Naxos Classical Spotlight

No lover of classical music from the Romantic period should miss an opportunity to become acquainted with the music of Hans Rott, a little known composer (even in his day), but one who made a significant impact before his untimely death at the age of 25. Improbable though it may seem, it’s likely that not a single one of Rott’s works was performed in public during his lifetime. When Gustav Mahler is on record as having said that “It simply cannot be gauged what music has lost with him”, people can be confident that there are treats in store with the Capriccio label’s new edition of his orchestral works, a welcome opportunity to help correct Rott’s neglect and experience exactly what Mahler was referring to. Raymond Bisha presents.

Peter Breiner is one of the world’s most performed composer/arranger/conductors with record sales in the millions and over 200 CD titles to his credit. Slovak Dances, Naughty and Sad, the latest of his many releases for Naxos, consolidates his outstanding reputation as an arranger. It features Breiner’s typically colourful orchestrations that include a wide variety of tuned and untuned percussion. It’s also an extraordinary mix of world music, improvisation and symphonic composition, enhanced by the involvement of acclaimed specialist soloists such as multi-instrumentalist Marian Friedl and virtuoso accordionist Boris Lenko. This really is a hit not to be missed. Raymond Bisha is your host.

Considering the size of the wind band industry in the United States, the occasion of an established classical composer writing for the medium comes as a rare but highly welcome treat. Raymond Bisha introduces a programme of wind band music by Kenneth Fuchs, during which the American composer describes the progression of his experience and opportunities, from high school through college, and acknowledges the people who inspired and guided him along the way.

Alexander Kastalsky’s Requiem for Fallen Brothers was written between 1914 and 1917, during World War I, a conflict that killed more than 20 million people and injured even more. Kastalsky achieved poignancy in his memorial by using melodies and texts from many of the countries involved in the war — Russia, Serbia, Italy, England, Japan, India and even the United States. By combining all these sources he created a beautiful, moving and truly global Requiem for those who lost their lives, and a postscript reminding us that suffering caused by war is universal. Raymond Bisha introduces a new recording of the work in which Leonard Slatkin directs an impressive line-up of mass choral and orchestral forces.

Raymond Bisha introduces a selection from the rich and varied catalogue of chamber works that Beethoven wrote throughout his life. It includes the ‘Archduke’ piano trio, examples of his violin and cello sonatas, and extracts from both his Octet for Wind Instruments and the Septet in E flat major, Op. 20, a work so popular that Beethoven himself arranged it in a trio version, no doubt to make it more accessible to a wider public eager to perform it. Beethoven wrote 16 string quartets over a period of 25 years, one of his greatest contributions to music that continuously changed and challenged what was thought possible in the medium, including the Gross Fuge, an intensely powerful work that Stravinsky declared “will be contemporary for ever.”

Raymond Bisha introduces a new release of orchestral music by American composer Christopher Rouse, who died in September 2019. It’s a fitting tribute to one who led the revitalisation of contemporary orchestral music with works that ranged from intensely active to wonderfully lyrical. As both a Pullitzer Prize and GRAMMY Award winner, his personal mission “to be of use: to sing you a song, to paint you a picture, to tell you a story” has resonated with audiences all over the world. The engaging programme on this release is brilliantly performed by the Nashville Symphony Orchestra and conductor Giancarlo Guerrero. Rouse’s Concerto for Orchestra is a ‘hyper-concerto’ that gives each player a chance to shine, while the mournful intimacy and passion of Supplica unfolds somewhat like the slow movement of a Bruckner or Mahler symphony. His Fifth Symphony blurs the lines between tradition and modernity and was described as “brilliant, exciting and at times hauntingly beautiful” by The Dallas Morning News.

Raymond Bisha introduces Johan Smith, winner of the 2019 Guitar Foundation of America Competition, in a recital that the Swiss artist has described as his dream programme: “It’s an exceptional album in many ways: the music is engaging, the playing is outstanding, and the recorded sound is first-rate. And the artist himself is uniquely intriguing, having some of his roots in the heavy metal band Stortregn, both as a founder member and its graphic designer.”

Raymond Bisha introduces a programme of Beethoven’s music for solo piano that contains some of his most visionary, groundbreaking and memorable works. Drawn from the Complete Edition boxed set (Naxos 8.500250), the selected movements from Beethoven’s best-known piano sonatas illustrate his dynamism as a composer/pianist, his gift for flowing melodic beauty, and the range of his emotional variance. The smaller pieces highlight the composer’s command of variation form and, in the case of the Rondo a capriccio in G major (Rage over a Lost Penny), his scintillating powers of bravura wit.

Raymond Bisha introduces a new release from Dutch pianist Ralph van Raat of French piano rarities by Boulez, Debussy, Messiaen and Ravel: “I heard Ralph play this same repertoire at a concert in Carnegie Hall a couple of years ago, and it was amazing. Ralph says his aim is to convince people of the ‘immense beauty and diversity of contemporary music’. Both on this album, and when you hear him live, the music simply springs to life.” The programme includes Boulez’s hitherto unknown student work, Prélude, Toccata et Scherzo. Exclusive permission to play and record the piece for Naxos was granted by the heirs of Pierre Boulez and the Sacher Foundation in Basel.

Raymond Bisha introduces Michael Daugherty’s This Land Sings: Inspired by the Life and Times of Woody Guthrie. The work celebrates The Dust Bowl Troubadour’s folk songs of love, wandering and social justice through Daugherty’s own original songs and instrumental music. These were composed after he drove for several weeks along the desolate, barren and dusty back roads of Texas and Oklahoma, where Woody once roamed, while listening to everything that he recorded during his brief lifetime. Woody Guthrie was a folk movement figurehead, continuing as a major influence on numerous internationally successful artists with recordings that have been re-released innumerable times, generating an unflagging interest in anything attached to his name.