On a slow autumn afternoon, an atmospheric physicist working at the Malta Weather Station receives a surprising email from a colleague working in the United Kingdom: something troubling has apparently been detected during one of their research flights. The ensuing meteorological mystery is the starting point for the science fiction novella The Clouds (Routledge, 2023). Alongside the novella, this book features three essays written by the same author that discuss in a more explicit and conventional way three philosophical ideas showcased in The Clouds:

With its unique format, this book is a fresh reflection on the mediatic form of philosophy and a compelling argument for the philosophical value of fiction.

Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.

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It’s been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they’ve been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world.

As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.

Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.

Moon of the Turning Leaves (William Morrow, 2023) is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.

Waubgeshig Rice is an author and journalist from Wasauksing First Nation. He’s written four books, most notably the bestselling novel Moon of the Crusted Snow, published in 2018. He graduated from the journalism program at Toronto Metropolitan University in 2002, and spent most of his journalism career with the Canadian Broadcasting Corporation as a video journalist and radio host. He left CBC in 2020 to focus on his literary career. In addition to his writing endeavours, Waubgeshig is an eclectic public speaker, delivering keynote addresses and workshops, engaging in interviews, and contributing to various panels at literary festivals and conferences. He speaks on creative writing and oral storytelling, contemporary Anishinaabe culture and matters, Indigenous representation in arts and media, and more. He lives in Sudbury, Ontario with his wife and three sons.

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Set in the wasteland of post-apocalyptic Las Vegas, Jarret Keene's, Hammer of the Dogs (University of Nevada Press, 2023),  is a literary dystopian adventure filled with high-octane fun starring twenty-one-year-old Lash. With her high-tech skill set and warrior mentality, Lash is a master of her own fate as she helps to shield the Las Vegas valley's survivors and protect her younger classmates at a paramilitary school holed up in Luxor on the Las Vegas Strip. After graduation, she'll be alone in fending off the deadly intentions and desires of the school's most powerful opponents. When she's captured by the enemy warlord, she's surprised by two revelations: He's not the monster her headmaster wants her to believe and the one thing she can't safeguard is her own heart. Hammer of the Dogs celebrates the courageousness of a younger generation in the face of authority while exploring the difficult choices a conscionable young woman must make with her back against a blood-spattered wall. It's a story of transformation and maturity, as Lash grapples with her own identity and redefines the glittering Las Vegas that Nevada is known for.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Under the direction of founding editor Joshua Glenn, the MIT Press’s Radium Age series is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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My Heart Is Human (Space Wizard Science Fantasy, 2023) by Reese Hogan is about a human and robot who come to occupy the same body.

The body belongs to Joel Lodowick, a single parent and trans man whose only wish, at the story’s outset, is to raise his five year old daughter in peace. The robot is Acubens, who has been warehoused for nearly 10 years until Joel tries to activate him.

At first, Joel is excited for the advantages Acubens’ conjoined consciousness confers, like the ability to get a much higher paying job with Acubens’ ability to make any numeric calculations with dizzying speed. But when Acubens—professing to have only Joel’s best interests at heart—threatens to erase Joel’s memory as part of an “upgrade,” Joel gets more than he bargained for.

Complicating their relationship is the fact that in this near future world, all technology has been outlawed. If the authorities discover Acubens has been reactivated—and worse, that Acubens is taking up more and more space in Joel’s mind—they both risk being destroyed.

Reese Hogan is a transmasc science fiction author of four novels. His short fiction has been published in The Decameron Project, A Coup of Owls, and on the Tales to Terrify podcast, as well as in two anthologies. In addition to writing, Reese enjoys singing in the local gay men’s chorus and running. He lives with his two children in New Mexico.

Find out more about Rob Wolf and Brenda Noiseux.

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I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song’s account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview.

Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Locus- and Nebula- award-winning author P. Djèlí Clark joins critic andré carrington (UC Riverside) and host Rebecca Ballard for a conversation about the archives, methods, and cosmologies that inform his speculative fiction. Clark’s fiction blends fantasy and horror elements with richly drawn historical worlds that speak to his academic life as a historian. Most recently, Ring Shout (2020) maps Lovecraftian horror into the Ku Klux Klan’s 1920s terrorism in the U.S. South, while A Master Of Djinn (2021) brings angels and the titular djinns into a steampunk version of Egypt focalized around a pair of female detectives with the Ministry of Alchemy, Enchantments and Supernatural Entities. The conversation probes the way Clark’s work limns “the supernatural and the mundane,” delving into his formative experiences with the everyday presence of ancestors in the Caribbean and the U.S. South, the way he writes deities into mortal stories without flattening free will, and why he is committed to writing stories that talk about nations, politics, and racism, even in worlds where the supernatural is just as present. As the episode wraps up, Clark talks about the process that led to his celebrated 2018 story “The Secret Lives of the Nine Negro Teeth of George Washington,” which consists of nine vignettes imagining the lives of the enslaved people whose teeth Washington used for his dentures. Stay tuned for Clark’s iconic answer to this season’s signature question—a must-listen for anybody who has always suspected there’s something weird lurking beneath the surface of children’s television!

Mentioned in this Episode

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Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama (U Michigan Press, 2023) finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.

Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

Shigeru Kayama (1904–1975) was a science fiction writer and scenarist whose early stories about monsters and mutated sea creatures attracted the attention of Tōhō Studios, which asked him to draft the first two Godzilla films.

Jeffrey Angles is professor of Japanese at Western Michigan University. He is the author of Writing the Love of Boys: Origins of Bishonen Culture in Modernist Japanese Literature (Minnesota, 2011) and the award-winning translator of Orikuchi Shinobu’s The Book of the Dead (Minnesota, 2017) and Hiromi Ito’s The Thorn Puller.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. 

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Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Em X. Liu’s The Death I Gave Him (Solaris, 2023) brings a science fiction twist to Shakespeare’s beloved Hamlet.

Working at Elsinore Labs, Hayden Lichfield and his father are in relentless pursuit of the cure for mortality. The night of Hayden’s breakthrough should be cause for celebration until he finds his father murdered. As he flees with the research, his uncle puts Elsinore Labs on lockdown. Trapped inside with only 4 other people, old secrets, alliances, and lies are revealed. When the murderer starts to look like Hayden, he leans on his only ally, the laboratory’s AI, Horatio.

“The inception of the novel really came from retelling or receiving Hamlet in this specific way.” says Liu, “It's kind of a murder mystery, kind of an emotional thriller. Ultimately, I would really describe it as a character study. “

Liu is keenly aware that playing with a Hamlet story means surprising both readers who are familiar with Hamlet or those who are not. This locked-room thriller is one that keeps the reader guessing.

Em X. Liu is a writer and recent biochemistry graduate, which means they love stories about artificial intelligence and Shakespeare in equal measure. Since immigrating to Canada, they never go long without hopping on a plane to wander new places. But out of all the cities they've been to, they still love their home in Toronto the most.

Brenda Noiseux hosts New Books in Science Fiction.

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