Nostalgia Trap

This week Claudia joins us to survey two of Martin Scorsese’s earliest films, Mean Streets (1973) and Alice Doesn’t Live Here Anymore (1974), both of which express the lived experiences of working class Americans in often surprising ways. We talk about how these films depict class mobility and ethnic tribalism, violence (both economic and domestic), the multidimensional traps of gender,  and the sometimes impossible moral challenges faced by people struggling to survive in the dark terrain of 1970s America. Subscribe for the full episode: patreon.com/nostalgiatrap.

Kyle Burke is an assistant professor of history and Co-Coordinator of the Peace and Conflict Studies Program at Hartwick College. In this conversation, he discusses his book Revolutionaries for the Right: Anticommunist Internationalism and Paramilitary Warfare in the Cold War, which explores how an international network of right-wing individuals and organizations supported anticommunist guerrillas throughout the global south from the 1950s to the 1980s. Burke helps us trace the line between vigilante and state violence, and puts contemporary right-wing movements like Qanon and the January 6th Capitol siege in the wider context of American anticommunism.

Kyle Burke is an assistant professor of history and Co-Coordinator of the Peace and Conflict Studies Program at Hartwick College. In this conversation, he discusses his book Revolutionaries for the Right: Anticommunist Internationalism and Paramilitary Warfare in the Cold War, which explores how an international network of right-wing individuals and organizations supported anticommunist guerrillas throughout the global south from the 1950s to the 1980s. Burke helps us trace the line between vigilante and state violence, and puts contemporary right-wing movements like Qanon and the January 6th Capitol siege in the wider context of American anticommunism.

Karina Moreno is an associate professor in the department of urban policy and planning at Hunter College. She joins us to discuss her latest piece in Jacobin, which surveys the Biden administration's "new" immigration policies, finding continuity with decades of criminalization and militarization along the Southern border. With an immigration system designed entirely to serve the needs of capital, and an ugly political discourse to support it, how can we reimagine our collective ideas about nations, borders, and security?

Karina Moreno is an associate professor in the department of urban policy and planning at Hunter College. She joins us to discuss her latest piece in Jacobin, which surveys the Biden administration’s “new” immigration policies, finding continuity with decades of criminalization and militarization along the Southern border. With an immigration system designed entirely to serve the needs of capital, and an ugly political discourse to support it, how can we reimagine our collective ideas about nations, borders, and security?

This week, Claudia and I talk about 3 of our favorite films, the "acid noirs": The Long Goodbye (1973), The Big Lebowski (1998), and Inherent Vice (2014). United in theme and tone, the films explore the history of post-1960s Los Angeles by both indulging and subverting the tropes of noir detective stories. Our conversation focuses on how the films' central character(s), Philip Marlowe (Elliot Gould), the Dude (Jeff Bridges), and Doc Sportello (Joaquin Phoenix), simultaneously embody and critique the archetypal American male seeker/detective/scholar, set adrift in a world that no longer makes rational or moral sense. For the full episode, and to access all our bonus material, subscribe at patreon.com/nostalgiatrap.

This week, Claudia and I talk about 3 of our favorite films, the “acid noirs”: The Long Goodbye (1973), The Big Lebowski (1998), and Inherent Vice (2014). United in theme and tone, the films explore the history of post-1960s Los Angeles by both indulging and subverting the tropes of noir detective stories. Our conversation focuses on how the films’ central character(s), Philip Marlowe (Elliot Gould), the Dude (Jeff Bridges), and Doc Sportello (Joaquin Phoenix), simultaneously embody and critique the archetypal American male seeker/detective/scholar, set adrift in a world that no longer makes rational or moral sense. For the full episode, and to access all our bonus material, subscribe at patreon.com/nostalgiatrap.

Anne Balay is the author of two extraordinary works of social history: Steel Closets: Voices of Gay, Lesbian and Transgender Steelworkers and Semi Queer: Inside the World of Gay, Trans, and Black Truck Drivers. Her work investigates the intersection of queer and working class identities, and shows us how industrial, blue collar working environments are undergoing profound structural and social transformations in the 21st century. In this conversation, she shares stories and insights from the incredible people she's encountered in her research, and reflects on the intersection of personal identity, working class culture, and neoliberal capitalism.

Anne Balay is the author of two extraordinary works of social history: Steel Closets: Voices of Gay, Lesbian and Transgender Steelworkers and Semi Queer: Inside the World of Gay, Trans, and Black Truck Drivers. Her work investigates the intersection of queer and working class identities, and shows us how industrial, blue collar working environments are undergoing profound structural and social transformations in the 21st century. In this conversation, she shares stories and insights from the incredible people she’s encountered in her research, and reflects on the intersection of personal identity, working class culture, and neoliberal capitalism.

Justin Rogers-Cooper helps us takes a deep dive into the aesthetic and political legacy of Kurt Cobain, who died of suicide 25 years ago this month. Cobain is an iconic pop cultural figure for a number of reasons, but this conversation focuses on his personal politics, and how his band Nirvana expressed an organic, biologically-obsessed form of anti-capitalism. Emerging from the working class hell of the 1980s deindustrialized Pacific Northwest, Cobain's art explored how an empty, impoverished society literally tears human bodies to pieces. From drugs to guns to misogyny, racism, violence, and capitalism itself, if you want to understand the inner contours of the American nightmare, Kurt Cobain's life story and artistic output remain as critical as ever.