The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco (University of Texas Press, 2024) by Dr. Damon Scott is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Dr. Scott shows that urban renewal was a catalyst for community organising among racially diverse operators and patrons with far-reaching implications for the national gay rights movement.

Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen's hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Dr. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In Everything Is Fine, I’ll Just Work Harder: Confessions of A Former Badass (Street Noise Books, 2025), Professor Cara Gormally draws us into the familiar academic world of chronic busyness. In panel after panel, Cara brings us into a life numbed by overwork. Then, as this graphic memoir shows us, during an ordinary early-morning run, Cara’s watch dings with a Facebook friend request. Their rapist wants to “friend” them.

Cara always had a long to-do list; always had many projects; always was busy. But as their rapist continued to send friend requests and tried to reconnect with them, they began to lose their grip on their work, projects, and relationships. But then Cara connects with a therapist who guides them through a long but powerful process of healing. And Cara works to desensitize, reprocess, excavate and relive the old wounds in order to move past them and heal.

This episode explores: Cara’s path to academia; how she discovered her love of science; how art and writing can help us heal; the work of going to therapy; what radical self-acceptance is; why overwork can be a sign of a trauma response; the risks and rewards of changing; and the importance of writing communities.

This episode does not discuss sexual assault.

Our guest is: Dr. Cara Gormally (they/them), who is a professor at Gallaudet University, in Washington, D.C. Their interdisciplinary research focuses on questions related to making science relevant and accessible to increase students' belonging in STEM. Their new book is Everything Is Fine, I’ll Just Work Harder: Confessions of a Former Badass.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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How do we compare across languages, media, and histories, all without flattening differences? And what might Hong Kong teach us about doing comparison differently?

Alvin K. Wong examines these and other questions in Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Duke UP, 2025), a wide-ranging and thought-provoking study of queerness in Hong Kong. Bringing together Sinophone literature, independent and commercial cinema, documentary films, and visual art, the book asks how Hong Kong’s queer productions might help us rethink the work of comparison itself.

Rather than treating Hong Kong as a marginal or derivative space — a space defined by British colonialism, China-centrism, or global capitalism — this book approaches the city as a site of methodological possibilities. The key concept the book advances, “unruly comparison,” replacing neat equivalences and stable categories with incommensurability and transnational connections and linking Hong Kong to other places, times, and queer spaces across the Sinophone.

Theoretically deft, the book is filled with a wide range of fascinating material, including work by filmmakers including Wong Kar-wai, Scud, and Fruit Chan; transnational and transgender visual cultures; documentaries about Southeast Asian domestic workers and queer intimacies; and poetry about language and precarity.

This book will appeal to those interested in queer theory, Hong Kong studies, Sinophone studies, and comparative approaches. Listeners should also check out Alvin Wong's co-edited volume Keywords in Queer Sinophone Studies(Routledge, 2020) and the Society of Sinophone Studies webpage (of which Alvin is currently chair!). 

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An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.

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Self-Declaration in the Legal Recognition of Gender (Routledge, 2023) is a socio-legal study that offers a critique of what it means to self-declare with regard to legal gender. Based on empirical research conducted in Denmark, the book engages in some of the most controversial issues surrounding trans and gender diverse rights. The theoretical analysis draws upon legal consciousness, affect theory, vulnerability and governmentality, to cross jurisdictional boundaries between law and medicine. The book reflects on the limits of progress that legislative reform may make, and the way that increased regulation can actually limit access to rights protections. Broadly transferrable beyond its specific field, this book will be useful to socio-legal scholars, feminist scholars, trans scholars, policy makers and practitioners.

Dr Chris Dietz is a Lecturer at the Centre for Law & Social Justice at The University of Leeds. 

Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK

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From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.

In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race. 

An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.

A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.

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Queerness remains one of the most stigmatized and overlooked aspects of Holocaust history, often erased due to the lingering homophobia of survivors. People Without History Are Dust: Queer Desire in the Holocaust (U Toronto Press, 2025) challenges this silence, weaving together compelling stories of German, Dutch, Czech, and Polish Jewish Holocaust victims and survivors – including Anne Frank, Molly Applebaum, Margot Heuman, and Gad Beck – whose experiences help illuminate the hidden history of queerness in a time of genocide. Drawing on extensive archival research, this groundbreaking book uncovers the lives of those who were doubly marginalized, not only persecuted as Jews but also as queer individuals. In doing so, it confronts the ways in which history has excluded or minimized their experiences, urging us to question normative accounts of the Holocaust. By shedding light on these long-overlooked stories, People Without History Are Dust deepens our understanding of identity, survival, and memory, reminding us why an inclusive and complex approach to history is essential – not just for the sake of the past, but in service to the present and the future as well.

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Shifting the focus of AIDS history away from the coasts to the Twin Cities of Minneapolis and St. Paul, this impressive book uncovers how homonormative political strategies weaponized the AIDS crisis to fuel gentrification. During the height of the epidemic, white gay activists and politicians pursued social acceptance by assimilating to Midwestern cultural values. This approach, Dr. René Esparza argues in From Vice to Nice: Midwestern Politics and the Gentrification of AIDS (UNC Press, 2025), diluted radical facets of LGBTQ activism, rejected a politics of sexual dissidence, severed ties with communities of color, and ushered in the destruction of vibrant queer spaces.
Drawing from archival research, oral histories, and urban studies from the 1970s through the 1990s, Dr. Esparza illustrates how the onset of the AIDS epidemic provided a pretext for further criminalization of perceived sexual deviance, targeting sex workers, “promiscuous” gay men, and transgender women. More than the criminalization of people and behaviors, this time period also saw increased targeting of urban venues such as bathhouses, adult bookstores, and public parks where casual, anonymous encounters occurred. Cleansing the city of land uses that undermined gentrification became a protective measure against AIDS, and the most marginalized bore the brunt of the ensuing surveillance and displacement. From Vice to Nice illuminates how, despite purporting seemingly progressive values, LGBTQ Midwestern politics of conformity leveraged the AIDS crisis to further instigate racial and sexual exclusion and fundamentally alter the urban landscape.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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“Create A More Positive Rehoboth” was a decades-long goal for progress and inclusiveness in a charming beach town in southern Delaware. Rehoboth, which was established in the 19th century as a Methodist Church meeting camp, has, over time, become a thriving mecca for the LGBTQ+ community. In Queering Rehoboth Beach: Beyond the Boardwalk (Temple UP, 2024), historian and educator Dr. James Sears charts this significant evolution.

Dr. Sears draws upon extensive oral history accounts, archival material, and personal narratives to chronicle the "Battle for Rehoboth,” which unfolded in the late 20th century, as conservative town leaders and homeowners opposed progressive entrepreneurs and gay activists. He recounts not just the emergence of the gay and lesbian bars, dance clubs, and organizations that drew the queer community to the region, but also the efforts of local politicians and homeowners, among other groups who fought to develop and protect the traditional identity of this beach town. Moreover, issues of race, class, and gender and sexuality informed opinions as residents and visitors struggled with the AIDS crisis and the legacy of Jim Crow.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Timothy Gitzen's Unscripting the Present (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present.

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