Musical Theatre Radio presents "Be Our Guest"

Musical theatre composer and lyricist Will Larche is set to release a new album entitled Bumps in the Bathroom: and other lost shows. This highly anticipated album showcases a collection of songs from obscure indie musicals, including 'Bumps in the Bathroom,' 'BAIL OUT THE MUSICAL,' and 'Lesbian Love Octagon.' Each of these works has a rich history, having premiered in the vibrant East Village scene, performed in intimate venues where artistic expression thrived beyond commercial expectations.

The album’s impressive lineup of talent includes Tony nominee Beth Malone, Tony nominee Emily Skinner, Ben Jackson Walker (& Juliet), Jared Reinfeldt (Capote V Swans), artists from Ring of Keys, and many more. These Broadway names lend their voices to the project, bringing to life the uninhibited explorations of love, relationships, and self-expression that are central to this collection. Their involvement highlights the album's commitment to showcasing diverse perspectives and narratives that are often overlooked in mainstream musical theatre. The album also includes lyricist Kimberlea Kressal, The Wreckio Ensemble, musical director Julianne B. Merrill, orchestrator Scott Ninmer, and James Olmstead who produced the album.

Comprising a total of nine tracks, 'Bumps in the Bathroom: and other lost shows' will be released as a waterfall album, with a new track being unveiled each week for three weeks leading up to the full album release on February 27th. The first single, Julian will drop Friday, February 6th. This innovative approach to album release allows audiences to savor the music gradually while building anticipation for the complete project. The selection of songs reflects Larche's dedication to the downtown music theatre tradition, which has always embraced subversive and counter-culture themes.

The godmother of British blues began life in a terrace in Northern Ireland, a little girl who felt like an outsider. When the blues music drifted across from the American GIs up the road, Ottilie became obsessed: she’d found her tribe.

From teaching herself songs from sheet music and gigging in Belfast, she went on to play the Royal Festival Hall and tour the UK and USA with the Chris Barber Band, accompanying greats like Muddy Waters and Sonny Boy Williamson.Dubbed “the greatest singer to emerge this side of the Atlantic”, Ottilie was an immense presence and talent in the ‘50s & ’60s music scene. So why haven’t you heard of her? What happened to this iconic voice?Immerse yourself in the music and atmosphere of the post-war jazz scene and discover the legacy of this forgotten talent. Performed by Jolene O’Hara, Ottilie is at turns funny, at others poignant – but always intriguing. Come fall in love with the music, and the story, of the greatest Irish blues singer of all time.

Across 1950s jazz salons and Broadway backstages, Kathryn sings, stumbles, self-medicates—and ultimately rewrites the terms of her own life.

A one-woman musical celebrating the rich and ultimately triumphant life of Kathryn Albertson.

From the bright lights of Broadway through seasons of struggle and reinvention, Kathryn: A Life Almosting, unfolds as a joyous and moving journey.

With an original score, it is a love letter to song, resilience and the enduring bond between mother and daughter.

As a gay high school math teacher in small-town Pennsylvania in 1996, Ricky Alleman knows exactly what part he needs to play. When an offbeat student enlists his help to win a statewide theatre competition, his efforts tangle with the local church – and Ricky’s carefully compartmentalized life starts to unravel. With a small cast, a four-piece orchestra and a delightful, contemporary score, All the World’s a Stage is a brand-new musical about making connections and being true to ourselves, even in a polarized world.

A new sung-through musical written and directed by Samantha Roberts, Forget I Said Anything follows an ensemble of characters as they navigate through relationships, both new and old. We explore how people treat each other in the modern age, and the toxic and unhealthy relationships that are produced and reinforce our warped perceptions of reality. Samantha first began writing Forget I Said Anything as a student at Temple University, and since 2019 it has been performed as a musical, individually, and as staged readings.“Forget I Said Anything is a musical about relationships of all shapes and sizes. I encourage you to ask yourself why certain unhealthy relationships are featured. Our society relies on the idea that everyone is replaceable as a reason to not commit to anything. I have always struggled with that ideal. Nothing can be perfect, but when we show each other empathy, there is a chance we can grow into a kinder society.”Website

Erica is the founder of  Stage Door Tours, your ticket to the incredible magic of the West End! Get ready for an unforgettable adventure with our specialised and enthusiastic guides as they share backstage stories, the thrilling history of London's iconic theatres and uncover hidden gems. Whether you're a die-hard theatre fan or gearing up for an exciting musical experience, our tours are bursting with captivating stories just waiting to be discovered. Book your tour today and dive into the vibrant heart of London's theatrical world!Website

Morgan Vanderlaan

Morgan is a junior at the University of Florida majoring in political science and English with seven years of experience in lyricism, playwriting, and directing. Her plays have been produced by multiple regional theaters including the Hippodrome and the AcrossTown Repertory Theatre in Gainesville, FL. With a background in poetry, she has been awarded by the Scholastic Art and Writing Awards for her words. This past summer she worked in London as a screenwriting intern and entered in a festival at Riverside Studios where she received her off-West End debut with a ten minute piece entitled "Ants." 

Nicolas Chalise

Nicolas is a junior at the University of Florida majoring in music composition and has been writing music for as long as he can remember. As a composer, lyricist, music director, vocalist, violinist, and pianist, his passion for music drives his ambition toward innovation both in the concert hall and on stage. In both Spring and Fall of 2025, he has been a featured composer in the University of Florida Undergraduate Composition Concert. From string quartets and chamber music to pop-styles and song writing, he is always eager to create musical moments which capture the essence of human experiences.

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Composer and lyricist Ray Christensen has woven the musical styles of the horror movie soundtrack, progressive rock, and a decidedly humanist message into a dark, thrilling musical. 

Legend of the Werewolf has been workshopped three times and showcased twice in the San Francisco Bay Area. This original work of musical theatre will attract diverse audiences and spark passionate dialogue about fear as power in our social climate.​

Legend of the Werewolf is an independent, privately funded project. Please consider making a donation toward further development. You can also help tremendously by spreading the word.

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Christopher Robin and Pooh is a new musical adapted from the beloved children's books Winnie The Pooh and The House At Pooh Corner, as well as poems from the books When We Were Very Young and Now We Are Six; written by A. A. Milne and illustrated by E. H. Shepard. The script, music, and lyrics are all written by Harper Craven with several Milne poems adapted into songs as well. Directed and Choreographed by Andrew Winans. 

The story focuses on Christopher Robin spending his last day in the Hundred Acre Wood with Winnie The Pooh at the Enchanted Place. Christopher is about to head off to boarding school and knows that his childhood is over. He's still nervous about the idea of growing up but is also very excited about it. Pooh is processing the fact that he'll have to say goodbye to his best friend; Christopher Robin and doesn't know if he's ready to do that. All of his other friends are also coming to terms with saying goodbye to Christopher. Touching on themes such as friendship, growing up, self-worth, and healing your inner child. 

WORLD PREMIERE! Zombies! Shakespeare! 80s inspired music! 
ROMERO & JULIET is a new zombie rock musical. When Romero, (a regional guardsman and distant relative of the filmmaker), meets zombie Juliet at a music festival called Deadstock on Friday the 13th in September 1985, what could possibly go wrong? 
This world premiere fuses Shakespeare’s timeless tale of star-crossed lovers with the zombie lore of Pittsburgh’s own George Romero, drawing stylistic inspiration from cult favorites such as LITTLE SHOP OF HORRORS. It has an original score inspired by 1980s pop legends including Madonna, Bon Jovi, George Michael, Boy George, and Jim Steinman. 
ROMERO & JULIET is written by Broadway vets Scott Logsdon and Aaron Gandy. It celebrates and builds on George Romero’s enduring Pittsburgh cultural legacy and serves as a reminder that… love bites!

Feb 13th & 14th, 2026

Greer Cabaret Theater

655 Penn Ave
Pittsburgh PA 15222