"Six Months In: Lynde Rosario on Leading AJT Programming" (Season 5, Episode 3) welcomes back Lynde Rosario, Executive Director for Programming at AJT and dramaturg based in New York City, for a check-in on her first six months at the helm.

Lynde reflects on what's surprised her most about the role. From the Guthrie Theater to the Kennedy Center American College Theatre Festival, she draws on her rich background as a dramaturg and how that lens has shaped her approach to programming and community-building at AJT. We dig into the evolution of the monthly Member Meet-Ups, new initiatives launched this year, and how she's stewarding the AJT Resource Guide as it continues to reach theaters across the field.

The conversation also explores the partnerships Lynde has been building, her vision for supporting early-career Jewish theatre-makers, and where she sees the field heading. Lynde shares candidly about the feedback she's heard from members, the course corrections that have come out of it, and what success looks like for AJT programming by the end of 2026.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"A Recurring Lens: Ali Viterbi Returns" (Season 5, Episode 2) welcomes back playwright, dramaturg, and AJT board member Ali Viterbi. Ali first appeared on the podcast in Season 2, Episode 3, and returns to discuss the groundbreaking AJT Resource Guide she spearheaded - a comprehensive tool for theaters producing Jewish work with authenticity and care.

In this conversation, Ali shares the three-year journey of creating the Resource Guide, compiled with input from over 50 Jewish artists, casting directors, dramaturgs, development professionals, and artistic leaders. We explore the stories that compelled this project and discuss how theaters can move beyond stereotypes toward deeper collaboration and understanding.

The episode illuminates the practical tools within the guide, from casting practices that honor identity to marketing that avoids harmful tropes, from dramaturgical support to community engagement strategies. Ali discusses the complexity of creating guidance for a community where "two Jews have three opinions," and her vision for how this living document will continue to evolve and serve the field.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"None of This Is an Individual Process" (Season 5, Episode 1) welcomes Andy Horwitz, a writer and cultural producer whose work bridges experimental theater and Jewish communal practice in unexpected ways.

From his tenure at the Foundation for Jewish Culture during the era of contemporary Jewish cultural renaissance to his current explorations of theatrical form and Jewish thought, Horwitz offers a unique perspective on how Jewish collaborative traditions might reimagine theater-making itself. In this conversation, Horwitz discusses Joe Chaikin and the Open Theater's connection to Jewish communal structures like the morning minyan, why he's more interested in forms that embody Jewish thought than simply Jewish stories, and how theaters might learn from Jewish institutions about collective leadership and sustained community. Drawing on his influential essay "The Theater(s) We Need Now" and his JTS lecture on Jews, Theatre and Performance in an intercultural world, we explore concepts like midrash and tikkun olam as frameworks for understanding theater's civic potential.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, led by your host Danielle Levsky. This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

We're back! "Judaism Offers You Steps to Mind Your Own Business" (Season 4, Episode 8) welcomes Alex Edelman, the Tony and Emmy Award-winning comedian and writer whose solo show "Just for Us" captivated Broadway audiences and sparked conversations about Jewish identity across the globe. Known for his sharp wit and profound insights, Edelman has become one of the most distinctive voices in contemporary Jewish performance.

In this conversation, Edelman shares the journey of transforming "Just for Us" from stand-up comedy into a nuanced exploration of assimilation, belonging, and what it means to find the universal in the particular. We discuss how his Modern Orthodox upbringing influences his work, the relationship between Jewish humor and deeper spiritual inquiry, and why he believes the show is fundamentally about assimilation rather than antisemitism.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, led by your host Danielle Levsky.
This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"Between Two Worlds" (Season 4, Episode 7) welcomes Nancy Gaddy, a performer whose career spans from national theater tours to klezmer music stages. Known for her character "Mrs. Schmaltz" and her latest production "Beyond the Borscht Belt," Gaddy celebrates the evolution of Jewish performance traditions in America.

In this conversation, Gaddy shares insights from her journey as a theatrical chameleon - from performing in The Rocky Horror Show to developing her alter ego Belle Burke (formerly Berkowitz). We explore how her current work traces Jewish musical evolution from the Borscht Belt through American popular culture, blending klezmer, jazz, rock, and Latin fusion along the way.

The episode illuminates the lasting influence of Borscht Belt entertainment on American comedy and music, while examining how contemporary Jewish performers can honor and reinvent these traditions.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

In this deep-diving conversation, Pearl and Scott share their vision behind casting an all-trans-femme ensemble and their creative decision to represent men in the show through puppetry. We explore how their production navigates complex themes of chosen family, motherhood, and spiritual transformation while honoring Jewish and trans experiences.

The episode illuminates how contemporary Jewish theater can evolve to embrace different voices while remaining rooted in passed down stories and cultural knowledge. Their self-described position as "little trunk rats of the New Age Borscht Belt" offers a fresh perspective on Jewish theater traditions.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"We Have To Find Laughter Right Now: Andrew Davies" (Season 4, Episode 5), the newest episode of our season, dropped Wednesday, November 28. We called to the Bimah Andrew Davies, co-founder of The Bible Players, who is based in Philadelphia.

Andrew shared his approach to Jewish education through comedy, introducing listeners to "Mitzprov" - a blend of improvisation and Jewish values that transforms how we engage with tradition. We explored the profound connections between Jewish storytelling, comedy, and education, diving deep into how laughter can be a powerful tool for community building and learning.

The conversation illuminated how comedy and improvisation can be deeply spiritual practices, creating meaningful connections within Jewish community.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"An Inner Knowing: Tova Hopemark" (Season 4, Episode 4), the newest episode of our season, dropped Monday, August 14. We called to the Bimah actor, playwright, and filmmaker Dr. Tova Hopemark, who is based in the NYC metro area.

Dr. Hopemark shared insights into her film "Alright, Robot", where she plays a Jewish millennial struggling with isolation and mental health who forms an unlikely friendship with her AI assistant. We explored the importance of centering Jewish characters in narratives and how Jewishness intersects with themes of loneliness, technology, and the search for meaning.

We discussed Dr. Hopemark's journey from academia to creating her own work as a performer and filmmaker, and how her PhD in Theatre from Northwestern has influenced her artistic practice.

Dr. Hopemark opened up about her play on queer pregnancy, co-sponsored by Amy Poehler, and the importance of telling under-represented stories. We delved into how her Jewish identity and values shape the stories she tells and the impact she hopes to have as a Jewish creative.

"On the Bimah" continues to showcase the diversity and depth of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman.

"What Has Always Been / Radicle, not Radical" (Season 4, Episode 3), the newest episode of our season, dropped Monday, May 20. We called to the Bimah composer, playwright and teacher Bronwen Mullin (she/her) and rabbi, writer, teacher, and theater artist Nicole Fix (she/her).

Based in West Philly, Bronwen and Nicole are the co-founders of the Rabbinic Arts Company, a unique initiative that integrates rabbinic training with theater arts. Their work explores the intersection of Jewish tradition, contemporary performance, and social justice.

We spoke with Bronwen and Nicole about their journey of bringing together their rabbinic and artistic paths. They shared insights into their process of adapting Jewish texts for the stage in ways that are both deeply rooted in tradition and radically contemporary. We discussed their vision for a "modern-day practice of rabbinic arts" and how they aim to cultivate a global appreciation for Judaism through their work.

As queer Jewish women, Bronwen and Nicole also reflected on how their identities shape the stories they tell and the communities they serve. We explored the Rabbinic Arts Company's dual mission of training artists and producing work, and how they see these goals supporting each other.

Looking ahead, Bronwen and Nicole shared their excitement for the future of Jewish theater and scholarship. They discussed where they see potential for innovation in Jewish theatre-making and rabbinic leadership, and how they hope the Rabbinic Arts Company will evolve to serve that vision.

"On the Bimah" continues to illuminate the heart, soul, and diversity of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman, and our logo is by Alize Francheska Rozsnyai.

"Theory from Theater" (Season 4, Episode 2), the new episode of our season, dropped Monday, May 6. We called to the Bimah director, playwright, and performance artist Jesse Freedman (he/him).

Based in New York City, Jesse is the Artistic Director of Meta-Phys Ed., a multidisciplinary performance group that grapples with philosophical and political ideas through a Jewish lens. His genre-defying works often blend theater, dance, music, and absurdist humor to interrogate questions of morality, identity, and power.

We spoke with Jesse about his recent production "The Banality of Evil", which went up at The Brick Theater in Brooklyn last month. Inspired by the seminal writings of political theorist Hannah Arendt, the show uses neo-noir aesthetics and vaudevillian spectacle to wrestle with the disturbing implications of Arendt's coverage of the Eichmann trial. Jesse shared his process for physicalizing intellectual debates on stage, and how Jewish thought and performance traditions inform his approach to such challenging material.

As the founder of Meta-Phys Ed., Jesse also reflected on the company's evolution over the past decade, from its origins to its current explorations of secular Jewish identity through experimental performance. We discussed the unique possibilities of using theater as a form of philosophical inquiry.

Looking ahead, Jesse gave us a preview of Meta-Phys Ed.'s upcoming projects, including a new devised work that will use machine learning to generate a fragmented, dystopian take on Hamlet. He shared his hopes for inspiring more artists to engage with the spiritual and cultural dimensions of Jewishness in their practices.

"On the Bimah" continues to illuminate the heart, soul, and diversity of contemporary Jewish theatre, guided by your host Danielle Levsky.

This podcast is an Alliance for Jewish Theatre program, produced by Danny Debner and Danielle Levsky. Our theme music is by Ilya Levinson and Alex Koffman, and our logo is by Alize Francheska Rozsnyai.

CORRECTION: In this episode, we mistakenly referred to a specific project being inspired by the work of Tony Kushner. The correct attribution would be to Moises Kaufman. We apologize for any confusion this may have caused in your listening experience.