Off the Page: A Columbia University Press Podcast

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader (Columbia University Press, 2026) is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

Yigal Bronner is a Sanskritist whose areas of interest include literature, literary theory, and South Asian intellectual history more generally. He worked on this volume while teaching in the Department of Asian Studies at the Hebrew University of Jerusalem and now teaches in the Department of History, Classics, and Religion at the University of Alberta. His books include Extreme Poetry: The South Asian Movement of Simultaneous Narration (2010) and A Lasting Vision: Dandin's Mirror in the World of Asian Letters (2023).

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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In this episode, I spoke with Jacob Ware, co-author, with Bruce Hoffman, of God, Guns and Sedition: Far-Right Terrorism in America, published in 2024 by Columbia University Press, and winner of the 2025 Airey Neave Memorial Book Prize.

Shocking acts of terrorism have erupted from violent American far-right extremists in recent years, including the 2015 mass murder at a historic Black church in Charleston and the January 6, 2021, attack on the U.S. Capitol. These incidents, however, are neither novel nor unprecedented. They are the latest flashpoints in a process that has been unfolding for decades, in which vast conspiracy theories and radical ideologies such as white supremacism, racism, antisemitism, xenophobia, and hostility to government converge into a deadly threat to democracy. God, Guns, and Sedition offers the definitive account of the rise of far-right terrorism in the United States—and how to counter it. 

Jacob Ware is an adjunct professor at Georgetown University’s Edmund A. Walsh School of Foreign Service and at DeSales University. He is a recipient of the 2026 National Security and Counterterrorism Fellowship from the McCain Institute, and also currently serves as a Survivor Fellow at Everytown for Gun Safety. Jacob serves on the editorial boards for the academic journal Studies in Conflict & Terrorism and the Irregular Warfare Initiative, and holds an MA in security studies from Georgetown and an MA (Hons) in international relations and modern history from the University of St Andrews.

Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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Belize is often described as a “pristine” ecotourism destination with a landscape that is “naturally” valuable. Yet for much of the twentieth century, British Honduras—as the country was known under colonial rule—was seen as lacking value, an unprofitable backwater. Valuing Nature at the Ends of the World: Natural Capital and Climate Disaster in Belize (Columbia UP, 2026) explores how Belize’s precarious coastal environment has become a site for a new kind of capitalist value production, in which landscapes and ecosystems derive worth from their vulnerability or looming destruction in the era of climate change.

 Drawing on a decade of ethnographic research, Dr. Patrick M. Gallagher offers a critical account of market-oriented conservation in the Caribbean that ranges across everyday coastal life, emergent ecological science, and climate policy spaces. He shows how the long material and social histories of racialized colonialism shape the making of technocratic tools for valuing nature. Gallagher traces how new forms of capitalist value emerge from the interaction among colonial pasts, contemporary conservation practices, and vivid scenarios of imminent climate change–driven disaster and loss. He also examines how people and policymakers in Belize imagine and create new ways of life in a changing environment. Ethnographically grounded and rich in theoretical insight, this book illuminates how the Anthropocene environment, newly visible and valuable at the moment of its presumed disappearance, came into being in Belize and around the world. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Recent years have seen a striking resurgence of anti-imperial and anticolonial rhetoric on the international stage, from Global South to Global North and from the Left to the Right. Why do states deploy these forms of rhetoric in global politics? How do practitioners from the so-called non-Western world differ in their use and performance of rhetoric, and in what ways do they shape international order?

In Rhetorical Powers: How Rising States Shape International Order (Columbia UP, 2026) Sasikumar Sundaram provides a bold new theory of rhetoric as power politics, demonstrating how non-Western states challenge their silencing within the Western-led international order. He argues that, in the deeply hierarchical international system, states in the lower rungs resort to rhetorical performances in order to be heard. Through anti-imperial and anticolonial rhetorical statecraft, states such as India, Brazil, and China seek to expose and exploit the contradictions in the legitimating principles, norms, and rules of the international system—and, in so doing, pursue and exercise power. Today, as Russia, Europe, and even the United States engage in anti-imperial and anticolonial rhetoric, Sundaram shows why lessons from the non-Western world are crucial to recognizing the dynamics of power politics and global disorder. A bracing challenge to established theories of power in international relations, Rhetorical Powers underscores the need to address enduring forms of silencing within the international order. 

Hosted by Sachin Nikarge

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In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator’s call for arms sales to Israel. Despite Sirhan’s confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.



I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan’s Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan’s grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan’s action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security.

Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. 

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China’s early medieval period, from the fifth through the early seventh century, from the Northern and Southern Dynasties through the unified Sui, was a time of political fragmentation, military strife, and ethnic conflict. It also witnessed brilliant artistic creations as well as a full flowering of court culture, with poetry at its heart. How did poetry come to be regarded as the most potent form of cultural capital, a privileged literary genre, and a foundational skill for members of the elite? How was poetry transformed from an instrument of empire building to a venue for articulating personal trauma and voicing critique of the state? 

Tracing the evolution of poetry’s role in Chinese society, Writing Empire and Self: Poetic and Cultural Transformation in Early Medieval China (Columbia University Press, 2026) uncovers the profound cultural changes that took place in the early medieval era. Dr. Xiaofei Tian argues that in this period, a social community, eventually known as the “scholar elite” and treated as if it had always been a permanent fixture of the Chinese social order, came into being. She investigates the formation of this community, which left its mark on all later Chinese arts and letters, through a careful account of its history and textual production. Combining meticulous readings of numerous previously untranslated texts with a long-term, large-scale view of social and cultural history, Writing Empire and Self offers a fresh perspective on poetry’s intricate relationship with the state. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

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Today, pierogi are the most recognizable Polish food in the United States and a symbol of Polish American identity. How did this humble dish attain such lofty status?

In Pierogi: An American Story of Polish Food (Columbia UP, 2026), Professor Anna D. Jaroszyńska-Kirchmann explores the surprising history of pierogi, tracing how Polish cuisine evolved in the multiethnic landscape of the United States. When Polish immigrants crossed the ocean, they brought with them their traditional cuisine, which came to signify enduring attachment to homeland, family, religion, and culture. In time, they as well as new generations and new immigrant waves gradually transformed Polish American culinary culture, reflecting food trends and changes in the United States, Poland, and the world.

Pierogi takes readers into the kitchens where Polish American families, friends, and community organizations carry on the custom of cooking and eating together. Dr. Jaroszyńska-Kirchmann highlights small- and large-scale pierogi producers who adapted traditional dishes for the US market and food celebrities who mainstreamed them, and she traces the symbolic representation of pierogi in popular culture. She also shares personal stories, from her family’s resourcefulness in communist-era Poland facing near-constant food shortages to her experiences as an immigrant to the United States in the 1980s. Drawing on sources from historical and recent cookbooks to interviews with Polish American entrepreneurs and community members, this book offers new insights for anyone interested in East Central European and American foodways.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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During the interwar years, Vietnamese society witnessed a rapid change in the way women looked. Rejecting the model of a sequestered maiden with blackened teeth and long hair, they embraced a vivid palette of colors—and a colorful lifestyle to match. Before the war, Vietnam would have seemed like an unlikely place for a beauty industry to thrive. Virtuous young women were expected to hide their natural beauty, not manipulate it with makeup or flaunt it at a beauty contest. Yet ordinary women began seeking out the latest fashions—to great public consternation.

In Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia UP, 2025), Christina E. Firpo explores the development of beauty culture in this period, showing how women’s faces and bodies became contested sites for envisioning what it meant to be Vietnamese in the modern world. She considers dress patterns, lip-lining tutorials, hairstyles, physiques, and beauty pageants alongside new technologies of media, transportation, and leisure and the anxieties they provoked. The everyday decisions women made about their appearance, Firpo argues, were ways to stake a claim to the roles they wanted to play in the new society taking shape around them. Drawing on a vast array of sources, Beauty and the Nation: Women, Culture, and the National Image in Interwar Vietnam (Columbia University Press, 2026) offers fresh insight into the tumultuous political, economic, social, and cultural changes that swept across Vietnam during this crucial period.


Christina E. Firpo is professor of history at California Polytechnic State University, San Luis Obispo. She is the author of Black Market Business: Selling Sex in Northern Vietnam, 1920–1945 (Cornell University Press, 2020) and The Uprooted: Race, Children, and Imperialism in French Indochina, 1890–1980 (University of Hawai'i Press, 2016).

Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on 20th-century Vietnamese literature, socialist realism, and literary translation in Vietnam across French, Vietnamese, Chinese, and English. She can be reached at [email protected].

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We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia University Press 2026) by Aarthi Vadde is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oyler’s challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Alderman’s collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, We the Platform shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.

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Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by Booker T. Washington, offered agricultural and industrial education as a strategy for Black self-determination. There―and in many other communities in the U.S. South, the Caribbean, and Central America―Black people repurposed and regenerated what had been a place of enslavement into a site for imagining alternative futures.

Jarvis C. McInnis charts a new account of Black modernity by

In

Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South (Columbia University Press, 2025) is an award-winning monograph earning recognition as a winner of the 2026 S-USIH Annual Book Prize by the Society for U.S. Intellectual History, 2026 Pauli Murray Book Prize in Black Intellectual History by the African American Intellectual History Society, and the 2026 ASALH Book Prize by the Association for the Study of African American Life and History Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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