Naxos Classical Spotlight

Contemporary American composer Richard Danielpour calls them ‘siblings’: two discrete yet connected works that ponder the current endless cycle of brutalization and despair in the Middle East. Raymond Bisha introduces ‘Darkness in the Ancient Valley’ and ‘Toward a Season of Peace’, perfectly channeled subject areas for a composer who describes himself as “a 21st-century American composer with a Middle Eastern memory”.

Based in the United States, Joan Tower is one of today’s most successful composers. A 2007 Naxos release of her orchestral music (8.559328) won 3 GRAMMY awards. Rick Phillips introduces the latest disc to feature three more of her fascinating and varied compositions for orchestra: Stroke, the Violin Concerto and Chamber Dance. Tower’s flexible style gives hints of the numerous influences on her colorful imagination, from the rhythmic drive of her native South America to more impressionistic tones.

George Frideric Handel: impresario, performer, composer. The Great Bear, as he was referred to in his time, remains an Ursa Major of the musical firmament to this day. Raymond Bisha illustrates Handel’s creative genius with Vol. 2 in pianist Philip Edward Fisher’s recordings of his Keyboard Suites.

Raymond Bisha presents a new recording of Couperin’s Les Nations, a truly international affair with the French composer’s genius expertly realised by Juilliard Baroque, a New York-based Who’s Who of early instrument performers. They bring to life the work’s four extended suites which meld French and Italian styles and are dedicated to four major European Catholic powers at the time of the work’s completion in 1726.

Raymond Bisha introduces us to the eclectic and exuberant imagination of the American composer Aaron Jay Kernis, whose works are inhabited by a host of influences—musical, historical and personal. This new disc of three of his diverse compositions features deliciously titled works in delectable performances.

Raymond Bisha introduces the latest Naxos recording of the Elora Festival Singers in performances of Poulenc’s unaccompanied choral works. Transcending a backcloth of geopolitical and personal turmoil, these gems marry a delicacy of form with harmonic pungency, described by conductor Noel Edison as “like putting a stained glass to song.”

Charles Ives, Aaron Copland, Leonard Bernstein—names such as these are familiar friends. But what constituted the musical bedrock from which they sprang? In this week’s podcast, conductor JoAnn Falletta discusses with Mark Simmons the vital contribution that composer John Knowles Paine made to the burgeoning roots of American music in the run-up to the twentieth century.

There’s certainly something impressively expansive about the American composer Alan Hovhaness. The numbers alone command respect: having lived for almost 90 years, he notched up 434 compositions, including 67 symphonies. Conductor Gerard Schwarz weighs in with an equally admirable discography of more than 350 recordings, nine of them thankfully dedicated to Hovhaness’ music. In this week’s podcast Raymond Bisha surveys the latest recording from this artistic pairing, travelling space and time between the art of fugue, the soprano saxophone and a vision of Andromeda.

Once in a while you hear such incredibly beautiful music for the first time that you just can’t understand why it has remained under wraps for so long. The Violin Concertos Nos. 1 and 2 by the Italian-born composer Mario Castelnuovo-Tedesco are a case in point. Originally championed in the 1920s and 30s by no less an artist that Jascha Heifetz, they now have a 21st-century advocate in the brilliant Beijing-born violinist Tianwa Yang. Raymond Bisha introduces us to these hugely attractive concertos that bear the colourful and lyrical hallmarks of a prolific composer and seasoned writer of film scores.

In this week’s podcast, Raymond Bisha introduces the 4-CD collection of the complete piano works of Mieczysław Weinberg—from teenage mazurkas written in his native Poland through to his last works for the instrument composed in Moscow. En route, Tashkent, Shostakovich and the Head of the post-Stalin KGB all play a part in the fascinating story of this displaced and somewhat forgotten composer. The newly released boxed set from the Grand Piano label represents a significant meeting of minds between Weinberg and his distinctive creativity, pianist Alison Brewster Franzetti and her championing of his forgotten works, and Naxos in its well established role as a facilitator for such invaluable projects.