"Frog" by Mo Yan is a profound narrative that delves into the complex web of China's family planning policy through the eyes of the protagonist, a rural obstetrician named Gugu.

The story unfolds with Gugu's life journey, from her initial enthusiasm and dedication in her medical career, especially in the field of obstetrics, to the moral and ethical dilemmas she faces due to the strict implementation of the family planning policy. Gugu witnesses and participates in numerous births and abortions, each event leaving an indelible mark on her soul.

The novel vividly portrays the joys and sorrows of rural families during that era, their hopes for new lives, and the heart-wrenching pain when facing the restrictions of having children. It also reflects on the power of traditional values, the conflict between individual desires and the demands of the times, and the heavy burden that policies can place on people's lives.

Overall, "Frog" is a poignant exploration of life, morality, and the far-reaching impact of social policies, presented with Mo Yan's characteristic vivid and powerful writing style.

《蛙》以乡村医生“姑姑”的一生为主线，串起了中国乡村生育史的沧桑变迁。从狂热的生育潮到严苛的计划生育时代，“姑姑”既是接生的天使，又是执行政策的铁面人，她的双手迎接过无数新生命，也在无奈中终止过一些孕事。书中通过蝌蚪的视角，展现了人性、伦理、时代使命等诸多元素的碰撞与纠葛，有对生命的敬畏与无奈，对亲情爱情的挣扎与坚守，如同一幅厚重的画卷，将那段波澜壮阔又五味杂陈的历史娓娓道来，让人在历史的辙印里思索生命的意义与时代的裹挟之力。

"Life and Death Are Wearing Me Out" by Mo Yan is a tale that traverses multiple lifetimes and epochs. It follows the reincarnations of a landowner named Ximen Nao, who, after his unjust death, is reborn successively as various animals on his former land.

Through the eyes of these animals - a donkey, an ox, a pig, a dog, and a monkey - we witness the dramatic changes and upheavals in rural Chinese society from the 1950s to the early 2000s. The story unfolds the complex relationships among the villagers, their joys and sorrows, loves and hates, as well as the impact of historical events such as land reform, the Great Leap Forward, the Cultural Revolution, and the subsequent era of reform and opening up.

With vivid and often humorous descriptions, it presents a panorama of rural life, exploring themes of fate, reincarnation, human nature, and the unyielding vitality of life against the backdrop of a changing world.

西门闹含冤而死，历经六道轮回，先后投身驴、牛、猪、狗、猴之身，以动物视角见证高密东北乡半个多世纪的沧桑巨变。从土改时期到改革开放，目睹了蓝脸一家在时代浪潮中的悲欢离合、爱恨情仇。人与动物的灵魂相互交织，演绎着生死疲劳的生命之歌，最终在无尽的轮回中体悟到世事无常、人生如梦的悲凉与旷达。

In "Poverty and Wealth and Desire", Mo Yan reflects on the complex relationship between poverty and wealth, as well as the unbridled desires of human beings. He explores how poverty can breed both the longing for wealth and the distortion of values, while wealth may not necessarily bring true contentment and might even arouse excessive desires. The essay delves into the human nature beneath the pursuit of material things and contemplates on the way people should face and handle the temptations and challenges brought by poverty and wealth and their attendant desires.

《贫富与欲望》围绕贫富差距与欲望这一主题展开，剖析了财富分配不均的现状及由此引发的诸多社会现象，探讨了欲望在其中所起的推动或扭曲作用，既感慨贫穷带来的困境与无奈，又反思过度欲望催生出的种种弊端，呼唤人们在贫富之间寻求平衡，以理性审视并克制过度的欲望，让生活回归质朴与本真。

Set against the backdrop of the wild and turbulent Gaomi Northeast Township in Shandong during the 1930s and 1940s, "Red Sorghum" unfolds a vivid and passionate epic. It tells the story of the tenacious and unruly life of Yu Zhan'ao and his fellows, interwoven with their bold and uninhibited love affairs. The story is colored by the vivid image of the red sorghum fields that stretch as far as the eye can see, symbolizing the unyielding vitality and unruly spirit of the people. With the backdrop of war and chaos, it showcases the complex human nature, the pursuit of freedom and passion, and the arduous yet heroic struggle of the common people against the harsh environment and the invaders.

《红高粱》以抗日战争时期高密东北乡为背景，讲述了“我”的先辈们在这片充满生命力的土地上，以红高粱般热烈、倔强的姿态演绎的传奇故事。余占鳌与九儿在命运的捉弄下结合，他们的爱恨情仇在动荡岁月里交织。在日军侵略的大难面前，高密东北乡的百姓们，如同那火红的高粱地，虽质朴却有着顽强的血性与抗争精神，他们以原始的生命力量投入到保家卫国的战斗中，用热血书写了一曲英勇悲壮的赞歌，让那片红高粱地见证了家族的悲欢离合与民族不屈的灵魂。

"Diary of a Madman" by Lu Xun is a profound and incisive work that reveals the hideous face of feudal society through the seemingly crazy ravings of the "madman". It depicts the "madman" who perceives the world around him filled with the "cannibalism" nature of the old system and traditional ideology. With his unique perspective and acute insight, he discovers the hidden darkness and hypocrisy in human relations. The story not only reflects the suffocating oppression of individuals in the feudal era but also implies a strong call for the awakening of people's consciousness and the pursuit of a new era of liberation and truth.

狂人在臆想与现实交织的混沌中，以癫狂之态洞见封建礼教“吃人”的本质，于惊惶呐喊里挣扎反抗，却终在觉醒后的无奈中发出救救孩子的悲切呼号，似暗夜孤魂，撞不破那礼教的沉沉黑幕，徒留满纸荒唐言下的无尽沉痛与深刻反思。

“The Seventh Day” is a poignant and fantastical literary work that delves into the liminal space between life and death. Set against a backdrop of a world fraught with chaos and desolation, it follows the journey of a soul in the seven days after death. Amid the eerie and shadowy realm, the protagonist encounters the remnants of his earthly life, the broken dreams and unfulfilled hopes. Yet, within this seemingly gloomy expanse, glimmers of human kindness and the bonds of affection shine through like fragile beams of light. It is a lyrical exploration of mortality, a profound meditation on the meaning of life and death, as well as an ode to the indomitable spirit of humanity that persists even in the afterlife.

《第七天》是一部凄美且充满奇幻色彩的文学作品，深入探寻了生死之间的临界地带。以一个充满混乱与荒芜的世界为背景，它讲述了一个灵魂在死后七天的游历。在那阴森诡异、暗影笼罩的境域中，主人公邂逅了尘世生活的残余、破碎的梦想与未竟的期望。然而，在这片看似 gloomy 的广袤天地里，人性的善良之光与情感的羁绊如脆弱的光束穿透而出。这是一场对死亡的诗意探寻，一次对生死意义的深刻沉思，亦是一曲为人类即使在来世也不屈不挠的精神奏响的颂歌。

“Sandalwood Punishment” is a profound and harrowing literary masterpiece set against the backdrop of the chaotic late Qing Dynasty and early Republic of China. With its vivid and often gruesome descriptions, it unfolds a complex tapestry of human nature and social contradictions. The titular sandalwood punishment serves as a focal point, around which swirls a maelstrom of love and hatred, loyalty and betrayal. Through the author's masterful use of language, the reader is immersed in a world where the stench of blood mingles with the scent of ink, and the fates of the characters are played out like a tragic symphony. It is a searing indictment of the dark era, as well as a poignant exploration of the human psyche under extreme duress.

《檀香刑》是一部深邃且震撼人心的文学巨著，以清末民初的乱世为背景。凭借其生动且时常令人毛骨悚然的描写，它铺陈出一幅人性与社会矛盾交织的复杂织锦。书名所指的檀香刑成为焦点，爱恨情仇、忠诚背叛如漩涡般围绕其展开。通过作者精湛的语言运用，读者仿若置身于一个血的腥臭与墨的书香交融的世界，人物命运如同悲剧交响乐般奏响。这既是对黑暗时代的强烈控诉，也是对极端重压下人类心灵的深刻探寻。

“Dawn Blossoms Plucked at Dusk” is a remarkable literary work that delicately weaves together the fragmented memories of Lu Xun's bygone days. Against the backdrop of a changing era, it traverses the innocent landscapes of childhood, the perplexing adolescence, and the bittersweet recollections of people and events. Through his elegant prose, Lu Xun transforms these past fragments into a tapestry of emotions, where the joys, sorrows, and naivete of youth are vividly recreated. It is a nostalgic journey, a lyrical exploration of the past that allows readers to taste the complex flavors of life as it once was, a poignant elegy to the lost yet cherished moments in the passage of time.

《朝花夕拾》是一部非凡的文学著作，它精妙地串起了鲁迅过往岁月的零散记忆。置身于风云变幻的时代背景之下，它穿梭于纯真无邪的童年景致、懵懂迷茫的少年时光，以及那些人与事的苦乐参半回忆之中。凭借着优美的文笔，鲁迅将这些往昔碎片编织成一幅情感织锦，青春的欢乐、哀愁与纯真被鲜活重现。这是一场怀旧之旅，一场对往昔诗意的探寻，让读者得以品味曾经生活的复杂滋味，是一曲为时光长河中逝去却又珍视的瞬间奏响的凄婉挽歌。

“Never Been So Attached to the World” is a collection of profound and touching literary works that delicately unfolds the complex emotions of human beings towards life. Against the backdrop of the bustling and ever-changing mortal world, the authors, through their exquisite words, capture the fleeting yet precious moments, the joys and sorrows, the hardships and hopes. It is a lyrical exploration of how, after traversing the vicissitudes of life, people come to cherish and deeply love every bit of this worldly existence, finding beauty and warmth in the simplest of things. It is an ode to life that resounds with the echoes of human hearts, singing softly about the inescapable allure of the world we inhabit.

《从未如此眷恋人间》是一部深邃动人的文集，它细腻铺陈出人类对生活的复杂情愫。以熙攘多变的尘世为幕布，作者们凭借精妙文字，捕捉那稍纵即逝却无比珍贵的瞬间、喜怒哀乐、艰难与希望。这是一场诗意的探寻，讲述着人们在历经人生沧桑后，如何珍视并深深爱恋这世间点滴，于最简素之处寻得美好与温暖。它是一曲生命的颂歌，回响着人心的共鸣，悠悠吟唱着我们所栖居世界那无法抗拒的魅力。

“Me and the Altar of Earth” is a remarkable literary memoir that unfolds the profound spiritual journey of Shi Tiesheng. Against the backdrop of the ancient and serene Altar of Earth, which has witnessed the passage of time and endured countless vicissitudes, the author, confined to a wheelchair after a tragic twist of fate, found solace and inspiration. Here, in this secluded corner of the world, he engaged in a silent yet intense dialogue with nature, history, and his own soul. Through his elegant prose, he weaves together the threads of his past memories, present struggles, and future hopes, creating a tapestry of life that resonates with the universal themes of suffering, perseverance, and transcendence. It is a poignant ode to the human spirit's indomitable quest for meaning and wholeness in the face of adversity.

《我与地坛》是一部非凡的文学回忆录，它铺陈出史铁生深邃的精神之旅。以古老静谧的地坛为背景，这座园子历经岁月流转、饱尝无数沧桑。作者在命运的残酷捉弄后，坐上轮椅，却在地坛觅得慰藉与灵感。在这尘世的幽僻一隅，他与自然、历史以及自己的灵魂展开一场无声却炽热的对话。凭借优美的笔触，他将往昔回忆、当下挣扎与未来憧憬的丝线交织，织就一幅关乎生命的锦缎，其与苦难、坚韧、超脱的普世主题深深共鸣。这是一曲凄美的颂歌，赞颂人类精神在逆境中不屈不挠追寻意义与圆满的征程。