After staging a mock attack at Gleiwitz, Germany unleashed its blitzkrieg on Poland on September 1, 1939. Two week later, Soviet forces streamed into the beleaguered country from the east. By early October, Poland had fallen. In a vivid narrative that follows the invading armies from the battle at Westerplatte to the siege of Warsaw, David Williamson takes a fresh look at the opening campaign of World War II, shattering enduring myths and misconceptions and giving voice to the men -- German, Soviet, and Polish -- who did the fighting.

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This detailed study traces the history of the Soviet-Polish War (1919-20), the first major international clash between the forces of communism and anti-communism, and the impact this had on Soviet Russia in the years that followed. It reflects upon how the Bolsheviks fought not only to defend the fledgling Soviet state, but also to bring the revolution to Europe. Peter Whitewood shows that while the Red Army's rapid drive to the gates of Warsaw in summer 1920 raised great hopes for world revolution, the subsequent collapse of the offensive had a more striking result. The Soviet military and political leadership drew the mistaken conclusion that they had not been defeated by the Polish Army, but by the forces of the capitalist world - Britain and France - who were perceived as having directed the war behind-the-scenes. They were taken aback by the strength of the forces of counterrevolution and convinced they had been overcome by the capitalist powers.

The Soviet-Polish War and its Legacy (Bloomsbury, 2023) reveals that - in the aftermath of the catastrophe at Warsaw -Lenin, Stalin and other senior Bolsheviks were convinced that another war against Poland and its capitalist backers was inevitable with this perpetual fear of war shaping the evolution of the early Soviet state. It also further encouraged the creation of a centralised and repressive one-party state and provided a powerful rationale for the breakneck industrialisation of the Soviet Union at the end of the 1920s. The Soviet leadership's central preoccupation in the 1930s was Nazi Germany; this book convincingly argues that Bolshevik perceptions of Poland and the capitalist world in the decade before were given as much significance and were ultimately crucial to the rise of Stalinism.

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East Central Europe Since 1989 (Routledge, 2025)  examines politics, economics, media, religious institutions, transitional justice, gender inequality, and literature, highlighting the overt functions, latent functions, and side effects associated with each sphere. Communism in East Central Europe had cracks from the beginning, as uprisings in East Germany in 1953 and Hungary in 1956 demonstrated. But with the establishment of the Independent Trade Union Solidarity in Poland in the Summer of 1980, communism went into steady decline and, between 1988 and 1991, crumbled. What followed has been an unsteady transition to various forms of often corrupt pluralism with democracy doing best in the Czech Republic (with the exception of the years 2017-2021) and Slovenia, and worst in Hungary, Albania, Serbia, and Bosnia-Herzegovina. This volume will be of interest not only to specialists in East Central Europe but also to graduate and undergraduate students, members of the diplomatic corps, and general readers.

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Historic quarters in cities and towns across the middle of Europe were devastated during the Second World War—some, like those of Warsaw and Frankfurt, had to be rebuilt almost completely. They are now centers of peace and civility that attract millions of tourists, but the stories they tell about places, peoples, and nations are selective. They are never the whole story.

These old towns and their turbulent histories have been key sites in Europe’s ongoing theater of politics and war. Exploring seven old towns, from Frankfurt and Prague to Vilnius in Lithuania, the acclaimed writer Marek Kohn examines how they have been used since the Second World War to conceal political tensions and reinforce certain versions of history.

Uncovering hidden stories behind these old and old-seeming façades in The Stories Old Towns Tell: A Journey through Cities at the Heart of Europe (Yale University Press, 2023), Dr. Kohn offers us a new understanding of the politics of European history-making—showing how our visits to old towns could promote belonging over exclusion, and empathy over indifference.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In this episode, host Andrea Talabér (CEU Press) sat down with Andrea Chandler to talk about her new book with CEU Press, Canada and Eastern Europe, 1945–1991: Meeting in the Middle. In the podcast we talked about why the relations between Canada and the countries of the Eastern bloc have so far been underreseached, about the large Central and Eastern European diaspora in Canada and their role in shaping foreign policy, and also about Canada’s reaction to the 1956 revolution in Hungary and the 1968 Prague Spring.

You can purchase a physical copy here.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.

Interested in CEU Press’s publications? Click here to find out more: https://ceupress.com/ 

Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.

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Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. 

In Cartoons and Antisemitism: Visual Politics of Interwar Poland (U Press of Mississippi, 2024), scholar Ewa Stańczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stańczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the first of this kind in English, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time.

Paying close attention to the antisemitic tropes that were both local and global, Stańczyk reflects on the role of pictorial humor in the transmission of visual antisemitism across historical and geographical borders. As she discusses the communities of artists, publishers, and political commentators who made up the visual culture of the day, Stańczyk tells a captivating story of people who served the antisemitic cause, and those who chose to oppose it.

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Queer Kinship on the Edge? Families of Choice in Poland (Routledge, 2024) explores ways in which queer families from Central and Eastern Europe complicate the mainstream picture of queer kinship and families researched in the Anglo-American contexts.

The book presents findings from under-represented localities as a starting point to query some of the expectations about queer kinship and to provide insights on the scale and nature of queer kinship in diverse geopolitical locations and the complexities of lived experiences of queer families. Drawing on a rich qualitative multi-method study to address the gap in queer kinship studies which tend to exclude Polish or wider Central and Eastern perspectives, it offers a multi-dimensional picture of ‘families of choice’ improving sensitivity towards differences in queer kinship studies. Through case studies and interviews with diverse members of queer families (i.e., queer parents, their children) and their families of origin (parents and siblings), the book looks at queer domesticity, practices of care, defining and displaying families, queer parenthood familial homophobia, and interpersonal relationships through the life course.

Joanna Mizielińska is associate professor at Collegium Civitas in Poland.

Qing Shen recently received his PhD in anthropology from Uppsala University. 

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The publication of Theory and Society in 2024 bought to conclusion a three volume collection of The Selected Writings of Zygmunt Bauman. Preceded by Culture and Art in 2021 and Politics and History in 2023 (all published by Polity Press) these volumes presented essays which either had never been published before, were being made available in English for the first time, or had previously been published but were not well known. The books were hugely influential contributions for scholars of Bauman, who now had access to new texts, in some cases ones which encouraged some rethinking of his project, as well as scholars in social theory, the history of sociology and the themes of each volume. All the volumes were edited by four scholars, three of whom joined me for this podcast: Dariusz Brzeziński, Tom Campbell and Jack Palmer (Mark Davis makes up the team) to discuss the series, including an in-depth discussion of Theory and Society.

As we discuss in the episode, the availability of these texts, especially the translations from Bauman’s pre-exile works in Poland encourage us to look at Bauman’s work as one continuous project founded around a project of humanism and what the editors term the ‘Camus-Gramsci-Mills axis’ which defines his work. But, it also opens new ways of placing Bauman as, for example a scholar of futures and the history of sociology and social thought. We also discuss the significance of the translations of Bauman’s work (performed by Katarzyna Bartoszynska), how the opening of the Janina and Zygmunt Bauman papers at the University of Leeds provided a prompt for this project and the relation between Bauman’s work and life circumstances. I also ask the editors to pick their favourite essay from the series.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and is the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), among other books.

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Spaces of Treblinka: Retracing a Death Camp (U Nebraska Press, 2024) utilizes testimonies, oral histories, and recollections from Jewish, German, and Polish witnesses to create a holistic representation of the Treblinka death camp during its operation. This narrative rejects the historical misconception that Treblinka was an isolated Nazi extermination camp with few witnesses and fewer survivors. Rather than the secret, sanitized site of industrial killing Treblinka was intended to be, Jacob Flaws argues, Treblinka’s mass murder was well known to the nearby townspeople who experienced the sights, sounds, smells, people, bodies, and train cars the camp ejected into the surrounding world.

Through spatial reality, Flaws portrays the conceptions, fantasies, ideological assumptions, and memories of Treblinka from witnesses in the camp and surrounding towns. To do so he identifies six key spaces that once composed the historical site of Treblinka: the ideological space, the behavioral space, the space of life and death, the interactional space, the sensory space, and the extended space. By examining these spaces Flaws reveals that there were more witnesses to Treblinka than previously realized, as the transnational groups near and within the camp overlapped and interacted. Spaces of Treblinka provides a staggering and profound reassessment of the relationship between knowing and not knowing and asks us to confront the timely warning that we, in our modern, interconnected world, can all become witnesses.

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The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives.

This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution.

Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010).

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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