Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain

This interview was conducted by Dr. Miranda Melcher whose book

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Is food porn a vibrant and democratic new expression of modern food culture or a superficial addition to an image-saturated world? Tracing its origins from the 1970s to today, this timely book examines the evolution of food porn as a desire-inducing aesthetic practice and a visually extravagant food spectacle.

Through discussions on class, gender, sexuality and national identities, Food Porn: Food Aesthetics in a Digital Age (Bristol University Press, 2026) by Dr. Jonatan Leer & Dr. Stinne Gunder Strøm Krogager questions whether food porn reinforces social hierarchies or empowers individuals. Also exploring anti-food porn aesthetics, this book is essential reading for anyone seeking to understand the deeper social implications of food’s digital allure.

This interview was conducted by Dr. Miranda Melcher whose book

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Art-Science Undisciplined invites us into a collaborative journey grounded in mutual exploration and transformation. Moving beyond transactional exchanges of expertise, artist Janani Balasubramanian and astrophysicist Natalie Gosnell draw on their own experiences, as well as stories from other art-science collaborators, to offer an imaginative guide for developing a values-based and joyful undisciplined practice.

This playbook offers practical and conceptual tools for co-creation that foster new, powerful alliances among artists, scientists, and their supporters. While attentive to the everyday reality of busy schedules and institutional demands, Balasubramanian and Gosnell illuminate strategies to change our current ways of working and dare us to imagine a more expansive future. The projects, potentials, and possibilities resulting from undisciplined creation will reshape not only the practitioners but their worlds altogether.

Janani Balasubramanian is an artist, director, and founder based at Stanford University.

Natalie Gosnell is an astrophysicist, artist, and Associate Professor of Physics at Colorado College.

Caleb Zakarin is CEO and Publisher of New Books Network.

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The Story of a Sikh Museum: Heritage, Politics, Popular Culture, published

Kanika Singh is a historian, founder of Delhi Heritage Walks and Director at Centre for Writing & Communication at Ashoka University.

Harleen Kaur is a historian and urban studies scholar who recently completed her Joint PhD from National University of Singapore and King’s College London.

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In The Refugee Aesthetic: Reimagining Southeast Asian America (Temple University Press, 2021), Timothy K. August centers Southeast Asian American writers and artists to develop a theory of refugee aesthetics as a way of considering how aesthetic forms are created and contested by refugees, nonrefugees, and institutions alike.

On this episode of New Books in Asian American Studies, Timothy K. August discusses the contradictions in how refugee stories are read as arising from exceptional circumstances even as the ever-increasing number of refugees renders refugeeness a remarkably everyday experience; the importance of aesthetics as a means by which refugees are able to contest—and reimagine—the refugee narratives that have been created through institutional and bureaucratic definitions of refugees; how refugee writers reconcile demands that they explain their experiences or perform their humanity within their own art and writing; and more.

The Refugee Aesthetic examines a range of literary and artistic works by refugees, including poems, novels, graphic novels, and visual art, by writers and artists including Bao Phi, Monique Truong, Viet Thanh Nguyen, Mohsin Hamid, Gia-Bao Tran, and more, to argue for the agency of refugees as cultural producers who are redefining a politically, bureaucratically produced refugee image and instead imagining a plural form of refugee aesthetics.

Please note that this episode was recorded prior to the events of October 7, 2023.

Timothy August is an Associate Professor of English at Stony Brook University.

Jennifer Gayoung Lee is a writer and researcher based in New York City.

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Alicia Volk’s In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk’s diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire’s chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan’s relationship with the American-led occupation, but with Japan’s erstwhile Asian empire, the socialist bloc, and audiences in “the West.”

Spoiler alert! At the conclusion of the podcast, we talk about this image.

Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize.

Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen.

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Female artists have long employed collage to reflect the ways in

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book

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Plant Thinkers of Twentieth-Century Bengal (Oxford UP, 2024) by Sumana Roy takes an unexpected cast of writers and artists and, in studying their work as ‘plant thinkers’, looks at how their stories and songs, art and films, and, of course, the idiomatic affected Bengali life and thought. Forest and garden, grass and root, weeds and magical plants—supported by a foliage of thought that allowed them to see beyond the botanical, Rabindranath Tagore, Bibhutibhushan Bandyopadhyay, Jibanananda Das, Shakti Chattopadhyay, Satyajit Ray, and others derived their worldview, their poetics and politics, from the plant world. Jagadish Chandra Bose’s scientific experiments, his research and the philosophy that propelled it, religions and rituals that involved an affective relationship with the natural world, a subterranean invocation of plant philosophy in actions and words, in living and in creative practice, and the political possibilities beyond the nation state that such thinking generated give this book its sap and flow. What might we take from these plant thinkers to rehabilitate our consciousness today?

Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University

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Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression.

Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City’s Poster House museum, Es-pranza Humphrey.

Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter.

Es-pranza’s recommended reading list is available at the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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In this episode Pat speaks with Dr Guillermo Badia.

Dr Guillermo Badia is a philosopher working in logic. His research interests are logic in computer science, semiring-based logics and models of computation, and modal, intuitionistic and other non-classical logics.

They discuss logic, murder mysteries, and the counter revolutionary search for truth.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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