Bach's first church works were anything but plain and dull. Untouched by Italian style, firmly in German Lutheran tradition, this very first known Bach cantata shines and surprises at every turn through its mazy passages. 

This is the second part in a two-part miniseries on the masterwork BWV 150 (Nach dir, Herr, verlanget mich). See the previous podcast episode for part 1. In this episode, we discuss the last three movements: the shaking trees of the trio (Cedern müssen von den Winden), the frantic escaping of the net in the chorus (Meine Augen sehen stets), and the towering final Ciaccona.

In this episode, we reference Bach's most famous choral works. We see how in his early works he was more experimental, and we explore how the seeds of his later masterworks are yet already there. 

BWV 150 as performed by the Netherlands Bach Society (recordings used with permission in this episode)

Musical score to BWV 150 referenced in this podcast miniseries