Navigating the Fustercluck

Here’s to the future! Instead of goodbye, that’s what my friend used to say. HIs name was Arnold Penney. He died at 92. Literally, my oldest friend. And for some reason, he had erased the word “goodbye” from his vocabulary. Perhaps it was because he had had so many hard goodbyes in the past. Especially his brothers in arms he lost in WWII. All I know for sure is that was our traditional send-off: Here’s to the future. It suited Arnie, the youngest senior citizen you ever met. Full of life. And a fan of good Scotch til the end. Since his passing, I’ve tried to keep that forward-looking outlook. That sense that the best is yet to come. And that’s the spirit I hope fills you as we celebrate the first anniversary of our podcast. Welcome to Episode 52 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the 7-times-down, eight-times-up world of creativity & management. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where our anniversary has placed us in a rather celebratory mood. Thanks again for helping our launch year be such a success. Not only were we an iTunes New & Noteworthy selection, you gave us over 100 5-star reviews. And we appreciate it. If you’ve found the snackable and stackable ideas on Navigating the Fustercluck to be helpful, please share them. Looking back over our first year, here are some of the things about working in the world of creativity that makes me look forward to the future ahead: The Stories Every time I sit around with my oldest buddies, they want to hear advertising stories. And they’re rarely let down. These guys are in fields like pharmaceutical sales, banking and such. Face it, we may not make as much money as some industries, and we may have more headaches than others… But we have our stories. Here’s one I’ve been asked to retell multiple times… It’s The Star Trek Story featuring old school writer, Larry Simon. I didn’t work with Larry long, but he was brilliant. Great writer. Great presenter. Smart, smart guy who used to be featured some on NPR. I’m not going to share the client, but the relationship had gone sideways.Seriously sideways. And while the agency may not have been perfect, but the client was abusive and confused. Toggling between insults and wholesale strategic changes meeting to meeting and sometimes multiple changes within meetings.  Things were coming to a head for awhile when we walked into their offices for what felt like a make-or-break meeting. And people were a bit uptight. Now Larry, he was always uptight. A bundle of energy. Nervous energy that sometimes worked for him, sometimes against him. But he had the big idea and like I said, he was a dynamite presenter. You just didn’t know if he was going to  explode. From the moment we walked into the conference room, things didn’t feel right. We should have pulled a fire alarm and booked. But then we wouldn’t have this story. From the first slide, the meeting started off wobbly and from that point on it just kept sliding down and down and down, but we gamefully gutted it out. When it came to his turn, Larry was brilliant. Smart, clear and engaging. To me at least. The client? Not so much. And when you’re an entertaining guy like Larry, a dead room is a living hell. No matter what Larry said, he couldn’t break their poker faces. Finally, standing dead center in the room, Larry just shut down and stopped cold. He just stood there silently. For a split second, I thought he might be having a stroke. But after a pregnant pause, he pulled his wallet out of his back pocket. Flipped it open like a Star Trek communicator and in his best Captain Kirk voice said, Scotty, beam me up. There’s no sign of intelligent life down here. Larry then snapped his wallet back together,

I Can’t Recommend This Business Anymore…The Holding Companies Won’t Allow Me to Lead…There Are No Advertising Heroes These Days…I’m Really Hoping NOT to Get Promoted… These are just some of the brow-raising things that I’ve been hearing lately. Some of which I’m hearing for the very first time. Perhaps each of these are a signal that creativity & management are indeed in the middle of a great upheaval. The again, when isn’t it? Welcome to Episode 51 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the evolving world of creativity & marketing. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we’re exploring all the talk out there.  As we move past our first 50 episodes, thanks again for helping our launch year be such a success. We truly appreciate it. And hope that you’ll keep enjoying and sharing Navigating the Fustercluck. OK, let’s get back to the buzz all about creativity & management…   I Can’t Recommend This Business Anymore  This is one of the saddest things I’ve ever heard. And I’m hearing it more & more. From grizzled vets to those who should be the next group of leaders and cheerleaders for the business. People are down. They feel forlorn. (Sad sounding word, isn’t it?) Some feel that in their pursuit for economic efficiencies, clients haven’t noticed or don’t care about the struggle of agency people to maintain some degree of work/life balance. They feel that their companies barely care more than their clients.  It’s been going on so long this way that people are finally exhausted. Losing faith and optimism in their industry. And their leaders. So much so that many no longer want to see anyone else suffer the same fate. They’re actually mentoring younger people to get out while they can. All I can say is that the rank-and-file need some hope.  Leaders, you still owe your team 3 basic things: A vision to march behindInput to the visionThe tools & environment to fulfill the vision And you owe them this whether or not those above you in the org chart aren’t supplying the same to you. No wonder I’m also hearing people say…  * I’m Really Hoping NOT to Get Promoted  It’s not that people aren’t ambitious, it’s just that leadership isn’t always worth aspiring to. Why?  People are looking for safe-havens. A balance between making money and free-time. And they’re afraid to be at such a level where they’ll be exposed when layoffs come. You can actually become the victim of your own success. Seeking security over new challenges. Especially when cuts are being made by accountants at the home office who have never met you. Some of these problems are perceived to come from the same source- holding companies.  I even have C-suite leaders, including CEO’s saying…  * The Holding Companies Won’t Allow Me to Lead  According to them, they have to manage to the numbers. Keep the status quo. Unable to investment spend in tools or people unless a current client requests it. No risk. No gain. Just the same agency offering from before. Incremental improvements over dynamic change. At the same time, these leaders seem a whole lot safer than those they serve. The average stay of an agency CEO stay is pretty stable it seems, just as long as they don’t try too hard to innovate. That may be one reason why people are saying…  * There Are No Advertising Heroes Anymore  Was Alex Bogusky the last advertising hero? Because he’s gone now. Again.David Droga may have held that mantle, but that’s before many dubbed him a sell-out when he sold to Accenture. (The jury is still out on that one.) So who else? Dan Weiden is basically out of the picture. Jeff Goodby? Perhaps. Anyway, on the more personal level, with so many vets opting out voluntarily or forcibly, are we left with many potential heroes?

It’s in your head. And it won’t get out. That little voice only you can hear. Yet it’s loud and clear. You’re not good enough. You can’t do it. You’re an imposter. A fake. A fraud. And you’re about to be found out. We’ve all been there. Now how do we get out? How do we become more confident? That’s what we’re going to look into today. Welcome to Episode 50- yes, I said 50– of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the bittersweet world of creativity & marketing. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas. Thanks again for making our first 50 episodes such a success. The initial goal was to do 52 shows. A year’s worth. And now we’re almost there. And not only did we become an iTunes New & Noteworthy selection, you’ve given us over 100 5-star reviews. And we appreciate it. If you’ve found Navigating the Fustercluck to be helpful, please share it. As we share insights on the relationship between creativity and confidence. How do we quiet our inner-critic? That little voice inside our head. As Winston Churchill said… When there is no enemy within, the enemies outside cannot hurt you. And don’t you already have enough real obstacles to overcome?As IDEO’s Tom and David Kelley state in their book Creative Confidence:Creativity, far from requiring rare gifts and skulls, depends on what you believe you can do with the talents and skills you already have. Self-Fulfilling Prophecy According to Tanner Christensen…Many of us who have a powerful creative drive refuse to let it become more than just a few occasional day dreams not because we lack creative capabilities, but because we lack the creative confidence necessary to do the work. We think to ourselves: “I can’t write a novel, I’m not a writer” or similar thoughts. The result is that we end up fulfilling the prophecy. We don’t feel like a writer, so we don’t write, which ensures that we don’t become a writer.  Fear of Being JudgedIf the scribbling, singing, dancing kindergartner symbolizes unfettered creative expression, the awkward teenager represents the opposite: someone who cares—deeply—about what other people think. It takes only a few years to develop that fear of judgment, but it stays with us throughout our adult lives, often constraining our careers. Most of us accept that when we are learning, say, to ski, others will see us fall down until practice pays off. But we can’t risk our business-world ego in the same way. As a result, we self-edit, killing potentially creative ideas because we’re afraid our bosses or peers will see us fail. We stick to “safe” solutions or suggestions. We hang back, allowing others to take risks. But you can’t be creative if you are constantly censoring yourself.Growing OUT of Creativity I love this notion that comes from a quote from Sir Ken Robinson, whose popular TED Talk you may want to check out. We don’t grow into creativity, we grow out of it. Or rather, we get educated out of it. The problem is… No one is going to pay much attention to the person who has no confidence in himself. That’s what fashion maven, Tim Gunn says. The Chicken or the Egg Are self-confident people more successful? Or do successful people become more self-confident? In this chicken-or-the-egg argument, one thing is certain: every study conducted in the past 50 years on self-confidence and success has proven that the two are at least related. That is, self-confident people are more successful in all ar...

Gallup says only 29% of Millennials are engaged at work. With 16% actively disengaged.(Meaning that they’re actually getting paid to undermine their place of work.) That means over 55% are in the middle. They’re stuck in limbo.Passionate with nothing to be passionate about. And Millennials aren’t the only ones.  We’re seeing this kind of detachment throughout our workforce. Meanwhile, it’s a fundamental human need to feel like one is part of something bigger than themselves. Something different. Something better. Something they can believe in.Yet, when is the last time you’ve been inspired by an agency website, manifesto or work guide? Is it because agencies don’t know how to advertise what makes them special,or don’t they have anything worth saying? Considering just how little we invest in training and communications, you have to wonder.  Perhaps if we did invest in these efforts, again, we could start a virtuous cycle. One where the continual sharpening of our vision, mission, values and skills would not only inspire our people but attract more clients and press. Welcome to Episode 49 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the everchanging world of creativity & marketing. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where today we ask…Will Agencies Ever Learn? (The Importance of Education & Training.) It’s all about our culture. That’s what every agency says. But ask them what their culture is, and few- very few– can tell you what exactly their culture is. What defines it. What I can tell you is that few agencies have learning cultures. A commitment to expanding the knowledge and skills of their people. To growing their business by growing their people. A commitment that includes training programs. Educational support. Speakers. Webinars. Writing books. Creating content. Like blogs and podcasts. One company that gets this is the iconic design shop, IDEO. Educational Products IDEO is so committed to training & education that their programs have become a product. You can earn a certificate in areas ranging from presentation skills to design thinking. They actually make money on their efforts!  Imagine if other agencies looked at their educational efforts this way. A key point is that this doesn’t have to be a top down effort. Grassroots In fact, it can be very grassroots. Take Talk Shop, for instance. Nina Bressau & Robert Stahl work for Integer, an Omnicom agency in Dallas. A planner and a creative, Nina and Robert, are young teammates on the rise. That said, they both felt that their presentation skills could stand for some improvement. Then again, whose can’t?  So, they explored all the programs available, Toastmasters, etc. None, however, felt quite right for advertising. That inspired them to create their own program, Talk Shop. Meeting once a month, and open to all Omnicom employees, Talk Shop has now spread to other Omnicom offices. Don’t be surprised if it goes global. I’ve been a guest speaker at a Talk Shop special event. And walked away impressed by the concept and its creators. Kudos to Nina & Robert! Personal Experiences Personally, I lead a team that created a weekly blog that lasted 6 ½ years.Provoke Weekly was a great internal and external tool. One that expanded both knowledge and PR opportunities. We also created Provoke University, an inhouse education and training program featuring essential skills and the latest trends. We even wrote a book that clients and new business prospects loved. A book that served as hymnal to get our entire team on the same page. All these efforts were under my direction, but were lead by amazing young talent that used their experiences to lift their careers. Cost How much did it cost is the question everyone wants ...

Imagine our ancient ancestors out on the long grass of the wild plain. Their senses fixed upon their predators. Lions and tigers and bears, oh my! Meanwhile, the beasts that sustained our predecessors could bepassing them by without them noticing at all. Making their situation that much more dire. Why? We’re Wired to Focus on the Bad. After all, to survive, life has to win every day. Death has to win just once. That’s why we pay more attention to our enemies than our friends. Our friends won’t do us in! Now transport yourself off the fruited plain and picture yourself in the jungle.The jungle that is most office spaces. Your brain closes off from the outside world and focuses on the negative, preventing you from seeing other options and choices that surround you. After infinite generations of evolution, we’re still steered by our fears. Welcome to Episode #48 of Navigating the Fustercluck…a snackable podcast that addresses the aggravatingly awesome world of creativity and marketing, where our focus today is to explore the power of negativity, and how we can put it to service to make things better. Or as Helen Fisher, the author of Anatomy of Love, says…By conquering the brain’s impulse to focus on the bad, we can all build stronger relationships and enjoy happier lives. Let’s see how that translates in the environment we so often find ourselves in. Let’s explore the office jungle. And what we fear most there… Trauma  Just like our own childhoods, we can be scarred for years by a single event. That’s the textbook definition of trauma. As the New York Times points out, Bad emotions, bad parents and bad feedback have more impact than good ones. No matter how well we do at our jobs, we still feel that it can all be wiped away in one fell swoop: By a new boss.A big mistake we may have made.Budget cuts.A vindictive client.Office politics.Unforeseen forces. Any and all of them can wipe away an otherwise superb record. So, we find ourselves in a constant state of anxiety. Oddly enough, there is no positive opposite of trauma. One big success or moment cannot counterbalance the fear of a traumatic event. How can they when we so often here, What have you done for me lately? No wonder negativity consumes so many of us. And when it does, your brain closes off from the outside world and focuses on the negative, preventing you from seeing other options and choices that surround you. Doomed! That’s how negativity can make us feel. Placing us in utter despair. So deep we may wonder how the Hell we can escape it? How do we combat negativity when the negative has a greater impact on us than the positive. In fact, negative thoughts are 5X more powerful than positive thoughts. 5X!!! Back to the Future Well, just like negative thoughts served our ancestors, they can help us, too. Contentment Contentment has its place, but staying too long in one place can be damaging. According to the Harvard Business Review..Negative feedback guards you against complacency and groupthink.  Negative thoughts can keep you on your toes. Keep you searching. Moving on from one place where your competitors may catch up to or even pass you. If you embrace it, fear can help you keep your edge. As the legendary leader of Intel, Andy Grove once said, Only the paranoid survive. Furthermore… If you’re wrong, you will die. But most companies don’t die because they are wrong; most die because they don’t commit themselves. They fritter away their valuable resources while attempting to make a decision. The greatest danger is standing still. Just don’t let paranoia destroy ya’. Criticism Criticism is hard to take form anyone. Friend, family or co-worker. The key is understanding the intent of the criticism. Is it constructive or negative? I must admit, I’ve had reviews where 99 out of 100 things were positive. Even glowing.

\No one likes meetings.

At least not the way that they’re usually run now.

Power Point and Keynote have actually detracted as much as they’ve added to presentations. Presenters being more in the service of their slides than the story that they’re trying to tell.

Meetings in person can be rough sledding but conference calls have even more speed bumps.

You can’t see people’s reactions.

You’re not even sure if they can hear you.

And there’s less pressure for people not to check their phones.

Face it. Face-to-face isn’t easy, but it’s a lot easier than over the phone.

With many more meetings conducted over the phone than in person, let’s work on making these calls better. A lot better.

Welcome to Episode 47 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the everchanging world of creativity & marketing.

My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we hold no meetings without tacos or pizza.

If you find Navigating the Fustercluck to be helpful, please share it.

Now let’s help make teleconferences better.

The Meeting Before the Meeting

Every meeting should have a meeting before the meeting. Because most meetings should simply be exclamation points. The icing on the cake. Where everything comes together and you’re consolidating support for your ideas and executions.

Often the key to that is the conversation or conversations that precede the big meeting. The talks between Accounts and sometimes senior creatives with the client. Where things are smoothed out and people get on the same page.

That’s important in any meeting, phone meetings even more. Develop those allies on the client side that can read the room you’re not in and help make the sell.

The Ta-Dah Moment

Sometimes agency folks prefer to hold back on presenting ideas until the very last moment. They prefer to be like magicians, keeping their work secret until showtime and that big ta-dah! moment.

Maybe they think that they’re protecting the work by hiding the work. Maybe they’re afraid that once the work is exposed that it will suffer a death of a thousand cuts. Yet the AMA claims that the more interactions you have with the client, the better the work. The fact that many agency people don’t believe that points to the lack of trust that hinders truly innovative and breakout work. If that’s the case, then we may have to do a podcast on that. For trust is the cornerstone of every relationship. Personally, and professionally. But that’s for another day.

 

Who Should be in the Room?

 

Balance. Agencies are caught between wanting to be efficient with everyone’s time and exposing people to meeting situations so that inexperienced talent learn the game.

Teleconferences are a great opportunity to gain exposure for people. If the client can’t see who you have in the room, they won’t feel that their money will is being wasted. There’s no travel. And there won’t be the distraction of a full room. Just make sure that those extra people know their role and don’t talk, laugh or distract.

Roles

Everybody has got to have a role and know their role.

One person has to be the quarterback. Be the glue. Everyone else has their particular section to lead. Competing voices will tear the whole effort apart. Know your roles.

If the meeting takes a detour don’t panic and blurt something out. Huddle with your team. Write notes. Take advantage of not being visible.

The Pre-ramble

Ever wondered about what it would be like to be in an arranged marriage? Negotiating to be chosen to receive your partner’s dowry? Hoping that you may actually come to like each other? Well, that’s pretty much what the new business process is like. After flirting with one another throughout the pitch process, suddenly, there we are. No one quite sure how it’s all going to work out. Uncomfortably wondering what’s next. Unlike an arranged marriage, however, we don’t get a lifetime to figure it out.We have work to do, immediately. It’s pretty much sink or swim. Maybe we need to sign a pre-nup. At least some sort of mutually agreed upon Rules of Engagement. Welcome to Episode 47 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the detour-laden world of creativity & marketing. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we’re going to look at client/agency relationships, which all too often turn into relationshipwrecks. The question is why? It starts when we get so wound up about winning over prospects and winning their business, that we just hope and wing it when it comes to how we’ll actually work together. Neither party wants to overshare and reveal things that may become a deal breaker. We convince ourselves that we can work out whatever speed bumps come our way. But that’s not always the case. We’d all be better off if we were honest with one another right from the gitgo. Which only begs the question, what should those Rules of Engagement look like? The following are some possible examples. Client Briefings Some clients are taking back the briefing process. And they’re excellent at it.Some struggle to share a document that works. Yet we do nothing about it.Even when the work suffers. What can we do about it? What if we talk beforehand. Agreeing on the main points before the client brief becomes the primary blueprint for the work. You can’t count on the agency brief to smooth over all the rough spots. Can client and agency strategy people learn from writing groups? Trading versions back-and-forth until their thinking is polished? Also, to make sure that ample time is given to the work, that client brief has to arrive asap. Collaboration Most agencies try to keep their clients’ eyes off the work as long as possible, even though according to an AMA conference I attended, it’s proven that more rounds of feedback add to the work more than extra time to create. Personally, I like an tissue session or two early in the process, then more unadulterated time afterwards to grow those directions. It’s when you hold off on feedback that you’re more likely to miss the boat. Work upfront to determine a feedback process, write it down and uphold it. Rules of Engagement are a joke if you don’t take them seriously.Creative Development Due to an accumulation of unofficial “rules”, the work often stagnates withdo’s & don’ts based more upon personal preference or isolated “consumer feedback”. These myths warp the reality of the situation and limit our creative exploration, and we don’t even know it. Somehow, we become convinced that we have to show this or say that or people just won’t get it. But we don’t really know that. I worked for a car client that insisted that every :30 commercial needed to do 7 separate things and in a particular order, then wondered why the work all looked the same. What if every creative review the agency is asked to bring one direction that breaks free of these do’s & don’ts? Something that challenges our preconceived notions. Work that gets exposed in testing. Work that teaches us things even if doesn’t hit the bullseye. That said, every option has to be given an honest effort. No sandbagging so that the agency’s wilder efforts and personal favorites get a better chance...

Go There it is again Go Butting in again Go Calling me  Go Whispering Kicking Urging me To go Find myself Create myself Go Travel Go  Write Go Pull Push Reach Beyond myself For myself For the greater good Just go Go now  GoWelcome to Episode 46 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the sometimes bi-polar world of creativity & marketing. My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we started this episode with a poem I wrote one recent Saturday morning in an effort to kickstart my day. My Get Up and Go Has Got Up and Went I don’t usually write poetry. And from what I just shared, you can probably tell why. But criticism be damned. My point is that sometimes we get in a rut. And the best way to get out of it is not by pondering our way through our mental blocks but to unlock ourselves by actually doing something.  Whether that be making the bed.Walking the dog. Working out.Calling your mum.Arranging something.Rearranging something.Rearranging our minds all in an effort to get unstuck. As legendary science fiction writer Ray Bradbury said… Don’t think. Thinking is the enemy of creativity. It’s self-conscious and anything self-conscious is lousy. You can’t try to do things. You simply must do things. You simply must do things. I think that’s so true. We have to squeeze out the overthink. Do something and do it now. Too often ‘later’ becomes ‘never’.  If we wait until we’re ready, we’ll be waiting for the rest of our lives.  And as Jessamyn West says…Delay breeds fear.  That’s why I force myself to sit down and write, even when I have nothing to say. I just start typing.  Or I page through my massive quote collection and see if there’s something that strikes my fancy. Or rifle through my bookshelves to see if something stands out. Legend has it that George Harrison was in a book store when he read about a weeping guitar, leading to the classic Beatles tune, While My Guitar Gently Weeps. Inspiration is all around us. But we have to go engage it, not wait for it to come to us. That’s just lazy.So, what are you waiting for? I mean, thanks for giving me some of your time, that means a lot to me. However, I want to see and hear what you have to say. And I’m sure others feel the same way.  Procrastination is, hands down, our favorite form of self-sabotage.Don’t fall for it. Don’t feed it. Just go. Go write something.  Go paint something. Go make something. Go now or you’ll have to endure more of my sophomoric poetry. Got me? If you don’t, maybe you’ll believe Stephen King when says, “The scariest moment is always just before you start. After that, things can only get better.”  His book, On Writing: A Memoir of the Craft, is chock full of advice about how to get started, and keep going. Considering that he’s published nearly 60 novels and 11 collections of stories, you may want to read what he says. * Usually we take a break here, but that would kinda defeat the point here. So, that‘s going to wrap up our 45th episode of Navigating the Fustercluck.  Here from Deaf Mule Studios, I’m your host, Wegs, like eggs with a W, and thanks again for listening in and supporting us. If there are other ways you know to get unstuck, please feel free to reach out to me personally and share at [email protected] or NavigatingTheFustercluck.com, where you can find transcripts to this episode and every other of our 44 efforts. Finally, remember, we’re all in this together. If you see someone stuck in their thoughts, give them a friendly nudge. Here’s to you. Here’s to the future. Now go.

Once upon a time, back in an era where beer commercials were all the talk and insurance ads tried to bully you into buying a policy, Geico took a stand.They broke the mold.Zigged when everyone else zagged.And upended every other cliché you can think of.Geico took on fear when fear was the category.Are You in Good Hands?Like a Good Neighbor.The insurance industrial complex depicted a world where, if you didn’t buy insurance, you’d immediately have a fatal heart attack and your kids would end up as indentured servants, while your wife would now spending her evenings wearing a mini-skirt under a streetlamp.Every spot seemed like a paternalistic nightmare.But then Geico said, hold my beer.They knew that no one wants to be scared into buying anything.Especially a product you legally have to have.That costs a lot of money.And you never want to use.Hell, if that was the case, no one would use soap.Except it’s cheap.But insurance isn’t.That’s what’s key.And it’s certainly no way to start a relationship.Nor develop long-term loyalty.Geico and the Martin Agency decided to trust people.To trust that they’re smart.That they understand what insurance does.And that they want their insurance company to taketheir jobs seriously, but not themselves.And look where they are now.Geico is a marketing juggernaut.With ads that people actually look forward to seeing.Campaigns every creative wishes they were working on.It’s been an amazing run.But lately, things seem to have shifted a bit.Geico doesn’t seem so adventurous.Even hesitant.Leading me to wonder, Is Geico is finally succumbing to the same fear that it once subdued? And seemed to have vanquished.That’s the question here to answer today on Episode 44 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the curious world of creativity & marketing.My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we have the gall to question advertising’s golden child, Geico.The Gecko.Hump Day.Maxwell the Pig.Caveman Airport.And the Grand Prix winning Unskippable pre-roll ads.Who hasn’t seen and laughed at these smart, witty pieces of work?Hit after hit. Staying ahead. And not by outspending. But by being relevant.How? The human truth.It seemed like every ad found a new and unexpected way to drive home its point.Keeping people excited to see what would come next.Then it happened.The most forward-looking advertiser in the business stopped dead in its tracks and decided to take a look back.The Best of Geico campaign was announced.Now I’ll be the first to admit that I was excited to see some of these classic chestnuts.That is until two things began to register with me:Maybe I loved seeing these old spots so much because I merely liked the new ones. Some of which seemed to try to push the envelope by inserting Skittles-like randomness into the work. Weirdness over wit.For the first time I got the sneaking feeling that maybe, just maybe Geico had started to run out of ideas.Check yourself, I said. Give them a chance. They certainly have earned it.And then some.So, I waited for their next thing. Deeply hoping that I was wrong.Unfortunately, it happened again.Geico Sequels was released.Taking 5 popular characters from the past, Geico has created new scenarios for them.Yet somehow, they don’t feel the same.They seem…UnGeico. (If that’s a term.)They seem like funny for funny sake.And contrary to popular belief, that’s not what Geico does.Geico at its best tells a simple human truth.Even when expressed through a raccoon…Someone trying to get you to nibble on something that they’ve already declared to taste awful is a truth we’ve all experienced.The sequel on the other hand is just a silly spoof of food truck foodies.And while none of the sequels are bad,

Welcome to Episode 43 of Navigating the Fustercluck—a podcast full of snackable insights to help you navigate the tangled-up world of creativity & marketing.My name is Wegs, like eggs with a W, joining you from Deaf Mule Studios in Dallas, where we’re just settling into the New Year. And people are already talking about the upcoming award shows. Kinda insane. But I get it. As a former creative, at least I think I get it.Full disclosure, as a planner, I’ve been part of multiple Lion-winning efforts. Everything from business travel work for an airline to beer work,right down to everybody’s Yellow Brick Road to hardware: philanthropies.I’m proud of those efforts. Excited as hell for the first ones.Yet over the years, I’ve had to mull over what place they have in my heart and in the industry- both good and bad.Let’s take a minute or two to talk about the granddaddy of them all…CannesIf you’ve never gone, go! (I’ve been a grand total of 1 time.)If you work for a holding company, you’ll see where the bonus you were hoping for went. (Unfortunately, I’m only semi-joking.)But now that clients are increasingly in on this boondoggle, you can expect Cannes to keep on growing.The funny part is that every year you have to go to Europe to find out that everything is, will be or should be online. But since sand tends to mess with one’s keyboard, I guess you need to go directly to France to hear this message in person.That said, some of the workshops are amazing. I remember Marc Landsberg from Social Deviant blow away the audience that came to see him speak with straightforward actionable insights and practical tools. Picked up a few tricks from the Pop-Up Agency, too.As for keynoters…It’s pretty much the same ol’ speakers circuit. Celebrities and bigshots giving the same speeches they give everywhere. “Customizing” their talks like a rock star customizes their audience shouout…Hello Cannes!!!!!Funny enough, most of these talks are available- da, da, da tuh-dah!- online.I guess starpower sells. Or the organizers and VIP’s are looking to upgrade the “Like” counts of their selfies.Don’t get me wrong, there’s good stuff to see, but not as much as you might think. And since everyone is looking to upgrade their personal network, the people you want to network with are usually too busy to give you much time.However, the parties you attend are amazing. I can only imagine the parties that I couldn’t get in. Who knew how strong the yacht market was. “Yachting” is still a thing in that neck of the woods. Or water to be more precise.And Hell, it’s the South of France. The French Riviera, dammitt! It’s simply gorgeous.All that said, as a face-to-face guy, it’s kinda cool to have so many people gather in one place at one time. Makes you feel that you’re part of something semi-important.ClientsEarlier, I mentioned clients at Cannes. Cannes was long the refuge of agency and production types. Last decade, more & more clients started to attend Cannes. Is that a good thing? It is when they’re truly interested in making the work better. Not so much when they come unprepared for their panel appearances or talks because they’ve either been to a party or are headed to a party. Rose goes down easy, but it eventually catches up to you.Like SXSW in Austin, Cannes has become Spring Break for cool nerds and ad types. The only noticeable difference is one features skinny black jeans and the other Capri pants. Six of one, and a half-dozen of the other.When it comes to award shows, and the Award Show Industrial Complex, that keeps increasing the number of shows and awards to the point where participation awards are right around the corner, Cannes is just the tip of the iceberg. And coming on the heels of the Cannes Film Festival, the Cannes Festival of Creativity- the ad version- is the elephant of the room per...