The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.
The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here

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Mexico is among the most unique nations in the world, writes Northwestern University historian Paul Gillingham in Mexico: A 500-Year History (Atlantic Monthly Press, 2025). The country has several claims to fame in this regard - one of the first to abolish slavery, North America's first Black president, North America's only Indigenous president, and its only woman president. Gillingham explains the rich, complex, often bloody, and just as often inspiring history of this place from its early sixteenth century origins, into the turn of the twenty first century. Along the way, readers learn that much of what many Americans think they know about Mexico - a place of violence, drugs, and political chaos - is actually myth. In this sweeping account of Mexican history, the resilience and fortitude of the Mexican people shine through as a major theme in this important synthetic work.

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In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.
Part history, part true crime, The Sons of Gunshooter: A Navajo Resistance Story (U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”
One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.

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In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.
Part history, part true crime, The Sons of Gunshooter: A Navajo Resistance Story (U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”
One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.

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Peoples & Things host, Lee Vinsel, and guest host, Paula Bialski, Associate Professor of Digital Sociology at University of St. Gallen, talk to Fred Turner, Harry and Norman Chandler Professor of Communication at Stanford University, about his classic 2006 book, _From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism_. They briefly explore the arc of Fred’s career and revisit the book in the spirit of asking what has changed in digital ideology since the book’s publication, including with the role of Silicon Valley elites in the second Trump Administration, Elon Musk’s role in DOGE, and the (perhaps only brief) turn of digital technology elites moving from California to Texas. Since this conversation was recorded in April 2025, Fred’s essay, “The Texan Ideology,” has been published in The Baffler: Link here.

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Despite claims that we live in a "post-welfare society," welfare offices remain vital not only for those who depend on them for benefits but also for those who depend on them for a paycheck. The Welfare Assembly Line: Public Servants in the Suffering City (U California Press, 2026), a theory-driven case study of the Los Angeles County Department of Public Social Services, examines how welfare work has transformed to allow a department of just 14,000 to serve over a third of the county. Josh Seim argues that frontline workers at this agency--who are mostly Black and Brown women--have become increasingly proletarianized. Their work is defined less by their discretion and more by a lack of control over the productive process. This is enabled by a "welfare assembly line," where high divisions of labor and heavy uses of machinery resemble production regimes in factories and fast-food restaurants. With implications beyond the welfare office, The Welfare Assembly Line is a crucial addition to the broader national conversation about work, social policy, and poverty governance.

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The War on Illahee: Genocide, Complicity, and Cover-Ups in the Pioneer Northwest (Yale UP, 2025) by Marc James Carpenter is a history book about history. More specifically, it's a book about how history gets subsumed in myth, and why the truth often matters less than the story that ends up being told. In the 1850s across the Pacific Northwest, settlers engaged in bloody wars with several Indgienous tribes to seize their homelands - Illahee - for incorporation into the United States. Yet, when those same settlers sat down to write about their experiences, the bloodshed, danger, and trauma was transmuted via memory and a multi-generational game of telephone into a triumphant story of peaceful pioneers fairly trading Native people for their land. The War on Illahee is thus not just a history of Native and settler warfare in what is today Oregon and Washingotn, but also an argument for the power of history, and the insidiousness of choosing to forget the past.

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Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today.

When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government.

Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Undammed: Freeing Rivers and Bringing Communities to Life (Island Press, 2025) is not Tara’s first book, she authored one at age eight. From their she followed her passion to become an accomplished environmental journalist, initially as a graduate student in literary non-fiction, followed by more than two decades of reporting on the confluence of water, energy and biodiversity. Her work has been published in such periodicals as The Nation, High Country News, Grist, Salon, The American Prospect and The Revelator. She also has been an editor on two books focusing on the global water crisis, Water Matters and Water Consciousness.

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Richard Neutra and the Making of the Lovell Health House, 1925–35 (Getty Research Institute, 2025) tells the story of the Lovell Health House, designed and built by Austrian-American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.
The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.

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