EndNote 10. Censorship.

EndNote 10. Censorship. The introductory. Vox pop.

I'm posting this so there is Multi media documentation of my process in writing this submission to the Race Discrimination Commissioner of the Australian Human Rights Commission. Let it not be said that I haven't challenged the space in process and through official channels.

Poets Korner. Definitions. Family History & the State. *** I found a button. It plays music. Awesome! ***

I wrote this poem ABT my absolute thrill in seeing my favourite writer speak. It captures how I felt at that time. Before knowledge of betrayal, discard and rejection. I was thrilled and inspired. Felt as though I could overcome my challenges, as burdening as they were. As colossal as they stood before me, ABT me and behind me. For a moment I felt beautiful. And a part of something greater than my pain. Our pain. I waited in vain...

This is a short piece. Much of the poetry in the soon to be published book is. Historically I am inspired by the world of Audre Lorde. I like the rhythm and pause. An unspoken eloquence and sheer defiance. Profound and relentless creativity. I like the attitude of Langston Hughes with his intercept on the American consciousness in jazz and the world therein.

#Tagged is a slaughter house. I'm guessing they Mama never spoke these words to them.

A complaint was written about 'The Beautiful Struggle' by Ta-Nehisi Coates. A fraudulent publication of the book found its way to my local library. No publication can be given without permissions of Penguin Random House and/or the author.

A part of my request for Amnesty as an invisible caste. Raising awareness. Perservering amidst a shadow-ban for safety & security in the face of corruption.

Freestyle. Rock the microphone.