In A Universe from Nothing: Why There is Something Rather than Nothing (Atria, 2012), Lawrence M. Krauss presents this big idea: something can–and perhaps must–come from nothing. That something is, well, everything–you, me, and the entire universe. If that doesn’t get your attention, nothing will. Of course, as Lawrence explains, nothing usually turns out on close inspection to be something. Listen in and find out how. Lawrence and I also discussed the relationship between science (especially physics) and religion, and in particular the question “What came before that?” and whether said question has any meaning at all. No matter what you believe, I’m sure you’ll find what Lawrence has to say of great interest.

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The end of the Cold War dramatically changed research into the Holocaust. The gradual opening up of archives across Eastern Europe allowed a flood of local and regional studies that transformed our understanding of the Final Solution. We now know much more about the mechanics of destruction in the East, about the interaction between center and periphery in planning and carrying out mass killings, and about the interaction between Germans, local inhabitants and Jews.

Twenty years later, historians have begun to integrate these new studies into broad reexaminations of the Holocaust. Donald Bloxham has written one of the best of these. His book, The Final Solution: A Genocide (Oxford UP, 2009), is a remarkable attempt to put the Holocaust into the broader context of global history. It’s analytical rather than narrative. Its arguments are careful and always attentive to nuance and complexity. And Bloxham demonstrates a deep understanding of research on the Holocaust and in the broader field of Genocide Studies. Whether you agree with his conclusions or not, you will come out of this book having reconsidered what you thought you knew about the Holocaust and about European history in the first half of the Twentieth Century.

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The “rise” of the Tea Party has become one of the most exaggerated political stories in recent memory. The hullabaloo regarding the Tea Party reminds me of what a leading neo-conservative once said about the New Left, “What’s new isn’t new and what’s left isn’t left.” In other words, there isn’t much new about the Tea Party and their principles are not necessarily more conservative than orthodox Republicanism. Kevin Mattson‘s new book, Just Plain Dick: Richard Nixon’s Checkers Speech and the ‘Rocking, Socking’ Election of 1952(Bloomsbury, 2012) argues just that. According to Mattson, the infamous “Checkers Speech” established a rhetorical and political template for the New Right and today’s Tea Party. This book is funny, insightful and worth reading. Listen to the interview, buy the book, and tell a friend.

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What makes something a poem? What defines “poetry,” and how has that changed over space and time? Critics and Commentators: The ‘Book of Poems’ as Classic and Literature (Harvard University Press, 2012) considers such questions as they chart a path through literary studies in Chinese history. From the comparative poetics of a Han dynasty “critic in the borderlands” to the theories of May Fourth intellectuals, Bruce Rusk’s elegantly written and carefully argued new book traces the changing relationships between secular and canonical poetry over 25 centuries of verse in China. Rusk introduces readers to a cast of fascinating characters in the course of this journey, from a versifying “drive-by” poet to a gifted craftsman of textual forgeries. In the course of an analysis of the changing modes of inscribing relationships between classical studies and other fields in China, we learn about poems on stone and metal, literary time-travel, ploughing emperors, and how to excavate the first drafts of Zhu Xi. This is an exceptionally rich account that ranges from the history of literary anthologies to the circulation of interpretive tropes in poetic commentaries, and in doing so it transcends the disciplinary boundaries of historical and literary studies of China. Enjoy!

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Joy Porter is the author of Native American Freemasonry: Associationalism and Performance in America (University of Nebraska Press, 2011).  She has also written several other publications, including, To Be Indian: The Life of Iroquois-Seneca Arthur Caswell Parker (University of Oklahoma Press, 2001) and Land & Spirit in Native America (Praeger Press, 2012), and she co-edited a book with Kenneth M. Roemer, entitled The Cambridge Companion to Native American Literature (Cambridge University Press, 2005).  In her latest book, she carefully tells the fascinating story of an elusive subject that sparks many historical debates: the organizational history and inclusion of Native American freemasons in America.  She covers the broad chronology of freemasonry in general, from the British origins in the  sixteenth-century to freemasonry in America from the eighteenth- to the twentieth-centuries. She explains how freemasonry is one of many institutions that exemplified the process of the transatlantic exchange of ideas from Europe to the Americas.  More specifically, she examines the Native American freemasonry from an interdisciplinary approach, such as using theories from performance studies and socio-psychological ideas of associationalism.  Furthermore, she examines Native American freemasonry from the lense of understanding the idea of “ornamentalism” (a concept borrowed from Edward Said’s work, Orientalism) to evoke the historical and racial perceptions of Native Americans from the colonial era, and how some of these ideas shifted over time.  Listen in.

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Deborah R. Coen‘s new book chronicles how the earthquake emerged and receded as a scientific object through the nineteenth and twentieth centuries. Half of the chapters in The Earthquake Observers: Disaster Science from Lisbon to Richter (University of Chicago Press, 2012) treat local experiments in planetary science in Scotland, Switzerland, imperial Austria, and California, all places that relied on networks of ordinary citizens in the course of developing modern seismology. The other chapters look at the international circulation of the stories of earthquake witnesses as evidence for an emerging global science of disaster. Coen’s book is both carefully argued and full of surprises. We learn of Kant producing what was essentially the first work of modern seismology. We learn of a geologist who studied both global tectonics and the ways that some neighborhood drinking-water supplies came from the drainage of cemeteries. We learn of the connection between evidence for earthquakes and ghosts in Britain. (I learned that my hometown of Closter, NJ was the site of an important earthquake observation in the nineteenth century.) The Earthquake Observers excavates a multilingual documentary archive that spans newspapers, seismographs, cartoons, philosophical tracts, romantic letters, and much more. It’s a fascinating multi-sited study of the changing nature of material and human instruments through which communities have understood modern disasters, and it is well worth reading.

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Andra Gillespie is the author of The New Black Politician: Cory Booker, Newark, and Post-Racial America (NYU Press, 2012). She is an Associate Professor of Political Science at Emory University and earned her Ph.D. from Yale University. Her new book focuses on the rise of one of the most well-known mayors in the country, Cory Booker. Gillespie tracks Booker’s rise through the complex politics of the city of Newark, NJ. As one of the few US cities with a history of African American mayors, Booker’s story is unique, but also illustrative. By challenging long-time Mayor Sharpe James, Booker — a newcomer to the city — confronted a deep and protective political establishment. The strategies Booker used, some effective, others less so, help Gillespie explain a larger phenomenon of the “post-racial America”. The book’s clear and personal writing make this an engaging read for political scientists and those interested in urban politics.

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Historian Stephen Hall passionately engages in the history of nineteenth-century African American intellectual life in his first monograph, A Faithful Account of the Race: African American Historical Writing in Nineteenth-Century America (University of North Carolina Press, 2009). This work traces the long nineteenth-century and how black historical writers evoked various themes at different moments, including ancient African history, biblical history, the paradox of American slavery, and challenges to black citizenship during the Reconstruction era. He unearths of a plethora of black historical sources in the nineteenth century in various forms, including speeches, sermons, newspapers, and literary texts, which each serve as precursors to the black historical writing of the twentieth century. His work reveals the complexities of African American intellectual history, and would be a great inclusion for undergraduate or graduate course, or for a general audience of readers who would be interested in learning more about the important history he illuminates. Listen in.

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Kevin Gray Carr‘s beautiful new book explores the figure of Prince Shotoku (573? – 622?) the focus of one of the most widespread visual cults in Japanese history. Introducing us to a range of stories materialized in both verbal and visual narratives, Plotting the Prince: Shotoku Cults and the Mapping of Medieval Japanese Buddhism (University of Hawai’i Press, 2012) frames Shotoku as a symbolic vessel.

Part I of the book looks at the changing identities of the prince as objects of devotion and veneration, tracing his visual cult through the fourteenth century. In this context, the figure of Shotoku, across multiple lives and associations with other religious figures, grounded a new sacred topography whose center had shifted away from India and China and toward the spaces of Japan.

Part II of the book focuses on the visual culture that mapped the various identities of the prince onto the Japanese sacral landscape. Carr introduces the notion of “cognitive maps” that integrated the elements of time, space, and personhood into the many renderings of Shotoku’s life that were simultaneously cartographic, narrative, and iconic. In addition to this fine-grained and innovative analysis of the time and space of visual materials, Carr also shows readers the centrality of stories and storytelling in helping us make sense of the world around us, and of our own place in it.

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Audra Wolfe‘s new book, Competing with the Soviets: Science, Technology, and the State in Cold War America (John Hopkins University Press, 2013) offers a synthetic account of American science during the Cold War. Wolfe pulls together a rich and disparate literature to provide a thematic, chronological and accessible story about the distinctive ways that Americans wove science and government together for the five decades after WWII. Beyond the familiar story of physics, Wolfe shows not only how science prospered under federal patronage but how the federal government itself came to depend on science as it tried to deal with the problems it faced around the world and at home. The nature of American science, and the promise of american modernity, was put on display in works and institutions as varied modernization theory and the Apollo missions. Wolfe has written a delightful little book offering the historical state of the art for those interested in thinking about the characteristic relationships forged between science and the state during the Cold War and their lasting consequences.

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