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"Baqi Sab Sukh-Saand Hai" (Rest All is Fine Here) is a reflection of the equanimity of Punjabi village mind in the wake of tragedy.Mohan Bhandari (1937–2015) was a respected Punjabi short story writer known for his minimalist style and grounded realism. A schoolteacher by profession, he wrote about rural life, human relationships, and social tensions without ornamentation. His notable works include Moon di Akh and Katha Kahani, and his stories are often included in Punjabi university curricula.He was honored with the Sahitya Akademi Award in 1998 for his short story collection "Moon Di Akh." His work has been translated into multiple languages and is widely studied in Punjabi literary circles.Please subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠as well and share this audiobook with family and friends.

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'Ah Koi Maslah?' (It does not matter) is a short story involving a student, her professor, and professor's house-help as well as a cat and a kitten who all are dealing with their own issues incomprehensible to the others. Amber Hosseini weaves these four problems in her plot.About the author: Amber Hosseini is a recent but established signature in Punjabi literature being produced from Pakistan. Her story "Awalle Nashae" was selected for the anthology '2024 dian Pratinidh Kahanian'. Sukirat has curated the stories and edited the book.Amber's recent nomination to the prestigious Dhahan Award brings her into the league of major Punjabi fiction writers.

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Kadaka Singh is a Nihang Singh who does an unexpected act for a young girl in a Punjab village. Listen to this witty and clever turn the story takes.About the author: Balwant Gargi (December 4, 1916 – April 22, 2003) was a pioneering Punjabi playwright, novelist, and theatre director who played a central role in modernizing Punjabi drama. Born in Sehna, Barnala district (Punjab), he completed his M.A. in English Literature from Forman Christian College, Lahore. He was mentored by Norah Richards and later studied theatre at Yale and Columbia. His most acclaimed plays include 'Loha Kutt' (1944), 'Kanak di Balli' (1968), 'Sultan Razia', and 'Dhooni di Agg (1977). Gargi’s autobiographical English novel, 'The Naked Triangle', explores themes of identity and sexuality. He founded the Department of Indian Theatre at Panjab University in 1962, shaping the careers of many renowned actors. His book 'Rang Manch' (1962) earned him the Sahitya Akademi Award, and he was honored with the Padma Shri in 1972 and the Sangeet Natak Akademi Award in 1998. Gargi passed away in Mumbai, leaving a legacy that deeply influenced Indian theatre.

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Rann, Talwar Te Ghoda (Woman, Sword and Horse) is a story revolving around crime of passion. Discover what happens the night Makhan completes his jail term and returns home.Muhammad Afzal Ahsan Randhawa ( محمد افضل احسن رندھاوا, 1 September 1937 – 18 September 2017) was a Pakistani Punjabi language writer, poet, translator, playwright and a politician. He authored several short stories and novels in the Punjabi language including "Sooraj Grehan" and "Doaba." He was born in Amritsar, Punjab but had to move to the newly minted Pakistan after 1947. He begun writing when he was in school.Randhawa was a left leaning politician and a lawyer. He was vocal against Indian Military’s Blue Star Operation in 1984 on Harmandar Sahib, the central seat of Sikhs. He wote a poem – "Nawan Ghallughara" (New Holocaust) to express himself.In Punjabi, Randhawa wrote four novels, four collections of short stories, six collections of poetry, one collection of TV and radio dramas and three translated versions of an African novel, one collection of African poetry and one translation of interviews of world leaders. He also wrote a collection of Urdu poetry.In 1965, he published a collection of poetry "Sheesha Aik Lashkaray Dou"; followed by a collection of short stories "Runn, Talwar Tay Ghora" published in 1973. Other short story collections, include "Randhawa Dian Kahanian" in 1988, "Munna Koh Lahore" in 1989 and "Illahi Mohar" in 2013. Randhawa's further five poetry collections, include "Raat Daay Char Safar" in 1975; "Punjab Di Var" in 1979; "Mitti Di Mehek" in 1983; "Piyali Wich Aasmaan" in 1983; and "Chhewaan Darya" in 1997.He translated Chinua Achebe's "Things Fall Apart" as "Tutt Bhaj" (1986) and Gabriel García Márquez's "Chronicle of a Death Foretold" as "Maut Da Roznamcha" (1993) into Punjabi. In 2011, his collection of short stories "Elahi Mohr Tey Doojian Kahanian" was published.[Wikipedia]Alongside writing, he practised law and served as a member of Pakistan’s National Assembly from 1972 to 1977.Honoured with Pakistan’s Pride of Performance and the Kamal-e-Fun Lifetime Achievement Award, Randhawa remains widely respected on both sides of the Punjab for enriching modern Punjabi literature.

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Kaanhi (The Pall Bearers) is the story of 1980s East Punjab when death, bullets and terrorism ruled the day and night.

About the author:

Prem Parkash (7 April 1932 – 30 March 2025) was an Indian writer from Punjab, regarded as one of the major short story writers in post-1947 East Punjabi literature. Also known as Prem Parkash Khannvi, he was born in Nawanshahar and worked as a farmer, teacher, editor, and translator before editing an Urdu newspaper in Jalandhar and later working as a sub-editor for Hind Samachar. In 1970 he co-founded the literary magazine Lakeer with Surjit Hans. His work centered on social and sexual taboos, and his controversial novel Dastavez, about the Naxalite movement in Punjab, appeared in 1973. He was a Sahitya Akademi Award recipient and passed away in Jalandhar on 30 March 2025 at age 92.

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Koi Ik Svaar (That One rider) is the story of a day inthe life of Baaru, the tonga driver. The arrival of trains and buses destroys the livelihood of the likes of Baaru and Kundan who end up clashing with each other, not realising that they both are victims of mechanization of modes of transport.

About the author:

Santokh Singh Dhir (1920–2010) was a distinguished Punjabishort-story writer, poet and novelist associated with progressive literature.Born in Bassi Pathana, Punjab, he devoted his life to writing about rural society, working people, poverty and social change with realism and deep human sympathy. His notable stories include Koi Ik Svaar, Sanjhi Kandh and Saver HonTak. In 1996, he received the Sahitya Akademi Award for his short-story collection Pakhi. He was also honoured as Shiromani Punjabi Sahitkar in 1991.

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In Mohan Rakesh’s Malbe da Maalk (The Owner of Rubble) Ghani visits Amritsar and finds his home destroyed in the riots. Unaware that Rakha Pehalwan murdered his son Chiragdeen and his family, Ghani warmly asks why he failed to save them. Rakha remains silent. Ghani returns permanently to Pakistan, leaving Rakha tormented by guilt.

About the Author

Mohan Rakesh (8 January 1925–3 December 1972), born Madan Mohan Guglani in Amritsar, was one of the most influential figures in modern Hindi literature. He was a leading voice of the Nayi Kahani or “New Story” movement, which brought greater psychological realism and contemporary social concerns to Hindi fiction.

A playwright, novelist, short-story writer and essayist, Rakesh explored loneliness, fractured relationships, moral conflict and the struggles of India’s urban middle class. His acclaimed plays include Ashadh Ka Ek Din, Lehron Ke Rajhans and Aadhe Adhure. His notable novels include Andhere Band Kamre and Na Aane Wala Kal.

His powerful short story Malbe Ka Malik examines the pain of Partition through themes of displacement, betrayal, guilt and lost belonging. Through his sensitive characterization and restrained storytelling, Mohan Rakesh left an enduring mark on Hindi literature and theatre.

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Chahhvhian di Rutt (The Days of Battle-Axes) is an insight into the mind of a blacksmith doomed to carve battle-axes, spears and other weapons to be used during the violence unleashed during Partition of 1947. The story touches upon how ordinary men were complicit in the killing and rapes during a lawless mass-movement of people.About the Author:Mohinder Singh Sarna (1923-2001) moved to Delhi from Rawalpindi after the partition of India, and joined the Indian Audit and Accounts Service in 1950. In a writing career spanning six decades, Sarna produced several volumes of poetry, short stories and novels, many of which have been translated into other Indian languages and made into telefilms. Sarna's work has received critical acclaim. He was the recipient of numerous prestigious awards for his writing, including the Sahitya Akademi Award. He was recognised as the Shiromani Punjabi Sahitkar by the Government of Punjab in 1989. He was married to noted Punjabi translator and poet Surjit Sarna. His son Navtej Sarna is an eminent author and diplomat.(Bio from https://outofprintmagazine.co.in/author/mohinder-singh-sarna/)

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"Sheesha" (The Mirror) is sequel to "Hawa" (The Wind) . Both stories are woven around one of the many incidents that took place during the partition and riots of 1947.

Gurdev Singh Rupana (13 April 1936 – 5 December 2021) was a distinguished Punjabi author best known for his evocative short stories that capture the lives of ordinary people. A postgraduate in Punjabi literature and PhD scholar from Delhi University, Rupana began his career as a schoolteacher in Delhi, forging close literary ties with luminaries like Amrita Pritam. His acclaimed collection Aam Khaas (“Ordinary Extraordinary”)—featuring tales of Dalits, migrant laborers, and slum dwellers—earned him the Sahitya Akademi Award in 2020 and recognition as a Dhahan Prize finalist in 2019.

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"Raavi Paar" - Across the river Raavi - is a short story steeped in partition trauma in which a father has to make a quick decision while crossing the border.

Gulzar—born Sampooran Singh Kalra in 1934 in Dina, District Jhelum, now in Pakistan—is one of India’s foremost cultural icons. After spending his school years in Delhi, he moved to Bombay, where his poetic voice flourished through his association with the Progressive Writers’ Movement. The experience of Partition left a lasting impression on his imagination, bringing themes of displacement, separation, memory and lost homelands into much of his writing.

Although widely celebrated as a poet, lyricist and filmmaker, Gulzar is equally a masterful storyteller. His acclaimed collections—including Raavi Paar, Dhuan and Half a Rupee Stories—explore ordinary people, complicated relationships, childhood, loneliness and the quiet ironies of everyday life. His storytelling is economical, visual and deeply humane. Rather than explaining everything, he often allows a small detail, an unfinished conversation or a moment of silence to reveal an entire emotional world. His stories carry the sensitivity and imagery of poetry while remaining firmly rooted in lived human experience.

Gulzar’s remarkable creative repertoire extends beyond poetry, fiction and cinema to plays, ballets, music albums, television serials and books for children. His works have been translated into numerous languages and have received national and international acclaim. (Source: Literature Live! The Mumbai LitFest, 2024)

Among his many honours are the 2002 Sahitya Akademi Award, the Padma Bhushan, the Academy Award and Grammy for “Jai Ho,” the Dadasaheb Phalke Award and the Jnanpith Award—recognition of a creative life in which poetry and storytelling have remained inseparable.

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