Night White Skies

Sara M. Watson is a writer and technology critic. She is an affiliate with the Berkman Klein Center for Internet and Society at Harvard University, and a writer in residence at Digital Asia Hub. Sara writes and speaks about emerging issues in the intersection of technology, culture, and society. She advocates for a constructive approach to technology criticism that not only critiques, but also offers alternatives. Her writing appears in The Atlantic, Wired, The Washington Post, Slate, Motherboard, and other publications.

This week is a conversation with Marcelyn Gow. Marcelyn is an architect and principle of Servo Los Angeles, She received her Architecture degrees from Architectural Association in London, Columbia University and her Doctorite from the ETH Zurich. Her Doctoral dissertation was called 'Invisible Environment: Art, Architecture and a Systems Aesthetic' which explored the relationship between aesthetic research and technological innovation. She currently teaches design studios and critical theory seminars at SCI-Arc in Los Angeles.

Tom Wiscombe is Principal of Tom Wiscombe Architecture which is currently planning the Main Museum of Los Angeles Art with Developer Tom Gilmore in Downtown LA. As well as the West Hollywood Belltower on Sunset Blvd in Los Angeles. Wiscombe is Chair of the B.Arch Program at SCI-Arc, where he has taught for over 10 years. Previously to all this, Tom worked for Coop Himmelb(l)au, where he was Chief Designer for BMW Welt, Munich, the Lyon Museum of Confluences, and the Dresden Cinema Center.

Madeline Schwartzman is a New York City writer, filmmaker and architect whose work explores human narratives and the human sensorium through social art, book writing, curating and video making. Her two books 'See Yourself Sensing: Redefining Human Perception (Black Dog Publishing, London, 2011)—and Her forthcoming book See Yourself X: Human Futures Expanded (Black Dog September 2017) explores the future of the human head, using fashion, design and technology to speculate on how me might extend ourselves into space.

Sophia Roosth is the Frederick S. Danziger Associate Professor in the Department of the History of Science at Harvard University. We discuss her book 'Synthetic, How Life Got Made'.

Gareth Damian Martin is the creator and editor of Heterotopias, a project focusing on the spaces and architecture of virtual worlds. Heterotopias is both a digital zine and website, hosting studies and visual essays that dissect spaces of play, exploration, violence and ideology.

Kevin Warwick's research areas include artificial intelligence, robotics and biomedical engineering. Kevin Warwick is Deputy Vice-Chancellor (Research) at Coventry University. Prior to that he was Professor of Cybernetics at The University of Reading, England.

Oliver Morton is The Economist's briefings editor. Before coming to The Economist as energy and environment editor in 2009, he was the chief news and features editor of Nature, the international scientific journal. He is the author of 'The Planet Remade, How Geoengineering Could Change the World', "Eating the Sun: How Plants Power the Planet", a study of photosynthesis, its meanings and its implications, and "Mapping Mars: Science, Imagination and the Birth of a World".

Jesse LeCavalier is a designer, writer, and educator whose work explores the architectural and urban implications of contemporary logistics. He is assistant professor of architecture at the New Jersey School of Architecture at NJIT and author of The Rule of Logistics: Walmart and the Architecture of Fulfillment (University of Minnesota Press, 2016). LeCavalier was a recipient of the New Faculty Teaching Award from the Association of the Collegiate Schools of Architecture (ACSA) in 2015 and the 2010-11 Sanders Fellow at the University of Michigan. His work has been supported by the Graham Foundation, the New York State Council for the Arts, and the BMW Foundation. Recent publications include "Stuff During Logistics" in, the Oslo Architecture Triennale catalog (Lars Mueller, 2016), as well as contributions to Infrastructure Space (Ruby Press, 2016), Smart City: Utopian Vision or False Dawn? (Routledge, 2016), Volume 47: Short Circuits, and Harvard Design Magazine 43. His essay, "The Restlessness of Objects," was the recipient of a 2013 Core77 Design Award and his article "All Those Numbers" was named by The Atlantic as one of "Nearly 100 Fantastic Pieces of Journalism" in 2011.

On this episode we discuss the architect Cedric Price and the influence of his work and strategies today. Molly Wright Steenson is a designer, writer, and international speaker whose work focuses on the intersection of design, architecture, and artificial intelligence. She is the author of the forthcoming book Architectural Intelligence: How Designers and Architects Created the Digital Landscape (MIT Press, Fall 2017), which tells the radical history of AI's impact on design and architecture and how it poured the foundation for contemporary digital design. A web pioneer since 1994, she's worked at groundbreaking design studios, consultancies, and Fortune 500 companies for 23 years. Dr. Steenson is an associate professor at Carnegie Mellon University's School of Design and holds a PhD in architecture from Princeton University and a master's in architectural history (M.E.D.) from Yale.