Following Bryan's original idea of a sparse black and white video with splashes of red, I approached WTR as a nod to the gangsta rap videos from the mid to late 90's.

King Klick started as three hours of raw footage and only two days to edit until I moved to Chicago. In the end, the speed of the edit was an ode to the late nights and long sessions to complete this marathon project.

Horny was my director's best work with constant vision throughout the creative process. This made the video one of BAREKNUCKLE's best and one of my most enjoyable and direct projects.

A collection of all of my early work with Bryan and BAREKNUCKLE. As a year in review, it reminds me of our amazingly busy year for music videos, considering we starting working together in 2003.

My friend Cheryl shot her mom's life long dream of sky diving and asked me to capture the orginal footage from High 8 and edit it for her. Once we found the right song, it was finished in about an hour.

Shot during the night with a crew of two, Bryan directed while I shot and rigged lights after we lost the rest of the crew after delays building the lab pushed the start time from noon to 9pm.

A video I both shot and edited, Me and the Mic was a workout of multiple locations and a crucible for a still fresh partnership. What started here lead to all of our later successes.

My dad asked me to make his company a promo and we ended up rewritting the script the last day of shooting. The pressure of working with my dad really made me a better producer.

My writing teacher Sandra Dejardins asked for us to explore something we didn't feel comfortable with and take chances. I wrote this poem, my darkest work from a dark memory from childhood.

This poem was a departure for me from anything I had done before. It's long, it's fiction, and was an adventure that all began as I imagined a child I didn't know taking my hand, during a time when children and family were filling my mind