From teddy bears and Winnie-the-Pooh to Smokey Bear, Yogi Bear, and Cocaine Bear, American popular culture has been fascinated with real and fictional bears for more than two centuries. Bears are ubiquitous, appearing in advertisements, as logos for sports teams, and as central characters in children’s books, cartoons, movies, and video games.

In Bear With Me: A Cultural History of Famous Bears in America (Duke UP, 2025), Dr. Daniel Horowitz presents a vibrant history of the pedestrian and celebrity bears who have captured our imaginations and infiltrated our everyday lives. He shows that bears’ ability to represent and evoke both terror and comfort makes them well-suited for their omnipresence. Today, cultural depictions of bears largely encompass examples of human-bear relationships, reciprocity, and emotional engagement. Reminders that climate change threatens the lives of polar bears engender feelings of empathy, while news of bear attacks drives us to fascinated fear. Whether examining the subculture of gay bears or the deadly consequences of anthropomorphizing animals, Dr. Horowitz charts the complexities and depth of American culture’s unique and enduring relationship with bears.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Why do Americans eat so much beef? In Red Meat Republic: A Hoof-to-Table History of How Beef Changed America (Princeton University Press, 2019), the historian Joshua Specht provides a history that shows how our diets and consumer choices remain rooted in nineteenth century enterprises. A century and half ago, he writes, the colonialism and appropriation of indigenous lands enabled the expansion of western ranch outfits. These corporate ranchers controlled loose commodity chains, until powerful corporate meat packers in Chicago seized the economic order through the tools of modern capitalism (scientific management, standardization, labor suppression). These capitalists expanded the supply chains to far-flung consumers in New York and around the globe. But as meat became a staple of the American diet, and measure of progress, consumers cared more about the price and taste than the violence to people, animals, and environment behind the scenes. “America made modern beef” Specht writes, “at the same time that beef made America modern.”

Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He is completing a book on fossil-fuels and energy development in the American West. He teaches courses on modern US history, environmental history, and histories of labor and capitalism. @rydriskelltate

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In Imperial Creature: Humans and Other Animals in Colonial Singapore, 1819-1942 (National University of Singapore Press, 2019), Timothy Barnard explores the more-than-human entanglements between empires and the creatures they govern. What is the relationship between the subjugation of human communities and that of animals? How did various interactions with animals enable articulations of power between diverse peoples? This book is one of the first to tackle these questions in the context of a Southeast Asian colonial city.

Drawing from rich, archival material and with an attentiveness to visual sources, this study analyses the varied and messy positioning of animals in a city – as sources of protein, vectors of disease, cherished pets and impressed labor. The book’s deliberate focus on everyday animals such as dogs and horses – common in growing cities worldwide at the time – connects the history of colonial Singapore to a broader urban history, addressing what modernity means in terms of human-animal relationships. In our conversation, we discuss more-than-human-imperialism, the question of animal agency, the performative aspects of animal welfare and a few exciting, related reading recommendations by the author.

Faizah Zakaria is an Assistant Professor of History at Nanyang Technological University. She is completing her first monograph on dialectical relationships between landscape and religious conversions in maritime Southeast Asia. You can find her website here or on Twitter @laurelinarien

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Octopuses can open jars to get food, and chimpanzees can plan for the future. An IBM computer named Watson won on Jeopardy! and Alexa knows our favorite songs. But do animals and smart machines really have intelligence comparable to that of humans? In Bots and Beasts: What Makes Machines, Animals, and People Smart? (MIT Press, 2021), Paul Thagard looks at how computers (“bots”) and animals measure up to the minds of people, offering the first systematic comparison of intelligence across machines, animals, and humans.

Thagard explains that human intelligence is more than IQ and encompasses such features as problem solving, decision making, and creativity. He uses a checklist of twenty characteristics of human intelligence to evaluate the smartest machines—including Watson, AlphaZero, virtual assistants, and self-driving cars—and the most intelligent animals—including octopuses, dogs, dolphins, bees, and chimpanzees. Neither a romantic enthusiast for nonhuman intelligence nor a skeptical killjoy, Thagard offers a clear assessment. He discusses hotly debated issues about animal intelligence concerning bacterial consciousness, fish pain, and dog jealousy. He evaluates the plausibility of achieving human-level artificial intelligence and considers ethical and policy issues. A full appreciation of human minds reveals that current bots and beasts fall far short of human capabilities.

Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at [email protected].

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Are zoos an anachronism in the 21st century when we can watch animals in their natural habitat, close-up from our couches without worrying about cruelty? Should they go the way of other bygone era ‘spectacles’ and ‘attractions’ that we now regard as barbaric? There are vocal campaigners and activists who believe so.

Heather Browning and Walter Veit disagree, but they acknowledge there is a case to be answered. In What Are Zoos For? (Bristol University Press, 2024) they test the common justifications for zoos (entertainment, education, research, conservation) against the evidence and suggest what the best zoos of the future should look like to ensure that they are primarily for animals and not just for people.

Heather Browning is Lecturer in Philosophy at the University of Southampton. Her primary research interests are animal welfare, ethics, and consciousness. Previously, she worked for many years as a zookeeper and zoo animal welfare officer, interested in the practical application of animal welfare measurement.

Walter Veit is Lecturer in Philosophy at the University of Reading and an external member of the Munich Center for Mathematical Philosophy, Ludwig Maximilian University of Munich. He’s also the author of A Philosophy for the Science of Animal Consciousness (Routledge, 2023). Most of his ongoing research is on the consciousness and welfare of animals and AIs.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).

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No animal is so entangled in human history as the horse. The thread starts in prehistory, with a slight, shy animal, hunted for food. Domesticating the horse allowed early humans to settle the vast Eurasian steppe; later, their horses enabled new forms of warfare, encouraged long-distance trade routes, and ended up acquiring deep cultural and religious significance.

Over time, horses came to power mighty empires in Iran, Afghanistan, China, India, and, later, Russia. Genghis Khan and the thirteenth-century Mongols offer the most famous example, but from ancient Assyria and Persia, to the seventeenth-century Mughals, to the high noon of colonialism in the early twentieth century, horse breeding was indispensable to conquest and statecraft.

Scholar of Asian history David Chaffetz tells the story of how the horse made rulers, raiders, and traders interchangeable, providing a novel explanation for the turbulent history of the “Silk Road,” which might be better called the Horse Road. Drawing on recent research in fields including genetics and forensic archeology, Chaffetz presents a lively history of the great horse empires that shaped civilization.

David Chaffetz is an independent scholar with a lifelong passion for Middle Eastern and Inner Asian history. His 1981 book, several times republished, A Journey through Afghanistan, earned praise from Owen Lattimore, the then doyen of Inner Asian studies in America and the UK. He is a regular contributor to the Asian Review of Books, and has written for the South China Morning Post and the Nikkei Asian Review. His most recent book, Three Asian Divas, describes the important role of elite women entertainers in the transmission of traditional Asian culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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In Wild Souls: Freedom and Flourishing in the Non-Human World (Bloomsbury Publishing, 2021), Emma Marris wrestles with big ethical questions facing the conservation field. Emma takes us through several experiences that informed the book, exposing us to relevant on-the-ground decisions impacting the life or death of animals. When the interests of individual animals conflict with the goals of biodiversity preservation, is it okay to kill? Are any animals truly wild now that humans have directly altered so much of their habitat? How do we balance the rights of introduced species with those already established within an ecosystem? To start engaging these, and other questions, Emma takes us through a needed crash course in ethics, specifically environmental ethics. Much like her previous work, we are exposed to new ways of thinking about old problems. Listening in will not disappoint.

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In this episode, NBN host Hollay Ghadery interviews the artist collective MA|DE about their poetry collection, ZZOO (Anstruther Books, 2025). 

At a time when binaristic and hierarchical relations are being readily interrogated, MA|DE — a unity of two voices fused into a single, poetic third — takes up a critique of the human-animal divide in their full-length debut, ZZOO. From the depths of the oceans to the outer reaches of the sky, a menagerie of species trade off time in the limelight, none of them solely occupying the central space on the global stage. MA|DE’s collaborative practice foregrounds interdependence, outward focus, shared spaces and non-hierarchical thinking, all of which emerge allegorically in interzonal poems that are as richly realized as they are formally eclectic. This wild-blooded collection turns conventional exhibitionism on its head, treating humans and animals as equal subjects of art, science and selfhood. ZZOO is a bestiary for the modern world.

About MA|DE:

MA|DE (est. 2018) is a collaborative writing entity, a unity of two voices fused into a single, poetic third. It is the name given to the joint authorship of Mark Laliberte and Jade Wallace — artists whose active solo practices, while differing radically, serve to complement one another. MA|DE’s work together is often exploratory in nature, formulating a set of shared visions, symbols and ciphers that invite the reader into their complex, continually-expanding internal universe. MA|DE’s writing has appeared in numerous journals and chapbooks, and they have delivered workshops on collaborative writing at several festivals, including VerseFest Ottawa. With the support of the Ontario Arts Council and the Canada Council for the Arts, they completed their debut full-length collection, ZZOO (Palimpsest Press, 2025), and have now completed their next two collections, Alphabeticals and Detourism. Meanwhile, they are currently hard at work on two new, creatively divergent manuscripts: Twin Visible and Waste Not the Marrow.

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In a unique and personal exploration of the game and fish laws in Alabama, Georgia, and Mississippi from the Progressive Era to the 1930s, Julia Brock offers an innovative history of hunting in the New South. The implementation of conservation laws made significant strides in protecting endangered wildlife species, but it also disrupted traditional hunting practices and livelihoods, particularly among African Americans and poor whites.

Closed Seasons: The Transformation of Hunting in the Modern South (UNC Press, 2025) highlights how hunting and fishing regulations were relatively rare in the nineteenth century, but the emerging conservation movement and the rise of a regional "sportsman" identity at the turn of the twentieth century eventually led to the adoption of state-level laws. Once passed, however, these laws were plagued by obstacles, including insufficient funding and enforcement. Brock traces the dizzying array of factors—propaganda, racial tensions, organizational activism, and federal involvement—that led to effective game and fish laws in the South.

Host Byline:

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.

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These days it’s harder than ever to watch TV, scroll social media, or even just sit at home looking out of the window without contemplating the question at the heart of philosopher Todd May’s Should We Go Extinct?: A Philosophical Dilemma for Our Unbearable Times (Crown, 2024). Facing climate destruction and the revived specter of nuclear annihilation even as humans continue to cause untold suffering to our fellow creatures on planet Earth, we are forced each day to contemplate whether the world would be better off in our absence.

In this timely, fascinating examination, May, a renowned philosopher and advisor to the acclaimed TV show The Good Place, reasons both for and against the continuation of our species, trying to help us understand how and whether, the positive and negative tallies of the human ledger are comparable, and what conclusions we might draw about ourselves and our future from doing so. He discusses the value that only humans can bring to the world and to one another as well as the goods, like art and music, that would be lost were we no longer here. On the other side of the ledger, he walks us through the suffering we cause to nature and the non-human world, seeking to understand whether it’s possible to justify such suffering against our merits and if not, what changes we could make to reduce the harm we cause. 

In this moment of rising pessimism about the future, and as many people wonder whether they should bring children into such a dark and difficult world, the questions May tackles in Should We Go Extinct? are hardly theoretical. As he explores the complexities involved with changes such as an end to factory farming, curbing scientific testing of animals, reducing the human population, and seeking to develop empathy with our fellow creatures, May sketches a powerful framework for establishing our responsibilities as a species and gives hope that we might one day find universal agreement that the answer to his title question should be No.

Todd May is Instructor of Philosophy, and Nielsen Professor of the Humanities, at Warren Wilson College. He’s taught and written on philosophy for over thirty years, mostly in the areas of ethics, political philosophy, and the philosophy of life.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).

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