A transcript of this interview is available [here]

A queer disabled love song to trees and beavers, tremors and dreams, Unfurl: Survivals, Sorrows, and Dreaming (Duke UP, 2025) explores the pulsing core and porous edges of survival, sorrow, and dreaming. Blending poetry and creative nonfiction, emotion and activist thinking, Eli Clare invites us to unfurl ourselves into the lovely multitude of genders beyond the binary of woman and man, the fierceness of street protest, and the long slow time of granite. He sings to aquifers. Wrestles with the aftermath of child abuse and his family’s legacy as white settlers occupying Dakota homelands. He leans into history. Calls the names of the living and the dead. Connects his own tremoring body to a world full of tremors—earthquakes, jackhammers, quaking aspens. Unfurl reveals deep queer kinships between human and more-than-human, sentient and nonsentient. At every juncture, these poems and essays embrace porousness and the power of dreaming. Ultimately, Unfurl is an invitation to rebellion and joy.

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“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television.

Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University.

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In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.

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In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.

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In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.

Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

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Democratic backsliding, culture wars and partisan politics in the past two decades has seen the regression of human rights protections in the courts and across societies. However, having made incremental gains in constitutional courts, LGBTQ+ rights operate as somewhat of a paradox. In this pivotal work, Professor Rehan Abeyratne makes an argument that the progress made in LGBTQ+ rights protection obscures an increased shift towards authoritarian legality in the courts and beyond. Case studies of three apex courts - the U.S. Supreme Court, the Supreme Court of India, and the Hong Kong Court of Final Appeal - provide insight into the erosion of democracy and the rule of law across these jurisdictions. Courts and  LGBTQ+ Rights in an Age of Judicial Retrenchment (Oxford UP, 2025) is an important work and should serve as a warning sign to constitutional lawyers, human rights scholars and anybody interested in the values that underpin liberal democracy as to the the limited ability of constitutional courts to protect rights in the current climate.  

Professor Rehan Abeyratne is is Professor and Associate Dean (Higher Degree Research) at Western Sydney University School of Law, where he teaches Government and Public Law, Legal Research and Methodology, and Comparative Law: Legal Systems of the World. He also coordinates the School of Law's Honours Program. Professor Abeyratne holds a PhD from Monash University, a JD from Harvard Law School, and a BA (Hons.) in Political Science from Brown University. He researches comparative constitutional law and has published several books and articles in world leading journals. Most of Prof. Abeyratne's research can be freely accessed on SSRN, Academia, and Google Scholar.

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Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual.

In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of The History of Sexuality by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.
Queer Correctives takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation.

About Vincent Pak:

Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, Queer Correctives, considers the emergence of neo-homophobia in Singapore.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation (Manchester UP, 2025), interrogates postcolonial nationalism and the governance of sexuality in Singapore.

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On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s.

In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America.

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Edited by Todd A. Henry, Queer Korea (Duke UP, 2020) offers a vital and long-overdue examination of this subject. More than an academic text, it is a powerful collection that brings to light the hidden histories of non-normative sexuality and gender expression on the Korean Peninsula.

The book challenges the notion that queerness is a recent, Western import. Instead, it uncovers a rich and complex history of same-sex unions and diverse identities—stories that have too often been silenced or strategically used to reinforce nationalistic and patriarchal ideals. It also explores how media and society, from the colonial era to the present day, have deployed discourses of deviance as a means of control and assimilation.

What makes Queer Korea especially compelling is that it is not the work of one voice alone, but a union effort of many dedicated scholars who have each contributed their expertise to the field. Together, they create a multidimensional picture of queer life in Korea, bridging personal narratives, historical analysis, and cultural critique.

Queer Korea is essential reading for anyone seeking a fuller understanding of Korean history. It highlights struggles for visibility, the quiet resilience of “under-the-radar” communities, and the surprising ways queer lives have helped shape the nation’s cultural and social landscape. Above all, it reminds us that queer history is not separate, but deeply woven into the very fabric of a country’s past.

A Personal Journey Behind the Book

The project grew not only out of academic curiosity, but also from Henry’s personal encounters and experiences in South Korea. These moments became the spark that inspired him to unearth stories too often overlooked. The journey of bringing the book to life was not without challenges, yet his determination to make these histories visible remained a powerful driving force. That personal investment—combined with the collective commitment of the contributing scholars—infuses the work with a depth and authenticity that makes Queer Korea resonate even more strongly.

Dr Todd A. Henry (PhD, UCLA, 2006; Assistant/Associate Professor, UCSD, 2009-Present) is a specialist of modern Korea with an interest in the period of Japanese rule (1910-1945) and its postcolonial afterlives (1945-). A social and cultural historian attuned to global forces that (re) produce lived spaces, he studies cross-border processes linking South Korea, North Korea, Japan, and the US in the creation of “Hot War” militarisms, the transpacific practice of medical sciences, and the lived experiences of heteropatriarchal capitalism. Also a historian of gender, sex, and sexuality, Dr. Henry seeks to expand Euro-American-centric approaches to queerness, transgenderism, and intersexuality through a sustained focus on Asian forms of embodiment that center the geopolitics of imperialism/colonialism, military occupation, and diasporic mobility.

Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.

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How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape.

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