this special summer episode and taking a bite out of the Whataburger Museum of Art. Is it really a museum? What’s the submission process? Is it curated? Is this pure marketing or something genuine? We explore this and much more with Whataburger Marketing Director Brooks Boenig alongside participating artists Mayra Zamora and Kristin Moore.

From a fire at the Smithsonian in 1865 to the Covid-19 pandemic, museums have faced challenge after challenge, and have survived. That didn't happen by accident. On our final MC episode for Season 6 -- and our 100th overall! -- we survey the general state of museums today with Samuel Redman, author of "The Museum: A Short History of Crisis and Resilience."

How can a small museum in the middle of the country have an impact on par with bigger institutions? How can we fight above our weight class in the arena of ideas? On this special episode we team up with MuseumNext to explore the value of tone and crafting a unique institutional voice. Your intrepid host (Jeff) finally gets his turn in the hot seat. Things get interesting.

Shirley Woodson was born in 1936. She grew up and still lives in Detroit. It’s her city, her muse. At 86 the artist recently opened her first ever solo exhibition at her hometown museum, The Detroit Institute of Arts. “Shirley Woodson: Shield of the Nile Reflections” features 11 of the artist’s big, vibrant canvases depicting black bathers in rivers. On this episode we chat with the busy-as-ever artist and Valerie Mercer, the exhibition’s curator and head of the DIA’s Center for African American Art. 

What role can artists and creatives play in wartime? On this episode we chat with acclaimed author Lesley M.M. Blume about her recent Town & Country article, “The Art of War: How the Surrealists Helped Upend Camouflage and Redefine Modern Battle.” In a globe-spanning investigation filled with big art world names like Gorky and Dalí, the story proves once and for all that truth is stranger than fiction. 

Read the article at https://www.townandcountrymag.com/

As Women’s History Month comes to a close, we explore Gustave Courbet’s perennially provocative 1866 work, “L’Origine du Monde (The Origin of the World)” with artist/writer Lilianne Milgrom, author of “L'Origine: The Secret Life of the World's Most Erotic Masterpiece.” Milgrom was the first artist authorized by the Musée d’Orsay to re-create Courbet’s scandalous masterpiece.

Troy Montes-Michie was born in El Paso. Border towns are a natural mash-up of cultures, traditions, languages, food, fashion, and nearly everything else. It’s no surprise that Montes-Michie turned his focus to collage, creating instantly recognizable works using magazine clippings, pornography, images of the Black male body, and plenty of zoot suits. In “Rock of Eye,” the artist’s first solo museum exhibition, these collages can be seen alongside, drawings, sculptures, and installations. On view through September 4th at the California African American Museum in Los Angeles.

Mike Winkelmann has been creating digital art for over two decades. He’s 40 years old, lives in South Carolina, and has a computer science degree from Purdue. But this isn’t a show about Mike Winkelmann. This is a show about Beeple, the name by which Winkelmann is best known, the name that took the art world by storm in 2021 when an NFT of his nearly 15-year project, EVERYDAYS, sold for a record $69.3 million. Still not sure what NFTs are? We’ll get to that.

In the years before World War 2, a group of artists gathered in New Mexico to “carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design, to imaginative realms that are idealistic and spiritual.” They called themselves the TRANSCENDENTAL PAINTING GROUP. On this episode we chat with Philbrook Curator Susan Green about the special exhibition, ANOTHER WORLD, the first comprehensive traveling exhibition to explore work by the group. On view at Philbrook through Feburary 20, 2022.

Oklahoma artist Harold Stevenson (1929-2018) created big paintings and lived an even bigger life in New York, Paris, Key West, and the Hamptons, becoming best friends with Andy Warhol along the way. For much of the past decade, Dian Jordan (The University of Texas Permian Basin) has been researching Stevenson’s singular life, gathering an archive, and laying the groundwork for a definitive biography.