“Soft sci-fi, gothic body horror” is how Hiron Ennes describes their debut novel, Leech (Tordotcom, 2022). But that’s just the tip of the iceberg.

Set in an isolated winter chateau, the novel weaves a surreal and atmospheric tale of a doctor who is part of a hivemind parasite, a twisted baron’s family, and a newcomer that threatens to destroy any perceived sense of order.

Leech is an exploration of bodily autonomy, trauma, and a desperation to dig up the oppressive structures of the past. It is a multi-layered, multi-threaded slow burn that pays off for the persistent reader as the characters reveal their own monstrous, intertwined attempts at survival in the least hospitable of places.

Hiron Ennes is a writer, musician, and medical student based in the Pacific Northwest. Their areas of interest include infectious disease, pathology, and petting your dog.

Brenda Noiseux is a host of New Books in Science Fiction.

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When H.G. Wells was growing up in England in the 1860s, science wasn’t part of education or everyday life the way it is now. Even though the 19th century was an era of dramatic technological invention, the professionalization of science was still developing. Wells viewed science as an incredibly powerful force. He knew it could either help or hurt humanity--even with that risk, he believed society should fully embrace science. When Wells wrote his first novel, The Time Machine, in 1895, he kicked off a 50-year-long writing career. He was a pioneer in the science fiction genre, and his stories have inspired generations of audiences, artists, filmmakers, and other writers around the world. Sarah Cole is the Parr Professor of English and Comparative Literature and Dean of Humanities at Columbia University. She is the author of Inventing Tomorrow: H.G. Wells and the Twentieth Century and At the Violet Hour: Modernism and Violence in England and Ireland, among other works. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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In Alastair Reynolds’ Eversion (Orbit, 2022), the setting keep changing—the epoch, location, and technology—but the characters remain more or less the same as they carry out an expedition to a mysterious object at the behest of a private investor.

The novel starts on a tall ship in the early 1800s in waters in the Arctic, then jumps to a paddle-steamer near the Antarctic, then a dirigible over Antarctica, and eventually concludes in the future on a submarine-like explorer under the ice of Europa, the Jupiter moon.

The story is a puzzle, challenging the reader to figure out which if any place and time is real. Adding to the mystery is the reader’s dependence on a first-person narrator Silas Coade, the expedition’s physician. Is the story a book he is writing, a delusion, a series of alternate realities or something else?

Reynolds says his original intention with Eversion was to “recap the entire history of science fiction … We were going to start in a kind of Mary Shelley, Edgar Allan Poe mode. And then it was going to go into sort of Jules Verne and then maybe a bit of H.G. Wells, then a sort of early pulp sleuth thing.” That would have been followed by classic space opera and episodes in the styles of Robert Heinlein, Arthur C. Clarke and Isaac Asimov followed by 1960s and ’70s new wave.

“But once I started writing the book, I realized that there was no way I could bring sufficient variety to the craft to make those episodes work,” he says. “So I cut it down drastically to four or five episodes for the finished product.

Reynolds is a former research fellow at the European Space Agency. He’s been writing fiction full-time since 2004 and has 19 novels and more than 70 short stories to show for it. His work has been shortlisted for the Hugo, Arthur C Clarke and Sturgeon awards. He’s won the Seiun, Sidewise, European Science Fiction Society and Locus awards, and his stories have been adapted for stage and television.

Brenda Noiseux are Rob Wolf are co-hosts of New Books in Science Fiction.

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Kim talks with Gina Dominick about Ursula Le Guin’s short story “Schrödinger’s Cat” and the philosophical stakes of Schrödinger’s thought experiment.

Le Guin’s story was published in her collection, The Compass Rose (Harper Collins, 1982). There are many PDFs of it scattered across the internet.

Gina mentions Jacques Derrida’s writing on “Plato’s Pharmacy” in Dissemination, trans. Barbara Johnson (Chicago UP, 1981). Much the same is true of the PDF scattering here.

Gina Dominick is a medievalist, anti-capitalist rebel, and co-conspirator in the original high theory. She is a PhD candidate in the Department of English at NYU, who teaches high school philosophy and spent Halloween afternoon re-caulking her tub. She knows way more about Adorno than Kim does. By far.

Image: “Leo was rescued off the streets of Harlem 3.5 years ago and has lived comfortably in a town house with two humans ever since.”

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Part mystery, part thriller, with a splash of cyberpunk, Victor Manibo’s debut novel The Sleepless (Erewhon, 2022) imagines a near-future New York City where a quarter of the population has lost the need for sleep.

Ahead of a corporate takeover, investigative journalist Jamie Vega discovers his boss is dead. Driven to discover the truth, Jamie continues to delve deeper, even as his own Sleeplessness spirals out of control.

The world feels lived in and the mystery fits snugly within it. With good pacing and fully-realized characters, who bring their own morally ambiguous motivations to the table, The Sleepless keeps you guessing at what the characters could plausibly have done or could do next.

Victor Manibo is a speculative fiction writer living in New York City, and his writing is influenced by his experiences as an immigration and civil rights lawyer. As a queer immigrant and a person of color, he also writes about the lives of people with these identities.

Brenda Noiseux is a host of New Books in Science Fiction.

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Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.

Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.

Mentioned in the episode

Recallable Books

Read the transcript here.

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Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). That novel brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. In this crossover episode, which originally aired on Novel Dialogue, where critics and novelists sit down together in peace, He speaks with John and with science-fiction scholar Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine.

The conversation gets quickly into intimate territory: the pockets of safe space and the “small feelings” that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie’s time as a lawyer is scrutinized; so too is “acute impostor syndrome” and the everyday feeling of putting on a costume or a mask, as well as what Du Bois called “double-consciousness.”

Mentioned in this Episode:

--Dale Carnegie How to Win Friends and Influence People (1936)

--W. E. B. Du Bois on “double-consciousness” (and so much more): Souls of Black Folk (1903)

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People have always cared about their social status and how others perceive them, but advances in technology have changed how we ascend the social ladder, giving us new tools to manipulate our image and new measures of success as we seek “friends,” “likes” and the ever-elusive virality.

In Joma West’s debut novel Face (Tordotcom, 2022), climbing the ladder is everything. The way you act and dress, who you couple with, how you move and talk—it all adds up to “face,” which, in turn, determines your job, where you live, who you befriend and the quality and quantity of opportunities available to you. Every second—at home, in public or on the “In”(ternet)—is carefully choreographed. It’s a cold world, where even children are curated to advance social standing.

With everyone—even enslaved “menials”—hiding their thoughts and feelings, people turn to anonymous confessors to express their emotions. Through a Rashomonic narrative where the reader re-experiences the same scenes from different characters’ points of view, West reveals the tensions underlying every interaction and the emotional cost of living in a society that values external success over internal well-being.

“Face is a game, a way of life, a survival mechanism,” West says. “It's essentially everything that you are when you're on the hierarchy. If you're a menial you have no face, so it doesn't matter, but if you're someone on the social ladder of any kind, your face is everything. And it is what ensures that you are at the level that you're at, and it also ensures how you climb the ladder as well.”

Joma West is a third culture writer whose work straddles both fantasy and science fiction.

Rob Wolf is a writer and co-host of New Books in Science Fiction.

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The Women Could Fly (Amistad, 2022) is set in our contemporary world with one big difference. A belief in witches gives rise to laws and a culture that encourages women to be married by the age of 30, locking them in a 1950s-style domesticity with the threat that they can be burned at the stake for merely being accused of violating the rules.

In Megan Giddings’ second novel, the reader must first grapple with the question: Are witches real? As the story progresses, the question shifts: Even if witches exist, why are they considered nefarious?

“On a basic level, I just really wanted to write about magic,” Giddings says. “I wanted to write about a world where anything seems possible, but still people lean into their worst impulses and keep things small. … I wanted to show the ways that people constrain themselves. And I thought magic—something that could be limitless, something that could change anything—was the right way to get in there.”

Megan Giddings is the author of Lakewood. She has degrees from the University of Michigan and Indiana University and is a recipient of a Barbara Deming Memorial fund grant for feminist fiction.

Brenda Noiseux are Rob Wolf are co-hosts of New Books in Science Fiction.

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