Since the political left and right first arose during the French Revolution, Catholics have been categorized as either conservatives or liberals, and most Catholics of the French nineteenth century are assumed to have been conservatives. In Romantic Catholics: France’s Postrevolutionary Generation in Search of a Modern Faith (Cornell University Press, 2014), Carol E. Harrison goes beyond this familiar dichotomy to unveil a tradition of lay Catholicism that refused to go to either side, remaining in the political middle and marrying traditional Catholicism with a progressive social consciousness. Many of these people were the companions and heirs of the all-too-ill-known Félicité de Lamennais, whose condemnation by the pope in the 1830s did not prevent his social and religious vision from continuing to flourish throughout the century.

I spoke with Harrison to hear her perspective on her Catholics, who range from the celebrated daughter of Victor Hugo Léopoldine, to a totally forgotten best-selling novelist, Pauline Craven, to the Empress Eugenia de Montijo herself. Nor were male Catholics missing from the story: we talked about the well-known historian Frédéric Ozanam, the melancholy poet Maurice de Guérin, and the Dominican star Henri Lacordaire. I heard all about their ‘romantic impulse toward a renewal of faith’.”

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In his recent book, Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater (Columbia University Press, 2013), R. Keller Kimbrough provides us with eight beautifully translated sekkyō and ko-jōruri.

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The Writings of Pamela Price: State, Politics, and Cultures in Modern South India: Honour, Authority, and Morality (Orient BlackSwan, 2013) is a wonderful collection of ten essays by historian Pamela Price, that originally appeared between 1979 and 2010. The essays, as well as touching on the concepts of honour, authority and morality in different south Indian regions also broadly address questions of continuity and change. Drawing on debates from anthropology and political science, the book offers insights into how these above mentioned concepts shift across historical periods and how they appear in different linguistic and cultural regions.

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Margaret Mitchell’s blockbuster novel was released in 1936 to great acclaim. It immediately drew interest from Hollywood hoping to turn it into an epic film. After its sale, Mitchell began a large series of letters related to the making of the film. GWTW expert John Wiley, Jr. reviewed the large collection of Mitchell’s correspondence and compiled a fascinating book of letters and telegrams from Mitchell to Hollywood moguls, reporters, fans, and friends related to the making of the film. The Scarlett Letters: The Making of the Film Gone With the Wind (Taylor Trade Publishing, 2014) presents a new way to look at the making of Gone With the Wind, as well as a different view of the importance of the book author to a movie.

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Jan Lemnitzer‘s new book Power, Law and the End of Privateering (Palgrave, 2014) offers an exciting new take on the relationship between law and power, exposing the delicate balance between great powers and small states that is necessary to create and enforce norms across the globe. The 1856 Declaration of Paris marks the precise moment when international law became universal, and is the template for creating new norms until today. Moreover, the treaty was an aggressive and successful British move to end privateering forever – then the United States’ main weapon in case of war with Britain. Based on previously untapped archival sources, Jan Lemnitzer shows why Britain granted generous neutral rights in the Crimean War, how the Europeans forced the United States to respect international law during the American Civil War, and why Bismarck threatened violent redemption during the Franco-German War of 1870/71. The powerful conclusion exposes the 19th century roots of our present international system, and why it is as fragile as before the First World War. A sample chapter of the book can be found on the publishers website here.

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Elizabeth Schmidt‘sForeign Intervention in Africa: From the Cold War to the War on Terror (Cambridge University Press, 2013)depicts the foreign political and military interventions in Africa during the periods of decolonization (1956-75) and the Cold War (1945-91), as well as the periods of state collapse (1991-2001) and the “global war on terror” (2001-10). In the first two periods, the most significant intervention was intercontinental. The United States, the Soviet Union, China, Cuba and the former colonial powers entangled themselves in numerous African conflicts. During the period of state collapse, the most consequential interventions were intracontinental. African governments, sometimes assisted by powers outside the continent, supported warlords, dictators, and dissident movements in neighboring countries and fought for control of their neighbors’ resources. The global war on terror, like the Cold War, increased the foreign military presence on the African continent and generated external support for repressive governments. In each of these cases, external interests altered the dynamics of internal struggles, escalating local conflicts into larger conflagrations, with devastating effects on African populations. Schmidt’s book is an excellent synthesis of the past 70 years of African history and politics. Her book is provocative, thoughtful and passionate. It is a superb book for students, general readers as well as scholars.

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Russia’s economy hinges on its ability to produce and sell natural resources. Especially oil. It comes as no surprise that the collapse of Soviet Union ushered in a mad scramble for control over oil resources. The oligarchs who sat atop the treasure trove of oil production following post-Soviet privatization, clashed with the Russian government over revenue sharing, production, and investment in the resource. Oil was power. With every oil-price cycle, Russian oil revenues dipped or rose, and with it came economic woes or prosperity. President Vladimir Putin played, and continues to play, an important role in the relationship between the state and the production of oil. Thane Gustafson‘s new book, Wheel of Fortune: The Battle for Oil and Power in Russia (Harvard University Press, 2014), is an in-depth analysis of the ups and downs of Russian economy, the interdependence between the state and the oligarchs, the fight for control over oil, and the future of Russian largest export. It is both a history and a foreshadowing of oil’s role in Russia’s economy going forward.

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Is pain real? Is pain relief a right? Who decides? In Pain: A Political History (Johns Hopkins University Press, 2014),Keith Wailoo investigates how people have interpreted and judged the suffering of others in the US from the mid-1940s to the present. While doctors and patients figure in his story, the primary protagonists are politicians, judges, and ideologues, who variously understood the ambiguities of pain as political problems to be settled in legislatures and in courts of law and public opinion alike. For instance, in the 1940s and 1950s, the “pain complaint” of ailing World War II veterans became the locus of debates about manhood, federal disability benefits, and pharmaceutical interventions. Although physicians faced complex problems about adjudicating the pain of their patients, Wailoo shows that pain was also a deeply cultural problem, especially as new, competing theories of pain emerged to explain not only the experience of suffering, but the character, motives, and rights and responsibilities of the sufferer. In the Reagan administration-era, debates about pain were an index of America’s welfare problem, and in late 20thcentury, controversies over fetal pain and the “ultimate relief” of physician-assisted suicide reflected the polarized landscape of “liberal” and “conservative” positions. The last chapter, “OxyContin Unleashed,” compellingly shows how a de-regulated and pro-business pain policy led to the pain drug boom in a competitive and unstable medical marketplace. Ultimately, Wailoo claims that “we have a cultural problem understanding people’s pain.” Pain shows us how that has taken place throughout our recent history, and challenges us to acknowledge and attend to the way that we politicize the pain of others without regard for their suffering.

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Jenny Kaminer‘s new book, Women with a Thirst for Destruction: The Bad Mother in Russian Culture (Northwestern University Press, 2014) analyzes Russian myths of motherhood over time and in particular, the evolving myths of the figure of the “bad mother.” Her study examines how political, religious, economic, social, and cultural factors affect Russians’ conception of motherhood throughout history: what motherhood is, and what it should be. Kaminer focuses on three critical periods of transformation and consolidation: the abolition of serfdom in 1861, the 1917 Russian Revolution, and the collapse of the Soviet Union in the early 1990s. She investigates how good and bad mothers are depicted in various works of literature and culture, from Anna Karenina to media depictions of Chechen female suicide bombers in 2002. Winner of the 2014 Prize for Best Book in Slavic/Eastern European/Eurasian Women’s Studies from the Association for Women in Slavic Studies.

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Paola Iovene‘s new book is a beautiful exploration of visions of the future as they have shaped a range of texts, genres, and editorial practices in Chinese literature from the middle of the twentieth century through the beginning of the twenty-first century. Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China (Stanford University Press, 2014) traces two different and related ideas of the future through children’s books, popular science, science fiction, poetry, fiction, and other kinds of text and practice: destination (defined in the book as “a condition of higher perfection, a time and place that is better than the present”), and anticipation (rendered as “the expectations that permeate life as it unfolds” and emergent in various ways throughout the book). The first three chapters focus on editorial and authorial strategies, and the last two chapters offer close readings of texts by Wang Meng and Ge Fei that themselves are concerned with literature and its uses. The chapter offers thoughtful reflections on science fiction in China and its relation to ideas of labor, embodied practices of composition and performance, literary translation as a mode of cultural exchange, the beginnings of an idea of “world literature” in modern China, the editorial strategies and modes of collaboration responsible for the emergence of Chinese avant-garde fiction, the surprising links between Tang poetry and contemporary fiction in China, the importance of fog or haze as a literary medium of toxicity, and much else. It’s a wonderfully provocative book, both for specialists of Chinese literary studies and for non-specialist readers looking for a glimpse into some wonderfully inventive works of modern Chinese literature that haven’t received much critical attention in English-language scholarship.

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