On the BiTTE

Welcome to another edition of "THE MOST LITERAL FILM TITLE EVER"! Yeah, it is really that literal. It happens one night in a bar called "Heaven". Watching this film, you'd think every chain bar/restaurant opens its doors to male strippers every weeknight but in Florida, that seems to be the case.

You'd never believe that the guy who made ROCKY 5 made this honestly... Oh, and THE KARATE KID. And THE KARATE KID PART II. Oh, and ROCKY, can't forget that one. Yeah, strap in, it's one weird and wild ride for all you John G. Avildsen fans. 

INSERT LATIN PHRASE TO EXPRESS HOW INTELLIGENT WE ARE!

This film is a bit of a treat, honestly. There's a lot to like here, the most of which is a Sean Connery really hammering it out of the park with a riveting performance to remind us of how much range he had. Yeah, this also has some rich cinematography, some impressive set design, and some stellar makeup that transforms Ron Perlman into a hunchback. 

Yeah, we are congratulating this film a fair amount. But not of faith and religion (as we rip the idea apart for the better part of an hour). 

Ah, we're back. We're back in Scotland. I don't remember it being so "blue". Not only that, it's really dark, and moderately attractive men are acting like right twats to very attractive ladies. We're back on the "Ewan Train" with David Mackenzie's YOUNG ADAM. The "erotic" (?) drama about a bunch of folk on a barge and the lives Ewan McGregor's character basically ruins for the sake of creative inspiration. Yeah, doesn't make the most endearing of central characters but that's kinda the point. The one thing we did agree upon at least was the inclusion of custard. More custard, please! There's a bunch of sex in this but it's not as central as you'd think it would be. It just IS, so strap in, we've got a fair amount of stuff to talk about on this one. 

Like Schwarzenegger after him, he just needed to find the role he was born to play. Following the career track of Nicholas Roeg, we come to one of his seminal films, THE MAN WHO FELL TO EARTH. 

It's a head-scratcher and we say that with an understanding of Roeg's work being a little disjointed and a heavy use of visual metaphors and match cutting BUT... It would have been nice to get a better through-line in the story. But no one hates this movie at OTB HQ, certainly not when Rip Torn is tearing through this sexy sci-fi circus like a Professor Lothario!

At OTB HQ we're ALL business! But some times, just some times, we like to do a little bit in the name of PLEASURE. 

Depending on who you speak to (particularly Laura) they will let you know that anything we do is for "pleasure" but before this analogy begins to lose its muster, let's look at the Ninja Thyberg's debut, PLEASURE, based on the short of the same name. 

It's an in-depth, behind-the-curtain look at the American Adult Entertainment Industry, following a Swedish woman from a small town looking to become the next big porn star. 

As you might expect, there's A LOT.

Who thought putting criminals in space would be a great idea? I mean, if everyone was kind and everything was successful, would it make a great story? Who can tell but that's the basis of the Claire Denis film HIGH LIFE. 

Starring Robert Pattison, Mia Goth, Juliette Binoche, André "3000" Benjamin, and Ewan Mitchell, we follow a doomed space mission to a Black Hole and the obvious antics that ensue from locking a bunch of criminals on a spaceship and expecting them to produce offspring. What could go wrong? 

There's a bunch of fluids being slung around this vessel in scenes wetter than those in ALIEN where Harry Dean Stanton takes a shower in the cargo hold with his clothes on and every other scene where the Xenomorph shows up and it's drooling everywhere. 

HIGH LIFE is considered a sci-fi horror as well just so you know. That's why I mention it.

Ryan felt we needed to lighten things up and dive back into some digestible fluff that he could get into his snarling teeth. But kinda what we found was that he's been tamed slightly. No longer has the pretentiousness of cinema's past enveloped his dark soul now that he's found the work of Nick Hurran. 

Yes. Nick. Oh, sweet Nick. This man knows what he's doing with this (one of his many "body swap" films in his filmography). This happens to be one of the better examples. Now, it's no BIG. It's no FREAKY FRIDAY. It's VIRTUAL SEXUALITY: the spunky British comedy with plenty of that late 90's style and lack of taste that the early 00's also brought. 

But hey, it's nostalgia. You kinda had to be there. 

(Also, Ryan remains unchanged.)

That train keeps chugging and by pure accidental bliss, we have another film up here with some stark similarities! 

Would I go on to say this film is "controversial"? Probably. We have some issues with it. As you'll gather, we don't talk about the film much but rather the way the film was made. There's some questionable behavior happening here, and we're not a podcast to let that slide. The two leads however, Léa Seydoux and Adèle Exarchopoulos are exceptional. Honestly, they knock this film out of the park with the rather mediocre material they are given. It's a disappointing shame as this was adapted from the equally exceptional graphic novel by Jul Maroh. 

This is mostly Ryan's opinion here, Laura thinks the film is pretty good despite our universal disapproval of the off-camera shenanigans. It's just the Director who needs to take a little look in the mirror honestly if any of these allegations are true. Let's hope not dude, because that's kinda messed up!

June has rolled 'round and you know what that means?! It's Pride and we get to cover some LGBTQ+ films. 

This time, we're dipping into Gay Cinema with one of the best examples of the category. Number 22 in the BFI best LGBT film of all time is Alain Guiraudie's STRANGER BY THE LAKE. A masterful and nuanced take on the mystery genre, this minimalist, intimate, and insular film focuses on the shenanigans of a popular cruising area by the lake and the craziness that ensues over a collection of days. 

There's plenty to enjoy here as you will tell quite quickly, we didn't even note down time codes for this one; there's almost 90% un-coverage. It would be 100% if it weren't for shots like the car pulling into the parking lot and people talking (with their clothes on). 

You knew this day would come. It was inevitable. We're covering Jane Campion's THE PIANO. 

How does Ryan feel about this one? This was the one film of the filmography that he remembered quite fondly but now, decades later and now a co-host of an alternative film review podcast, with an active dislike for the other films we have covered of this particular filmmaker, how will it fare? I guess you're going to have to find out if this classic and most revered film of the time passes that gauntlet. (Don't worry about Laura, she loves everything.)