At the end of the year, I hear the bells on New Year's Eve. In order to wash away all the bad things of the year. And, as next year will be a good year, I wash out the heart. New Year, I will pray to the shrine. - KI

Kazuya Ishigami is a composer, sounds performer and sound engineer born in 1972 in Osaka, Japan. He studied electroacoustic music composition at INA-GRM in 1997. His pieces were performed at DR(DeutschlandRadio/Germnay) ,WDR(westdeutscher rundfunk/Germany), FUTURA(France), MUSLAB(Mexico), ICMC(2015_USA/TEXAS) and others.

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

This wordless narrative takes place in logging and recreation forests around the former missionary project and railroad settlement of Mission, British Columbia. Reconsidering nature and enclosure, I compose electroacoustic land-and-memory-scapes. I use vehicles as recording media and bodily prosthetic; place myself in friction with park design and flow; listen beyond visual frames; and trouble spatial narratives. - HK

Helena Krobath uses sound to explore phenomenology of place. She participates in soundwalks and gives workshops in aural poetics for research-practitioners and storytellers. She co-hosts the Soundscape Show on Vancouver Co-op Radio and recently worked with the Still Creek Salmon Sounds project to sonically document a rehabilitated urban salmon run.

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

The work is questioning the interactions between an autonomous generative device that produces the musical material for 16 channels with the hyperactivity of a computer system and the composer in his role of formatting and supervising the syntax. Sound materials used explores different kind of machine’s sounds archetypes like pure sounds, noises, glides, glitches, mechanical iterations and so on with perfect parametric control on every aspect as well as some anthropomorphism of the machine as imagined by my human ears influenced by popular and sci-fi culture trying to giving it a language.Finally, some on-board conversations of the Apollo 11 crew were used (NASA, public domain). I’m fascinated by space and those people who explores the unknown. The piece is largely inspired by the sci- fi literature and space conquest is a prolific field of how human dreams can be fulfilled by relying on machines. - JH

Jullian Hoff's creative fields are divided between works for media (acousmatic and videomusic) and multimedia comprovisations (mixed music, musical algorithm, generative audiovisual devices, physical interfaces). His inspiration derives from lyrical abstraction, surrealism, the human element of technology, technoculture and post-humanism.

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

A self portrait reflecting on interviews about listening with seven women artists and colleagues working in Thunder Bay, Ontario during a six month period recording and considering my relationship to the place I live in. - ZG

Included in this piece are the voices of Ardelle Sagutcheway, Michelle Derosier, Leanna Marshall, Jean Marshall, Elizabeth Hill, Jayal Chung, Kerri White and Tracie Louttit.

Zoe Gordon is a media artist living in Thunder Bay, Ontario. She is also a sound recordist and designer for independent film and video with her boutique production company, Cricket Cave.

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

A recording of a live micro-FM transmission performed at the Lizard Wireless Telegraphy Station, Cornwall: site of Marconi’s first ‘over-the-horizon’ wireless transmission in 1901.

The composed transmission is based on field-recordings collected on the Lizard Peninsular, a landscape littered with the architectural remains of listening and communication. Haunted by the did-dit-dit of Marconi’s test signal tapped out on the towers and blast walls of these architectural ghosts, the emerging soundscape mingles local sounds with others recorded on the Isle of Wight, from where Marconi’s original signal had arrived. The transmission begins as the first illuminated arc of the Lizard Lighthouse signals nightfall.

Sebastiane Hegarty is an artist, writer and lecturer. His research explores the perceptual geographies of sound and listening, through field-recording, live radio transmissions and the production of phonographic objects and actions. Sebastiane has exhibited, performed and broadcast across the UK and Europe, including works for BBC Radio 3, Radiophrenia (Glasgow/Bergen) and IMT Gallery (London).

The Deep Wireless 14 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2019 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Off the Beat(en) Track.

Editions 9 through 14 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 14 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

Misophonia is a chronic condition characterized by highly negative emotional responses to auditory triggers such as chewing, lip smacking, breathing, sniffling, coughing or slurping. This radio piece explores the world of bodily sounds and reflects the ways in which this health issue has been covered by the media. Can we perceive misophonic trigger sounds as music?

Carlo Patrão is a Portuguese radio producer based in New York City.

Deep Wireless 13 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2018 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Sonic Reflections.

Editions 9 through 13 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 13 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

The Edible Pet was created by Zoë Irvine and her son Logan, with contributions from family and friends in Edinburgh Scotland, Northern Ireland and South West France. It is a story that travels from pet keeping to dining table, taking in some back garden ethics, pet psychology, trans-species music making, dramatic mishaps, life, death and recipes. There are some scenes of a graphic nature, this programme may not be suitable for vegetarians.

Original music - Zoë Irvine & The Galloanserae Experimental Ensemble. The music you hear in the programme is derived from the calls and sounds of Jackie, Diamond and Tweed, the pets featured in the programme, transposed into musical notation. With the exception of these additional songs - Le Poulette Grise – Alan Mills; Ain’t Nobody Here but us Chickens – Louis Jordan.

Zoë Irvine is an artist primarily working with sound, exploring voice, recorded conversation and field recording. She seeks humour and playfulness in documentary making and enjoys bringing listeners into the making process. She also works as a sound designer, establishing Eggbox Audio, a sound studio which explores new models of working and is aimed at affordable sound for early career and independent filmmakers and radio producers. Zoë lives and works in Edinburgh Scotland.

Deep Wireless 13 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2018 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Sonic Reflections.

Editions 9 through 12 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 13 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

An intimate audio work based on conversations between Billy Proctor, a lifelong resident of the Broughton Archipelago area in B.C., and Jenni Schine, a sound artist based on Vancouver Island. As an elder who has witness the transformation of B.C.’s coast, Billy is known as an important knowledge keeper and “the heart" of his settler community called Echo Bay.

Jennifer Schine is a sound artist, broadcaster, and community-engaged researcher. Excited about public engagement and collaborative projects, she has extended her work into film, radio, electroacoustic composition, and installations. Jenni is a member of The Kingcome Collective, a place-based art initiative that creates art for Indigenous Peoples and non-Aboriginal society. She is passionate about bringing art and science together, and teaches Acoustic Ethnography and Science Storytelling at the Bamfield Marine Science Centre. Jenni loves hanging around boats and currently serves on the board of the Salmon Coast Field Station.

Deep Wireless 13 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2018 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Sonic Reflections.

Editions 9 through 12 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 13 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

Voyager 1 and 2 plasma wave instruments detected whistler-like activity when passing Jupiter in 1979. I celebrated Juno’s 2016 arrival at Jupiter by composing Sferics using recordings of whistlers, sferics captured by my VLF receivers, white and pink noise generators from Moog IIIP and Aries synthesizers and my shortwave radios.

Maggi Payne composes music for concert presentation, video and dance, and is a video artist, recording engineer, and Co-Director, Center for Contemporary Music, Mills College, in the San Francisco Bay Area. Her works appear on Innova, Lovely Music, Aguire, Starkland, Asphodel, New World (CRI), Root Strata, Ubuibi, and other labels.

Deep Wireless 13 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2018 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Sonic Reflections.

Editions 9 through 13 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 13 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda

Sight Unseen can be thought of as a series of songs and interludes that explore the theme of information literacy. This piece is about conveying an emotional reaction – to express the frustration and confusion that come with not being able to trust or understand the validity or context of information.

Michael Lukaszuk creates fixed works, improvisations for laptops, pieces for acoustic instruments with live processing, and algorithmic systems in which computers generate music in a venue. He is an Instructor of Composition at the University of Cincinnati. Michael\'s music has been played events such as ICMC, TIES, SEAMUS and NYCEMF.

Deep Wireless 13 Online Album was produced by New Adventures in Sound Art (NAISA) for the 2018 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The contents of the album were curated by NAISA from an international call for submissions on the theme Sonic Reflections.

Editions 9 through 13 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on NAISA's Soundcloud page.

Note that Deep Wireless 13 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact [email protected] for more information.

Artistic Director: Darren Copeland

Executive Director: Nadene Thériault-Copeland

Image Illustration: Prashant Miranda