In this episode of the podcast, I dig into an idea that feels increasingly important in a culture built around constant sharing. Not every good photograph needs to be shared. That may sound counterintuitive, especially when so much of contemporary photography is tied to visibility, platforms, and audience response. But making a photograph and sharing a photograph are two very different acts.For many photographers today, the question of where an image will be posted arrives almost immediately after the shutter is pressed. Sometimes it even arrives before. That subtle shift can quietly change our relationship to photography. The act of sharing begins to define the act of seeing. Over time, photographs can start to feel less like a process of exploration and more like a product designed for approval.Some photographs are meant to function as visual notes. They help us understand light, place, or emotion. They clarify what we are drawn to and what we are still wrestling with.These images might be strong, but their purpose is internal rather than public.They move our work forward even if no one else ever sees them.There are also photographs that are emotionally close. We might make images that are more closely related to memory, vulnerability, or personal experience which often carry a different weight. We can opt to keep those images close to home so to speak as a way of honoring the moment of seeing.
Not to completely rag on social media and photographs, but right now the algorithms reward familiarity. They favor images that resemble what has already succeeded. If every good photograph must be shared, then experimentation becomes a no go. We will slowly stop taking risk to make more interesting work. We stop taking risk in the editing of images, the selection of images and ultimately in the sharing of images.
Remember, editing is not just about selecting the strongest images. It is about shaping meaning. A body of work is defined as much by what is excluded as by what is included. Choosing not to share a photograph is still an editorial decision.
I love sharing work so I by no means am trying to say that sharing is unimportant. Sharing connects us. It builds conversation and community. But it works best when it is intentional rather than automatic. When sharing becomes a choice instead of a reflex, it regains its power.
I think it is worth redefining what success looks like in photography. A successful photograph is not always one that is widely seen or highly praised. Sometimes it is an image that teaches you something, shifts your attention, or reminds you why you enjoy making photographs in the first place.
Letting some images live only with you does not diminish them. In many cases, it strengthens your relationship to photography. It allows the act of seeing to exist without expectation. And in a world that constantly asks us to show everything, there is quiet value in choosing to hold some things back.