Welder/boilermaker/author Rick Ranson talks about his new book BITTERSWEET SANDS, and the firsthand realities of working in the Fort McMurray oilsands.

Edmonton writer Wendy McGrath talks about her luminous new novel NORTH EAST, vanishing neighbourhoods, and the imaginative world of childhood.

Marguerite Pigeon discusses her new story collection SOME EXTREMELY BORING DRIVES, long-distance endurance racing, bullfighting, cat-catching, and her attempt to emulate Franz Kafka.

Laurence Miall talks about his new novel BLIND SPOT, the virtues of setting a book in an unglamourous city like Edmonton, and the challenges of writing a book with what some might call an "unlikable" protagonist.

D.B. Carew talks about his experiences as a first-time novelist, and how his day job as a social worker at a forensic psychiatric hospital informed his new thriller THE KILLER TRAIL.

Karen Hofmann talks about her new novel AFTER ALICE, sibling rivalry, orchard life, whether elderly characters are different from youthful characters, and the art of describing the natural world.

Edmonton actor/playwright/improviser/screenwriter/TV star Chris Craddock talks about his new collection of theatrical monologues, PUBLIC SPEAKING AND OTHER PLAYS, as well as Ayn Rand acolytes, amateur porn stars, and electric chair designers.

Calgary author Garry Ryan talks about his latest Detective Lane crime novel FOXED, the challenges of writing a novel series, the secret of his impressively prolific literary output, and future directions for the Lane books.

Marissa Reaume talks about her debut novel SHALLOW ENOUGH TO WALK THROUGH, magical realism, and the hidden charms of Windsor, Ontario.

Thea Bowering talks about her new collection of short stories, LOVE AT LAST SIGHT, the concept of the flaneur, and the reasons why men still read Henry Miller.