Since the mid-19th century, San Francisco (or Yerba Buena as it was known during the Spanish colonial period) has been considered a gateway city ideally situated along the western edge of the North American continent and central in the development of global trade, communication, and cultural exchange. Despite the city’s early history as a Spanish colonial outpost, the historical record provides little mention of the region’s historic Latina/o roots and character. Addressing this historical omission, Tomas Summers Sandoval, Professor of History and Chicana/o-Latina/o Studies at Pomona College in Claremont, CA, has written the first historical work chronicling the Latina/o experience in the formation and development of The City by the Bay. In Latinos at the Golden Gate: Creating Community and Identity in San Francisco (University of North Carolina Press, 2013) Summers Sandoval connects the migrations of various Latin American groups to San Francisco with successive waves of European imperialism along the Pacific Rim of North and South America. Developing alongside capitalist penetration into Central and South America from the California Gold Rush to the late-20thcentury, Latina/o migrations to the city have resulted in a multi-ethnic conglomeration of latinoamericanos. Focusing on how this diverse group created a sense of community and collective identity, Summers Sandoval argues that Latinas/os in San Francisco forged Latinidad (pan-ethnic solidarity) through the shared experiences of transnational migration, local discrimination, and political activism. Shedding new light on a key segment within the development of the cosmopolitan character and progressive politics of the city, Latinos at the Golden Gate fills a major gap in the history of San Francisco.

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Mia Bay is a professor of history at Rutgers University, and Director of the Center for Race and Ethnicity. She is co-editor of Toward an Intellectual History of Black Women (University of North Carolina, 2015). Bay and her co-authors have brought together a strikingly good collection of fifteen essays that presents us with a sampling of a neglected field of thought. All focus on black women of the diaspora in North America, the Caribbean and Africa as subjects of critical thought and articulators of ideas on a wide variety of subjects. The authors demonstrate how black women lived and thought at the intersection of both race and gender. As a distinct field, the growth of black women’s intellectual history has suffered from several handicaps including resistance within the field of intellectual history. As Black men are often the focus as defenders of their race, black women are often portrayed as activists; doers rather than thinkers. The informal nature of much of black women’s thought, the lack of formal education and the use of religious language makes them appear as inarticulate in matters of racial and gender politics. The scarcity of written texts, particularly for the eighteen-century and much of the nineteenth, renders constructing a history of black women’s thought a project akin to archeology; a limitation the writers readily take up as a challenge. The authors appeal to social history influencing the wider acceptance of non-elite thought, and feminist scholarship as bringing attention to the field as worthy of study. The fifteen essays cover a range of topics including religion, challenges to race science, the meaning of black women’s bodies, respectability, political theory, and feminism. The entire collection is an excellent source and a promising movement toward constructing a transnational history of black women’s thought.

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As I imagine most any biographer will tell you, one of the great joys and privileges of biographical research is using archives. This is where one encounters tangible pieces of the subject’s life- letters, diaries, receipts, knick-knacks; one never knows what one will find. But how to incorporate that experience into a book? This is one of many compellingly original angles that Daisy Hay brings to the story of Benjamin and Mary Anne Disraeli in her new book, Mr. and Mrs. Disraeli: A Strange Romance (Farrar, Straus, and Giroux, 2015)

The story of Benjamin and Mary Anne Disraeli occurs in a moment of changing attitudes towards marriage, celebrity and love- a moment more often seen through the eyes of men and viewed in terms of “history.” Using the Mary Anne Disraeli archive at the Bodleian Library in Oxford- assembled by Mrs. Disraeli herself- Hay opens up this story in two ways: by bringing the voices and experiences of women into it, and by considering the Disraeli’s as “born storytellers” in 19th century world that was “thick with stories. “They themselves spun stories around their partnership,” Hay writes, “but they also made the tales they spun come true.” It’s an illuminating perspective from which to write a biography of public figures, and also one which highlights the vital importance of archives in the preservation of stories of the past.

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While museums, labs, and botanical gardens have been widely studied by historians of science, field stations have received comparatively little attention.Raf De Bont‘s new book rectifies this oversight, turning our attention to the importance of biological field stations in the late nineteenth and early twentieth centuries in generating new scientific practices, theories, and networks. Stations in the Field: A History of Place-Based Animal Research, 1870-1930 (University of Chicago Press, 2015) focuses on the German- and French-speaking scientific community in Europe, looking at a number of influential case studies that collectively embody what de Bont calls a “station movement” in this period. Exploring the relationship between these field stations and a notion of “experimentalism” embraced therein, de Bont usefully undermines a tendency to focus on laboratories as sites of experimentation in the history of science. The stations ranged in kind from very technologically sophisticated marine labs to cabins in the woods, from urban Naples to the isolated beaches of France to the birdlands of East Prussia. Some of the practices cultivated at these sites spread into a wider political and intellectual economy, transforming disciplines and spaces of inquiry and education in the process. It’s a fascinating study that offers readers a more robust and complex understanding of the spaces of modern science and their entangled histories.

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David George Surdham is the author of The Big Leagues Go to Washington: Congress and Sports Antitrust, 1951-1989 (University of Illinois Press, 2015). Surdham is Associate Professor of Economics at Northern Iowa University.

Just back from the Major League Baseball All-Star break, Surdham has written a book for sports lovers. Why do major league sports receive such preferential treatment from Congress? And what does this have to do with labor and economic development policy? Surdham examines Congressional hearings held over decades to figure out how Washington’s role in professional sports has changed over since the 1950s.

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Physician/author Ian Williams coined the term “graphic medicine” to “denote the role that comics can play in the study and delivery of healthcare.” The robust emerging graphic medicine community can be witnessed in its website and annual conference, as well as in the profusion of fascinating graphic medicine texts created from a range of perspectives, visions, and voices. Graphic Medicine Manifesto (Penn State University Press, 2015)–the first book in the exciting Graphic Medicine series at The Pennsylvania State University Press–introduces graphic medicine as a practice, a movement, and an ethos to the wide and diverse audience it deserves and will surely attract. This interview features three of the authors of the Graphic Medicine Manifesto: MK Czerwiec, Ian Williams, and Susan Merrill Squier.

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In December 2014, Cuba and the United States announced their renewed efforts to normalize relations. Diplomatic ties were severed in 1961 following the rise of Fidel Castro and the intensification during the Cold War. An economic and intellectual embargo was instituted by President Kennedy, arguing that Cuba needed to be sealed from the free world in order to induce regime change and contain communist influence.

The Cuban Missile Crisis in October 1962 nearly brought the world to nuclear ruin. Negotiations between The United States and the Soviet Union averted disaster, and crystalized the necessity for antagonistic powers to maintain a line of communication. Thus, despite the embargo, Fidel Castro frequently expressed a desire to return to normalcy with the United States. Both sides have a long history of communicating in secret over a range of issues, including refugee policies and air piracy. William LeoGrande, professor of government at American University, and Peter Kornbluh, director of the Cuba Documentation Project at the National Security Archive in Washington, D.C., are co-authors of the new book Back Channel to Cuba: The Hidden History of Negotiations Between Washington and Havana (University of North Carolina Press, 2014). LeoGrande and Kornbluh detail efforts for both sides to reconcile their opposing ideological positions in the hope of, as Raul Castro articulated, rebuilding the bridge of friendship between Cuba and the United States.

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In his new book Native Americans on Network TV: Stereotypes, Myths, and the ‘Good Indian’ (Rowman and Littlefield, 2013), Michael Ray FitzGerald reviews how television represented Native Americans, including in both positive and negative stereotypes. He talks about these portrayals from early television shows to more recent characterizations.

 

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Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative.

Prague, Capital of Twentieth Century: A Surrealist History (Princeton University Press, 2013) received the 2014 George L. Mosse Prize from the American Historical Association. The prize is awarded annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since the Renaissance. The book also received an honorable mention for the 2014 Wayne S. Vucinich Book Prize, awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).

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Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading.

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