“Wandering” is a profound literary work by Lu Xun, which vividly reflects the spiritual perplexity and anguish of intellectuals in a transitional era. Set against the backdrop of a crumbling feudal society and the budding of new ideas, the characters within are constantly torn between tradition and modernity, struggling to find their place and purpose. Lu Xun, through his incisive writing, captures their hesitations, their futile attempts, and the glimmers of hope that sporadically pierce through the gloom. It is a melancholic yet poignant exploration of the human psyche in the face of an uncertain future, a literary elegy for an age in flux.

《彷徨》是鲁迅一部深邃的文学力作，它真切映照出转型时期知识分子内心的精神彷徨与痛苦。以摇摇欲坠的封建社会与新兴思潮萌动为背景，书中人物不断在传统与现代之间拉扯，奋力找寻自身的定位与价值。鲁迅凭借其犀利笔触，捕捉住他们的犹疑、徒劳的挣扎，以及偶尔穿透阴霾的希望微光。这是在面对不确定未来时，对人类心灵一场忧郁却又深刻的探寻，是为动荡时代奏响的一曲文学挽歌。

Along the meandering course of time, Mo Yan's "Late-Blooming Persons" unfolds quietly like a profound spiritual epic. The book centers around those souls seemingly "slowed down" by time. Amid the rapid whirlpool of the era, they are like solitary boats sailing upstream, not easily swept away by the secular waves. In the face of the hustle and bustle and temptations of the vanity fair, these late bloomers seem naive and slow, as if standing aloof from the world. However, when the fierce storms of life come roaring in, the stubbornness and simplicity rooted deep in their lives break through the ground, supporting them to cut through layers of fog and explore the way forward in the labyrinth of human nature at their own pace of growth. They are like flowers that bloom late in life, emitting a unique fragrance among the vicissitudes of the world, weaving their respective stories into a song of life about growth, perseverance, and transformation. It makes readers feel as if they are standing in the interlacing light and shadow of the era, listening to the murmurs of those souls polished by time.

在时光的长河蜿蜒流淌之处，莫言的《晚熟的人》宛如一部厚重的心灵史诗悄然铺展。书中聚焦那些仿若被岁月 “慢放” 的灵魂，他们身处时代的急遽漩涡，却似逆流而上的孤舟，不被世俗的浪潮轻易裹挟。在名利场的喧嚣与诱惑面前，晚熟的他们懵懂迟缓，仿若遗世独立；然而，当生活的疾风骤雨呼啸而至，那份源自生命深处的倔强与质朴破土而出，支撑着他们穿越重重迷雾，以独有的成长节奏，在人性的幽微迷宫中探寻前行之路。他们宛如迟暮绽放的花朵，于沧桑世事间散发着别样芬芳，用各自的故事编织成一曲关于成长、坚守与蜕变的生命之歌，令读者仿若置身于时代的光影交错之中，聆听那些被时光打磨的灵魂低吟。

Along the meandering course of time, Mo Yan's "Late-Blooming Persons" unfolds quietly like a profound spiritual epic. The book centers around those souls seemingly "slowed down" by time. Amid the rapid whirlpool of the era, they are like solitary boats sailing upstream, not easily swept away by the secular waves. In the face of the hustle and bustle and temptations of the vanity fair, these late bloomers seem naive and slow, as if standing aloof from the world. However, when the fierce storms of life come roaring in, the stubbornness and simplicity rooted deep in their lives break through the ground, supporting them to cut through layers of fog and explore the way forward in the labyrinth of human nature at their own pace of growth. They are like flowers that bloom late in life, emitting a unique fragrance among the vicissitudes of the world, weaving their respective stories into a song of life about growth, perseverance, and transformation. It makes readers feel as if they are standing in the interlacing light and shadow of the era, listening to the murmurs of those souls polished by time.

在时光的长河蜿蜒流淌之处，莫言的《晚熟的人》宛如一部厚重的心灵史诗悄然铺展。书中聚焦那些仿若被岁月 “慢放” 的灵魂，他们身处时代的急遽漩涡，却似逆流而上的孤舟，不被世俗的浪潮轻易裹挟。在名利场的喧嚣与诱惑面前，晚熟的他们懵懂迟缓，仿若遗世独立；然而，当生活的疾风骤雨呼啸而至，那份源自生命深处的倔强与质朴破土而出，支撑着他们穿越重重迷雾，以独有的成长节奏，在人性的幽微迷宫中探寻前行之路。他们宛如迟暮绽放的花朵，于沧桑世事间散发着别样芬芳，用各自的故事编织成一曲关于成长、坚守与蜕变的生命之歌，令读者仿若置身于时代的光影交错之中，聆听那些被时光打磨的灵魂低吟。

The novel tells the story of the hardships experienced by two brothers, Li Guangtou and Song Gang, in a reconstituted family in a small town in the 1960s and 1970s and the early days of reform and opening up. The author reproduces history in an absurd way to express his criticism of the power in the 1960s and 1970s, as well as his concern for the lack of spiritual life of the people in the early days of reform and opening up, and a little human care.

该小说讲述了小镇重组家庭中的两兄弟李光头和宋钢在二十世纪六七十年代和改革开放初期所经历的种种磨难。作者以荒诞手法再现历史，是为表现对六七十年代强权的批判，以及对改革开放初期民众精神生活匮乏的担忧和些许的人性关怀。

"Wencheng" tells the story of Lin Xiangfu, a young northern man who came to the southern village of Xizhen to settle down during the late Qing Dynasty and early years of the Republic of China. He met and fell in love with Ji Xiaomei, a southern woman. After giving birth to a daughter, Ji Xiaomei suddenly left home and never heard from her again. Lin Xiangfu carried his daughter all the way south to find "Wencheng" where his wife Xiaomei was.

《文城》讲述了在清朝末年至中华民国初年，北方青年男子林祥福来到南方村落溪镇落脚，和南方女子纪小美相遇、相爱，在生下一女儿后，纪小美忽然离开家，从此再无音讯，林祥福背着女儿一路南下，寻找妻子小美所在的“文城”的故事。

《边城》是沈从文创作的中篇小说，首次出版于1934年。

该小说以20世纪30年代川湘交界的边城小镇茶峒（边城镇） [16]为背景，以兼具抒情诗和小品文的优美笔触，描绘了湘西地区特有的风土人情；借船家少女翠翠的纯爱故事，展现出了人性的善良美好。由于《边城》的美学艺术，《边城》这部小说在中国近代文学史上具有独特的地位。

"Border Town" is a novella written by Shen Congwen and first published in 1934.

The novel is set in the border town of Chadong (Border Town) at the junction of Sichuan and Hunan in the 1930s . It depicts the unique customs and customs of the western Hunan region with a beautiful style that combines lyric poetry and essays; it uses the boatman girl Cui Cui's pure love story shows the kindness and beauty of human nature. Due to the aesthetics and art of "Border Town", the novel "Border Town" has a unique status in the history of modern Chinese literature.

Xu Sanguan Selling Blood is a novel by contemporary Chinese writer Yu Hua, first published in Harvest, No. 6, 1995. 

Xu Sanguan Selling Blood tells a touching story of mixed joy and sorrow. Xu Sanguan survived the difficulties of his life by selling blood and overcame the storms imposed on him by fate. However, when he got old and realized that no one wanted his blood anymore, he suffered a mental breakdown. The ordinary people in the novel struggle in the ups and downs of the times, using their weak arms to constantly beat the turbulent waves and look at the vague future. However, their suffering and sadness are clearly visible. The tragedy and comedy of an ordinary family appear ridiculous and pitiful under Yu Hua's delicate brushstrokes. In the satirical and humorous writing, we can also see the helplessness of the characters in finding joy in suffering, as well as the gap between reality and ideal that can never be bridged.

《许三观卖血记》是中国当代作家余华创作的长篇小说，首次发表于《收获》1995年第6期。 [1]

《许三观卖血记》中讲述了一个悲喜交加的感人故事。许三观靠着卖血渡过了人生的一个个难关，战胜了命运强加给他的惊涛骇浪，而当他老了，知道自己的血再也没有人要时，精神却崩溃了。小说中平凡的小人物挣扎于浮沉的时代，用他们并不厚实的臂膀不断拍打出激荡的浪花，观望着模糊的前路，而其间的苦难与悲情却又清晰可见，平凡之家的悲剧喜剧在余华细腻的笔触下显得可笑而又可怜。在讽刺幽默的行文之间又可看出人物苦中作乐的无奈，以及现实与理想之间永远也无法抹平的鸿沟。

"River of Errors" is a novella written by the contemporary Chinese writer Yu Hua. It was first published in the first issue of Zhongshan in 1988.

"A Mistake by the River" is one of Yu Hua's pioneering experimental works. It is a fictional detective story. On the mysterious and tempting river, Grandma Mo Si was killed. Criminal police captain Ma Zhe was responsible for investigating the case. Evidence showed that the "madman" in the town was the murderer, but the law was helpless against the madman. Then, the madman killed people one after another. Ma Zhe, who could no longer bear it, shot the madman to death with his own hands. The madman died, but Ma Zhe became a madman in the eyes of the people. The main purpose of the novel is not to parody or to reveal violence, but to show the truth of death in the world and to explore the philosophy of survival in the face of an absurd world.

《河边的错误》是中国当代作家余华创作的中篇小说，首次发表于《钟山》1988年第1期。

《河边的错误》是余华先锋试验的系列作品之一，虚构了一个侦探故事。在神秘而充满诱惑的河边，么四婆婆被杀，刑警队长马哲负责侦查此案。证据表明，镇上的“疯子”是凶手，然而法律却对疯子无可奈何。接下来，疯子又接连杀人，忍无可忍的马哲亲手击毙了疯子，疯子死了，马哲却成了人们眼中的疯子。小说的主旨不在于戏仿，也不在于揭示暴力，而在于展示世界的死亡真相，以及探讨面对荒诞世界的生存哲学。

Lu Xun's 呐喊 (A Call to Arms) is a collection of short stories exploring themes of social injustice, alienation, and cannibalism (both literal and metaphorical) in early 20th-century China. The excerpts showcase the psychological turmoil of characters like the "Madman" and satirize the hypocrisy of Chinese society through stories such as "Kong Yiji" and "Medicine." Another story, "A Slight Incident," highlights a small act of kindness that contrasts sharply with prevalent societal callousness. Finally, "Tomorrow" and "The Storm" illustrate the struggles of ordinary people facing poverty and societal indifference.

鲁迅的《呐喊》是一部短篇小说集，探讨了 20 世纪初中国的社会不公、异化和吃人（既有字面意义也有隐喻意义）等主题。这些选段展示了“狂人”等人物的心理动荡，并通过《孔乙己》和《药》等故事讽刺了中国社会的虚伪。另一篇故事《小事》强调了一个小小的善举，与普遍的社会冷漠形成鲜明对比。最后，《明天》和《暴风雨》描绘了普通人面对贫困和社会冷漠的挣扎。

This is a true story. Yang Suqiu, an associate professor at Shaanxi University of Science and Technology, worked in Xi'an Beilin District for one year and presided over the construction of Xi'an Beilin District Library. The soul of a library is the bibliography. In the process of determining the library bibliography, she encountered various unspoken rules and resistance from all sides. She overcame all the difficulties and finally achieved the greatest balance between ideals and reality.

这是一个真实的事件。陕西科技大学副教授杨素秋到西安碑林区挂职一年，主持西安碑林区图书馆的建设。图书馆的灵魂是书目，在确定图书馆书目的过程中，她遇到了各种潜规则和来自各方的阻力，关关难过关关过，最终，理想与现实得到了最大的平衡。