Painting of Filipino independence hero Dr. Jose Rizal being executed by the Spanish. Photo: Jorge Lascar via Wikimedia Commons.
Friends, someone recently told me that the way I talk about empire and colonialism sounds anti-Western, as if I’m using history to disguise a hidden agenda. But that’s not it. Because empire isn’t just a Western story. Colonialism isn’t just something the Europeans invented. It is a human story, a human failing, a human pattern—rooted in ego, rooted in the hunger for power, rooted in the desire to extract resources and control people.
And if we’re honest, we can find empire everywhere.
Non-Western empires
The Chinese did it for ages, expanding dynasties over peoples who never asked to be part of their system. Tibetans, Uyghurs, Mongols—absorbed, subdued, made tributary so the center could shine.
The Japanese did it in the years leading up to World War II—conquering Korea, Taiwan, and Manchuria, enforcing language, labor, and submission. They called it modernization, but it was colonialism by another name.
And yes, we see it in our own histories too.
The Philippines and Tagalog dominance
In the Philippines, after centuries of Spanish and American rule, it was the Tagalog elite who rose to power. They piggybacked on their colonial overseers, shaping the very identity of the nation to reflect themselves. They enshrined Tagalog as the national language, later rebranding it “Filipino.”
But this wasn’t neutrality. This wasn’t unity. This was dominance.
The Visayans—whose languages were more widely spoken, whose culture was numerically larger—were pushed to the margins. And the Ilocanos, my people, were told that their words, their rhythms, their roots, were less than the chosen national tongue.
So when I speak of colonialism, I speak not only of Europeans crossing oceans, but of how internal hierarchies mimic the same structures of suppression. Colonization doesn’t just come from ships and sails. It comes from our neighbors. It comes from within our own nations.
Hawaii and Kamehameha
Even Hawaii—where my life began—bears the scars. King Kamehameha the Great is remembered as a unifier, a visionary, a leader who brought the islands together. But let us tell the truth: he did not do it by diplomacy alone. He used British and American guns. He used foreign firepower to the islands to crush the chiefs who stood against him. He consolidated rule, yes, but he did it through conquest, through the same colonial tools the West would later turn against Hawaii itself.
Indigenous Americans and empire logic
And in North America, before the United States was even born, indigenous peoples found themselves caught in the logic of empire. Some sided with the British, some with the French, in the French and Indian Wars. These were not passive pawns—they made tactical choices, hard choices, for survival and advantage. But they, too, were drawn into systems that treated land and people as resources to be divided, conquered, and consumed.
Colonialism in culture and media
But colonialism isn’t just about armies and guns. It isn’t just about who controls the land. It’s also about who controls the imagination.
Turn on the television in the Philippines. Watch the movies in Manila. Who do you see on screen? Again and again, it’s the lighter-skinned actors, the mestizos and mestizas, the ones who carry the blood of Spain or America in their veins. They are the romantic leads. They are the glamorous stars. They are the faces the nation is told to admire.
And what of the darker-skinned? The Visayans with their deep-brown heritage? The Ilocanos with their sturdy features? They are cast as servants, as farmers, as comic relief. Colonialism lives on in who gets to be beautiful, who gets to be powerful, who gets to be loved on screen.
Cross the ocean to Mexico and the pattern repeats. Telenovelas, movies, advertisements—filled with light-skinned actors, European in appearance, descended from colonizers. Meanwhile, the Indigenous and Afro-Mexican communities, who make up so much of the nation’s living heritage, are erased, caricatured, or sidelined.
Do you see? Empire doesn’t just redraw maps. It rewires the eye. It teaches whole nations to see whiteness as aspiration and darkness as deficiency. It tells people to love what looks European and to doubt what looks like themselves.
Cameroon: A living wound
And today, as we speak, the same forces tear apart Cameroon. The lines of empire carved Africa into artificial states, splitting people and tongues. The French held one side, the British another. At independence, those wounds did not heal. Instead, a French-speaking minority consolidated power over an English-speaking majority.
And now—now it is war. Civilians caught in the crossfire. Villages burned. Arms flooding into the conflict. What amounts to a civil war, but rooted in the same old colonial story: one group grasping for power, suppressing the language, the culture, the very being of another.
This is empire, repeating itself in a new mask. This is colonialism, not gone, but reborn in postcolonial states.
The pattern of colonialism
Over and over again, across centuries and continents, the pattern repeats:
* A people amass a military or technological advantage.
* They use it to extract resources and labor.
* They enforce cultural or linguistic dominance.
* They reshape the imagination—deciding whose beauty, whose voice, whose life is worthy.
It is not Western alone. It is human.
Why this matters
And so, when I speak of empire and colonialism, I am not speaking in coded language against the West. I am speaking against the arrogance of unchecked power wherever it exists. I am speaking against the systems that crush culture, erase language, and silence memory.
When Tagalog was imposed on Ilocano children, it was colonialism.
When Visayan voices were sidelined despite being the majority, it was colonialism.
When Kamehameha fired British cannons on rival chiefs, it was colonialism.
When indigenous nations were forced to fight wars not of their making, it was colonialism.
When Japan renamed Korea’s cities and forced children to bow to the emperor, it was colonialism.
When China made whole peoples tributary, it was colonialism.
When Filipinos and Mexicans learned through their screens to admire only the faces that looked European, it was colonialism.
And when Cameroon bleeds because a French-speaking minority rules with arms over an English-speaking majority, it is colonialism.
Colonialism is not Western. Colonialism is human. And that is why it is so dangerous.
So what do we do with this truth?
We resist the temptation to see empire only in one shape or one color. We resist the easy story that lets us put blame “out there” and never “in here.” We tell the whole story, even when it implicates our own.
Because if empire is a human failing, then resisting empire is a human calling.If suppression is a human temptation, then lifting up the silenced must be our human vocation.
And if colonialism is not Western but human, then decolonization is not Western but human, too.
That is the work. That is the witness. That is the truth.
And beyond that—there is a vision. A vision of a world where every culture, every people, every tongue and tradition, every shade of skin, every rhythm of language, is honored. A vision where diversity is not erased but celebrated, not silenced but sung. Some call that justice. Some call it reconciliation. Some call it the beloved community.
Call it what you will, but it is the opposite of empire. It is the opposite of colonialism.It is the recognition that we belong to each other.It is the recognition that our survival depends not on domination but on dignity.It is the recognition that the future will be written not by the conquerors, but by the communities that refuse to be conquered.
That is the world we must fight for. That is the vision we must carry.
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