New Books in Fantasy

The Dragons of Deepwood Fen (Daw Books, 2023) is an immersive fantasy which takes you deep into a world of duality. There are two suns, one light and one dark; and two types of dragons, one yielding a substance called umbra and one a substance called aura. There are two peoples, one subjugated by the other. The people of the woods, mostly the dark-skinned Kin, have been conquered by the people of the mountains, who are organized into an empire with five capitals and five rulers, as well as an Imperator who is elected to rule over the Holt, the subjugated wooded territory that still retains some rights. But the Empire is not as united as it seems. A secret faction of the church, called the Chosen, hopes to free the dark Lord Faedryn from his imprisonment by the Goddess Alra and depose the ruling families. To that end, they enter into alliance with the Red Knives, a group of rebels who hide out in the Holt.

Three young people try to navigate this complex world—Lorelie, an investigator for the Empire; Rylan, the illegitimate son of the Imperator; and Rhiannon, a young orphan with magical powers, who lives in an abbey in the Holt.

With the complexity and political intrigue worthy of The Game of Thrones, but thankfully none of the sadism or sexual violence, Bradley Beaulieu has crafted a gripping and quick moving tale with likeable protagonists.

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Wole Talabi’s debut novel Shigidi and the Brass Head of Obalufon (Daw Books, 2023) follows Shigidi–a former nightmare god–and his partner, the succubus Nneoma as they attempt to carve a life independent from the control of Spirit Corporations. The story spans continents and decades but centers on a heist to steal an artifact back from the British Museum.

In this interview, Talabi describes using the Yoruba pantheon of gods while also drawing on other global mythologies. We discuss the process of writing a novel with a fragmented timeline with scenes spanning millennia and the power of speculative fiction to tackle complex issues in a thoughtful and engaging way. We talk heist stories, subverting misogynistic succubus tropes, and cinematic action in novels.

Shigidi and the Brass Head of Obalufon is an energetic, fast paced read with great depth and it was so much fun discussing it with the author.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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Hannah Kaner’s debut novel Godkiller (Harper Voyager, 2023) takes place in Middren, a country where gods have been banned as the result of a brutal civil war. The novel follows Kissen–a woman whose family were killed by zealots of a fire god and who now makes a living killing gods herself.

In this interview, Kaner describes her interest in examining the aftermath of war and violence and the value of angry, ordinary female protagonists. She discusses the variety of gods in her novel and the way that characters’ shifting relationships with the natural world and divinity shape the politics and magic of Middren. We also chat about the role of food in fantasy novels, writing quest stories, and the ways that younger point of view characters shape stories written for adults.

Godkiller is a thoughtful, empathetic book and it was a joy to discuss it with the author.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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To mark the publication of John's book Ursula Le Guin's Earthsea (My Reading), with Oxford University Press (2023), John and Elizabeth take to the airways to share their love of Le Guin's "speculative anthropology," gender politics, and goats.

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Aparna Verma’s debut novel The Phoenix King (Orbit, 2023) takes place in the desert kingdom of Ravence as war brews on its borders and the king is set to step down. The story follows an assassin exiled but struggling to return home as well as both the king and the heir to the throne.

In this interview, Verma describes the way her love of the desert shaped Ravence and how the duality of fire shaped its culture. She discusses Indian influences in science fiction, the many ways people are connected to faith, and the ways her work reimagines monarchy.

The Phoenix King is so clearly a labor of love and it was so much fun to discuss with the author.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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Garth Nix’s new collection Sir Hereward and Mister Fitz: Stories of the Witch Knight and the Pupper Sorcerer (Harper Voyager, 2023) gathers together stories written over more than fifteen years for a variety of publications and follows the artillerist knight and his sorcerous, paper mâché companion as they pursue their duties as god-slayers.

In this interview, Nix describes the myriad influences shaping his work, the balance of the melancholy and humor in the collection, and what makes the medium of short fiction compelling. As with so much of Nix’s work, Sir Herewood draws on many of the archetypes of fantasy and reimagines them, imbuing them with new life. It was a joy to speak with him.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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Any novel set in Russia during the reign of Ivan the Terrible (1533–1584) is an instant draw for me; that is, after all, the setting for most of my own fiction. Throw in Baba Yaga, the wicked witch of Russian folklore, and give her a makeover, and I am hooked.

Throw out the warts and the cackle, the flying mortar and pestle, the human skulls lighted from within, and even the appellation “Baba” (“granny,” but also “hag” or “crone”). These attributes, according to Gilmore, are part of a vicious plot to discredit her heroine, Yaga—the half-mortal, extremely long-lived daughter of the Earth goddess Mokosh. Born in the tenth century, before the introduction of Christianity cast the old Slavic deities into the shade, Yaga has become a noted healer who doesn’t appear a day over thirty in 1560, when the story begins. Over the centuries, she has acquired a frenemy, Koshey (Koshchei) the Deathless, who for reasons that become clear during the novel has chosen to break his prior deal with Yaga and interfere once more in human affairs, pushing Tsar Ivan the Terrible along his path of suspicion and terror. The first victim is Tsaritsa Anastasia, a friend of Yaga’s before Anastasia’s selection as Ivan’s first royal bride. It’s that connection that draws Yaga into the fight. But the forces opposing her are immortal as well as mortal, complicating her efforts.

It’s all very well done, although the impact of Ivan’s atrocities and of Koshey’s insistence on violence as necessary to the survival of Russia is only heightened by Putin’s ongoing aggression against Ukraine, which the author could not have anticipated when her book was accepted for publication. The history is mostly sound (allowing for the supernatural element) and the Russian correct, as one would expect of a native speaker. And there is the fun, for those in the know, of watching the author play with familiar (Little Hen, the hut on chicken feet) and new (Yaga’s immortal helpers, the wolf Dyen and the owl Noch, named for Day and Night, respectively) tropes from this set of ancient myths. If you like fantastical takes on history or reexaminations of literary villainesses, this novel is for you.

Olesya Salnikova Gilmore was born in Moscow, Russia, and raised in the United States. She writes historical fiction and fantasy inspired by Eastern European folklore. The Witch and the Tsar (Ace Books, 2022) is her debut novel.

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her latest book, Song of the Storyteller, appeared in January 2023.

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M. A. Carrick’s newest novel Labyrinth’s Heart (Orbit, 2023) is the culmination of their Rook and Rose trilogy, which chronicles the life of the thief Arenza Lenskaya after she returns home to the city of Nadežra to con her way into one of the city’s noble families.

The co-writers describe the trilogy’s origins–as the spinoff of a tabletop game–and the influence that their backgrounds in anthropology have had on their work. They discuss the importance of different kinds of family relationships and the power of queernorm stories, how they balanced trauma and joy in the narrative, and what makes vigilante characters so compelling to both write and read.

The Rook and Rose trilogy is a fast paced adventure that is simultaneously intricate and empathetic. It is a testament to the things that make fantasy compelling as a genre and it was wonderful to speak with the authors about its conclusion.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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T. Kingfisher’s newest novel Thornhedge (Tor, 2023) is a retelling of Sleeping Beauty that follows Toadling, the person in charge of keeping the fair maiden asleep inside her tower and the thorns surrounding that tower strong.

Kingfisher discusses the joys of retellings, her love of plants, and the ways in which a story can be simultaneously murderous and gentle.

A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com.

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