Almost every reporting trip has its pitfalls. Andrew Leland's recent story for Radiolab had more than most: He reported people with disabilities participating in tests for travel in space. Along with the nausea and recording challenges in zero gravity, Andrew has lost much of his sight. On this HowSound, Andrew lays out how he navigated it all.

Nausea, Forehead Mics, and Immersion

The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.

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Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do that. On this episode, we'd like to introduce you to another podcast with the same mission: Sound Judgment hosted by Elaine Appleton Grant and featuring an interview with Jonathan Menjivar about his podcast Classy.

Introducing Sound Judgment

Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbong, Barbara Moran, Ari Shapiro, and Andrea Shea.

Thanks, NPR. That Was Satisfying.

"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out all the "ums" as well as the backstory to her piece for the BBC's Short Cuts called "What's In An Um?"

The Um, A Deep Dive

One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School, former NPR engineer Flawn Williams evangelizes about the value of stereo recordings, and he brought along several sound-rich examples.

Revisiting: Should I or Shouldn’t I — Recording in Stereo

In the tsunami of serialized documentary making over the last decade, what happened to the short story? Where are the one-off curious and creative sound portraits or essays or found sound or audio postcards or.... ? Last year Transom commissioned a dozen short stories as part of "Small, Random, and Meaningful." Rob features his three favorites.

Nausea, Forehead Mics, and Immersion

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