From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured.

Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play.

The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright’s Fallingwater, Olafur Eliasson’s The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto’s NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us.

The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked.

Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).

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How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.

Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.

Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Silt Sand Slurry: Dredging, Sediment, and the Worlds We Are Making is a visually rich investigation into where, why, and how sediment is central to the future of America's coasts. It was written by Rob Homes, Brett Milligan, and Gena Wirth, with contributions by Sean Burkholder, Brian Davis, and Justine Holzman and published by Applied Research + Design Publishing in 2023.

Sediment is an unseen infrastructure that shapes and enables modern life. Silt is scooped from sea floors to deepen underwater highways for container ships. It is diverted from river basins to control flooding. It is collected, sorted, managed, and moved to reshape deltas, marshes, and beaches. Anthropogenic action now moves more sediment annually than ‘natural’ geologic processes — yet this global reshaping of the earth’s surface is rarely-discussed and poorly-understood.
In four thematic text chapters, four geographic visual studies, and a concluding essay the authors demonstrate why sediment matters now more than ever, given our contemporary context of sea level rise, environmental change, and spatial inequality. They do this through a documentation of the geography of dredging and sediment on the four coasts of the continental United States. The book explores the many limitations of current sediment management practices, such as short-sighted efforts to keep dynamic ecosystems from changing, failure to value sediment as a resource, and inequitable decision-making processes. In response to these conditions, the authors delineate an approach to designing with sediment that is adaptive, healthy, and equitable.

In this episode, the host asked about the authors’ work with the DRC, which stands for the Dredge Research Collaborative, not the Dredge Research Collective.

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In The Unfinished Metropolis: Igniting the City-Building Revolution (Island Press, 2025), Benjamin Schneider argues that American city-building is a lost art. U.S. cities used to constantly evolve, experimenting with new urban designs and ambitious infrastructure projects, from railroads and subways to public housing and shopping malls. But in recent years, the country has continued pursuing the same mid-20th century urban development plans—freeways, downtown office towers, suburban housing developments. The Unfinished Metropolis covers how this pattern is why Americans are so dependent on their cars, why housing is so expensive and homelessness is at crisis levels, and why downtowns are struggling and communities are fraying.

Over the course of an engaging tour of the built environment, Schneider explores common urban designs that shape our lives and color our cultural imagination: office parks, apartments, single family homes, and transit systems. He explains how these forms came to be, why they no longer function as promised, and introduces readers to the advocates and professionals around the country who are working on transformative new solutions.

Benjamin Schneider is a freelance journalist covering all things urbanism. His work has appeared in Bloomberg CityLab, MIT Technology Review, Slate, The Nation, the Los Angeles Times, and many other publications. He also writes a Substack newsletter called, “The Urban Condition.”

This interview was conducted by Timi Koyejo, an urbanist who has worked as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.

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The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract: Modern Workers’ Houses in Early Twentieth-Century Detroit (Temple UP, 2023) is a cogent history of the houses those workers dreamed of and labored for. Dr. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.

Through oral histories, letters, photographs, and period fiction, Dr. McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.

Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.

Today, the lessons Dr. McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen’s Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).

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Once used extensively in schools, hospitals, and housing, asbestos has taken the lives of millions. Bad Dust: A History of the Asbestos Disaster (Repeater, 2025) by Tom White traces the international history of the asbestos disaster — from mining operations in apartheid South Africa to the factories and shipyards of the UK – and tells the story of the activists and workers who took on a once indomitable industry.

Illegal for the past quarter century, much asbestos still remains in place today, slowly degrading and placing us all at risk. Bad Dust reveals that the asbestos disaster has in fact only just begun, and that far from being a problem solved, the fight urgently needs to be taken up once again.

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In The Castle: A History (Yale University Press, 2022) Dr. John Goodall presents a vibrant history of the castle in Britain, from the early Middle Ages to the present day.

The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination.

Dr. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Dr. Goodall explores the importance of the castle in our culture and society.

From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Dr. Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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