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In Isaiah 5, Isaiah concludes the initial diagnosis and prognosis of Judah raising the question, "What is the right response to a people who have taken for granted and abused the gracious gifts of God?"
In Isaiah 2-4, Isaiah continues his diagnosis of Judah developing the idea of sin and election by moving from ideal Jerusalem to actual Jerusalem to present Jerusalem.
In Isaiah 1:10-31, Isaiah performs the role of a covenant lawsuit prophet as he continues to diagnosis the spiritual condition of Judah from both a religious and social perspective.
In Isaiah 1:2-9, Isaiah diagnoses Judah's spiritual condition. We will take time during this first passage to consider three approaches to observing biblical poetry.
Isaiah 1:1 makes a claim to authorship and historical context for the book of Isaiah. In this episode we argue the validity of that claim as an introduction to the series.
In Acts 28:7-31 Paul arrives in Rome preaching the kingdom of God. We have been told Paul must stand before Caesar and the gospel must reach the remotest parts of the earth. How does the ending of Acts provide resolution to Luke's narrative while leaving these crucial events unresolved?
In Acts 27:1-28:6 God's sovereignty over the events of Paul's life reaches a climax as God leads him into a violent storm and brings him safely through, destined to preach the gospel in Rome.
In Acts 25:1-26:32 Paul stands before King Agrippa. Once again he is made the focus of judgment. But Paul does not offer up his own behavior for evaluation or defense. Paul offers to the gathered dignitaries for their consideration his message to the world, the gospel of Jesus Christ.
In Acts 23:12-24:27 Paul's gospel is on trial being judged according to its attitude to law and morality with a contrast between Paul's own behavior and the behavior of his opponents.
In Acts 21:17-23:11 Paul's gospel is on trial being judged according to its respect for conscience in relation to the non-essentials of ritual practice and the essentials of faith in Jesus and the resurrection.
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