Naxos Classical Spotlight

In this eposode of Naxos Classical Spotlight Raymond Bisha introduces Naxos’ new album of the complete works for solo piano by leading American composer John Corigliano. During their conversation together, the composer gives insight into the creative genesis of all the works on the programme, which span a period of some fifty years: from the 1968 Piano Concerto (“The first piece I ever wrote for orchestra”) to Prelude for Paul, written in 2021 with an unusual conception. The solo pianist is Philip Edward Fisher, hailed by John Corigliano for his “consummate technique and great musical intelligence.”

"A forgotten treasure. Marin Alsop discusses Hindemith.

This podcast features Marin Alsop in conversation with Raymond Bisha following the release of her first album for Naxos as chief conductor of the ORF Vienna Radio Symphony Orchestra. She assumed the post in 2019 and the programme reflects that of her first public appearance in the role. Marin's advocacy of Hindemith's music is rooted in her days as a violin student and her subsequent period of tutelage under Leonard Bernstein. The educational projects she initiated during her time with the Baltimore Symphony Orchestra also feature in the broadcast."

Violinist Tianwa Yang marks her fifteenth year as one of Naxos’ leading artists with a new album featuring Prokofiev’s two violin concertos. The works’ stylistic contrasts reflect the fact that they were written some twenty years apart, but they receive the same scrupulous attention to technical and musical details that hallmark every one of Tianwa’s performances. Little wonder that they consistently attract accolades and awards. Fellow Naxos artist Jun Märkl conducts the ORF Vienna Radio Symphony Orchestra. Raymond Bisha presents.

An introduction to the Symphonies and Dances of composer Malcolm Arnold featuring conductor Andrew Penny who recorded all these works for Naxos. Arnolds orchestral works are a study in contrasts, from his optimistic and tuneful dance suites to his deeply personal symphonies.

Raymond Bisha presents an overview of Boris Giltburg’s project to learn and record all of Beethoven’s 32 piano sonatas, which are now released in a 9-CD box set edition following their inception as critically acclaimed digital releases. The recordings reflect only one facet of Giltburg’s gem of an undertaking, in that performances were also filmed and subsequently fleshed out by his extended and informative notes that accompany the albums. Giltburg’s personal exploration and Beethoven’s panoply of expression unite in a cycle that runs the full gamut of human emotion.

Joseph Boulogne, Chevalier de Saint-Georges, was a brilliant swordsman, athlete, violin virtuoso and gifted composer, with a claim to being the most talented figure in an age of remarkable individuals. He was an early and important exponent of the hybrid symphonie concertante, a genre that draws on both the symphony and concerto traditions. In this podcast Raymond Bisha talks with Dr Allan Badley, co-founder of Artaria Editions, the music publishing house that has created performance editions for hundreds of previously unpublished 18th-century works, many of which have been recorded for Naxos.

Lithuanian composer Jurgis Karnavičius was born in 1884, and became one of the early classical music leaders in his country. His 3rd and 4th string quartets were composed and first performed in the 1920's, and then ignored for decades. This podcast, and the new recording by the Vilnius String Quartet show why Karnavičius deserves to be remembered.

Significantly influenced by his experience of playing in some of the earliest Soviet jazz bands, Nikolai Kapustin trained as a pianist at the Moscow Conservatory but subsequently devoted himself to composition. His output includes many works for piano, two of which are featured on this new album — the Fourth Piano Concerto and the Concerto for Violin, Piano and Orchestra, along with his Chamber Symphony, Op. 57. Raymond Bisha introduces both the music and the propulsive energy of Frank Dupree who appears variously as piano soloist and conductor throughout the program.

Raymond Bisha prefaces his latest podcast with this introduction: “Heitor Villa-Lobos, the prolific Brazilian composer of some 2,000 works, conductor, cellist, guitarist and music educationalist, wrote his three violin sonatas between 1912 and 1920. When he wrote the first sonata, he was still a struggling young composer trying to make a name for himself, while playing all kinds of gigs to pay the bills. By the time he wrote the third sonata in 1920, he was a much more assured composer, and well on his way to international fame and success.”

French composer Camille Saint-Saëns (1835-1921) is remembered as someone who could spin melodies as easily as he breathed. Naxos is marking the centenary of his death with a 3-CD box set that comprises all his symphonies and a sequence of atmospheric and dramatic symphonic poems, including Phaéton and the ever-popular Danse macabre. Raymond Bisha presents an overview of these recordings by the Malmö Symphony Orchestra and conductor Marc Soustrot, a noted French music specialist.