By Stuart Buchanan
5
11 ratings
The podcast currently has 140 episodes available.
In episode 125, Divide and Dissolve get remixed in an excellent companion package to their 2020 record 'Gas Lit'; traditional Southeast Asian instrumentation meets dark metal courtesy of Rinuwat; and we listen to debut releases from electronic experimentalist Jannah Quill and Sydney percussionist ilex.
There's also dark, experimental synth wave from Melbourne duo Vacuum; Aphir gets exploratory in an improvised series of choral works; and Canberra artist Sebastian Field parks songwriting for experimentation on his new album 'Sandcastles'.
Plus we take tracks from new albums by Low Life and My Disco; and Various Asses drops an unheard remix of Sarah Mary Chadwick's 'I Won't Say Goodbye'.
Featured in this episode:
Cover image: Divide and Dissolve
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In episode 124, we take in a preview of the new EP from Brisbane electronic experimentalist Makeda; as well as the debut release from Canberra's E Fishpool and the new album from Sydney's unclassifiable quartet Tangents. We expand our genre expertise by delving into psychedelic dark wave from Ov Pain, vaporised stretched electronica from Planktan Sanquin (battling the demos of King Gizzard and The Lizard Wizard) and molecular gamelan from Astasie-Abasie. We also hear two cuts from the Flash Forward project out of Melbourne, featuring releases from Female Wizard and Mindy Meng Wang; and two different tales from the world of modular, featuring Robin Fox and the various artists from Modular Theme Time Sessions.
Featured in this episode:
Cover Image: Makeda
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In episode 123, we hear an exclusive premiere of a new track from Marcus Whale’s upcoming third solo album; Shoeb Ahmad collaborates with Angus Andrew from Liars on a remix of their new single; and Melbourne’s Jake Blood drops dark, moody electronics on his new release, Prix.
We hear from MXMARS, blending experimental pop with power ambient; as well as two cuts from the Sydney netabel e-quarium from DBR and User754492117; and new outsider electronics from Subclavia. We also take a quiet and somewhat lo-fi detour with both Leighton Craig and HTRK; and check out new work from both Mookoid and Digital Penetration.
Featured in this episode:
Cover Image: Marcus Whale
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In this episode, NWAP 122, we listen to ritual electronics from Melbourne artist Sandpit Alias; as well as new solo work from PVT’s Richard Pike. Sydney saxophonist Jorja Chalmers unites with David Lynch collaborator Dean Hurley on her new album; and we hear new work recorded in Korea from interdisciplinary artist Melanie Eden.
We also check out the new release from Little Songs Of The Mutilated collective, featuring Nat Grant and Michelle Nguyen; as well as the first album from visual-art duo Snawklor in over a decade; and a piece taken from the new retrospective collection by Adelaide’s Panoptique Electrical. And to round out the episode, a preview of the new album from Megan Alice Clune on Room 40 and the latest ‘decolonial ambient’ work from Amby Downs.
Featured in this episode:
Cover Image: Michelle Nguyen
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The New Weird Australia radio-not-radio show returns in its original form, for the first time since 2012, with sixty minutes of new mutant music from the upside down, presented by Stu Buchanan.
In this first episode of the rebooted show, we hear the new single from agitprop synth-punk duo Laughing Gear; plus two cuts from a new compilation from Oxtail Recordings from Loose-y Crunché and OVRSCN; experimental jungle meets dark and delirious storytelling courtesy of Jobfit; and Altered States Tapes gives us something old and something new with releases from Carnage and Low Flung.
We also listen to a wild brand of apocalyptic art-music from Melbourne’s Omega Point; beautiful broken piano and dismembered electronics from London based ex-pat Laila Sakini; a cut from the new album from violinist and vocalist Happy Axe; and we take a journey into alt-pysch and freak-disco on the debut release from Glass Beams.
Featured in this episode
Published on 24 July 2021
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Stu Buchanan talks with artist Bridget Chappell - raver, musician, writer and organiser - who makes frenetic and febrile electronic music as Hextape, and has been organising parties in drains, observatories, and other fascinating locations for many years. In 2020, they released their debut album under their own name titled Undertow, which blends sonified data from the City of Melbourne’s Open Data Platform with Melbourne's public sound sculpture, the Federation Bells.
Brought up in Canberra, now resident in Melbourne; Bridget has a diverse practice that also encompasses writing, teaching and curating, as well as sound art for installations and performances; most recently for their first solo exhibition No Comment, which investigated the science of phase cancellation and its potential role as an act of sonic resistance.
Music featured in this episode:
Hextape - I Just Wanna Race (Friendships Remix)
Hextape - Yubaba
Hextape - 200 Fast 200 Furious (Corin Remix)
Hextape - Revenge (Gabber Modus Operandi Remix)
Bridget Chappell - Elizabeth Street
Mark Temple - The Sound of the SARS-CoV-2 Genome
Bridget Chappell - Freshwater Falls
https://www.bridgetchappell.com/
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Stu Buchanan talks with Sia Ahmad, one of Canberra's most prolific experimental artists, curators and producers, and relentless advocate for the local independent, DIY and underground music scenes. She discusses her recent body of work including 2018's ground-breaking "quiver"; the 2020 albums im/modesty and A Body Full Of Tears; and the upcoming remix collection Realignment.
Music featured in this episode:
- flaw, featured (Remix by Dijit) - from Realignment
- im/modesty (with Australian Art Orchestra) - from im/modesty
- "mask-ed" - from "quiver"
- double checks against the corner (b) - from A Body Full Of Tears
- team pressure - from A Body Full Of Tears
- blown out / trace out (Remix by Lorraine James) - from Realignment
- deficit - from A Body Full Of Tears
shoebahmad.bandcamp.com
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Jessica at Birth is the solo outsider art project of multi-instrumentalist, producer, songwriter and performing artist Hanna Jenkin. Fusing vintage tape loops with in-the-box electronic production, Hanna blends spoken word stories with guitar, bass loops and experimental indy-punk percussion.
Music featured in this episode:
- Paperdaisy In The Spring Rain
- To The Teeth
- Waterburds
- Speedway Queen
- Windy Louvre
jessicaatbirth.bandcamp.com
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Having dedicated much of her early career to the electronic duo The Golden Filter, Penelope Trappes released her solo debut Penelope One in 2016 on the Optimo label; a release she described as "percussion-less, reverb-heavy haunting atmospherics with dystopian themes". She signed to Houndstooth for Penelope Two, which mixed field recordings, meditations and guitars with synth drones, piano and layers of reverb.
Earlier this year, she released Gnostic State, a commissioned sound work for Longform Editions, and this month released a new four-track EP, Eel Drip.
Music featured in this episode:
Gnostic State
Maeve
Silence
Burn On (Mogwai Remix)
Eel Drip
https://penelopetrappes.bandcamp.com/
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New Weird Australia on Buy Music Club: https://buymusic.club/list/newweirdaus-new-weird-australia-selects-or-spring-2020
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Laurence Pike is a Sydney-based artist who for the last twenty years has been investigating the worlds of electronic music, jazz and leftfield rock; initially as founder and drummer of Pivot (latterly PVT); through various collaborative projects including Szun Waves and Triosk; and more recently as a solo artist, release three albums in as many years.
Using this new album 'Prophecy' as a backdrop, Laurence reflects on the place and purpose of art amidst apocalyptic events; how underlying shifts in culture and society are impacting on the future of music; and his upcoming collaboration with Angus Andrew as the newest member of Liars.
Music featured in this episode:
- Laurence Pike - Nero (from 'Prophecy')
- Laurence Pike - Ember (from 'Prophecy')
- Laurence Pike - Rapture (from 'Prophecy')
- Szun Waves - Stutter (from 'Three')
- Laurence Pike - Dance Of The Earth (Liars Remix) (Original version from 'Holy Spring')
laurence-pike.squarespace.com
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The podcast currently has 140 episodes available.