The story centers on Dr. Philip, a psychiatrist who becomes entangled with a patient named Claire, a woman whose charm and instability blur the lines between treatment and obsession. Claire claims to suffer from multiple personality disorder, but as Philip probes deeper, he begins to suspect that she may be faking—or worse, using the diagnosis to manipulate those around her.

The story centers on Margaret, a woman recovering from a breakdown, who retreats to a remote coastal house to find peace. But the wind never stops blowing. It howls through the night, whispering secrets and stirring memories. Margaret begins to sense a presence—something watching, something waiting. Is it the wind itself? Or is it her own fractured psyche?

Jake Crowley is in trouble. He’s embezzled $10,000 from his job and has until Monday to replace the funds before investigators arrive. His wife Trina, equally panicked, joins him in brainstorming a way out. Enter Cousin Charlie, who arrives unexpectedly with a suitcase full of cash—he’s just sold some property and is flush with exactly the amount Jake needs.

The story unfolds at a secluded country estate where a group of guests—each with their own secrets—gather for what seems like a genteel weekend retreat. But beneath the surface, tensions simmer. One guest is not who they claim to be. Another harbors a deadly obsession. And the host may be orchestrating something far more sinister than a social gathering.

The story centers on Tom, a man who’s spent years living in the shadow of his best friend David, a charismatic and successful figure who always seemed to win—especially when it came to love. Tom harboured feelings for Helen, but she chose David. Years later, David dies under mysterious circumstances, and Tom finds himself drawn back into Helen’s life.

Judith Webster, traveling with a coffin containing the remains of her late friend Miss Prescott, meets a suave gentleman named Allan on board. But something feels off. Allan is standing near a lifeboat when Judith first spots him—oddly, the same lifeboat where a notorious killer is rumoured to be hiding. When Allan accidentally drops his wallet, Judith discovers his real name is Charles, not Allan. Why the deception?

Obsession (1950–1952) is one of those lesser-known but richly atmospheric radio series that carved out a niche in the post-war psychological thriller landscape. Produced by Chick MacGregor, it aired independently and focused on the dark corners of the human mind, where a single twisted idea could spiral into madness, murder, or moral collapse.

The story centers on a woman traveling alone in Compartment B of Car 92, who becomes increasingly disturbed by the behaviour of a fellow passenger. At first, it’s subtle: strange glances, cryptic remarks, and an unsettling familiarity. But as the train speeds through the night, her anxiety escalates—she begins to suspect that the man knows something about her past, or worse, that he’s connected to a crime she’s trying to forget.

A brilliant but emotionally unstable scientist discovers that his wife is having an affair—with his assistant. Rather than confront them directly, he uses his latest invention: a device that can shrink living beings to doll-size. Coldly and methodically, he lures the lovers into his lab and reduces them to miniature versions of themselves.

The story follows a man obsessed with going faster—in everything. He talks fast, drives fast, lives fast. He’s convinced that speed is the key to success, power, and escape from mediocrity. But as he pushes the limits of his body and mind, strange things begin to happen. Time seems to blur. People around him speak in slow motion. His perception fractures.

The story centers on a kindly newspaper columnist who’s been unceremoniously fired by his ruthless editor. Humiliated and discarded, the columnist dies shortly after—but death doesn’t silence him. Strange things begin happening at the cemetery where he’s buried. The editor starts receiving letters, phone calls, and messages that seem to come from the dead man.