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One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.
I Am Mother Melissa Norton I am Mother, stepping barefoot on the snake.Absorbing her power as her body wraps tight around my leg.I, with quick, sharp force sever the head full of venomAs my mother has done with the point of a shovelAs I have done with a horrified hatchetMy babies will fear no fangs.I am Mother. Protector. Warrior. Safe Haven.More from Melissa Norton ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
A daily reading from One Poem Only—a quiet space for a single poem, read aloud.
Tangerines and AlcoholismLabanya DeyMy mother peels tangerines Carefully scaling the orange fleshUntil her nails dig into the sour crevices Of the orange ballThe juices drip between her nails and fingertips As she puts them on a plateOn a bright afternoonAs she waits for them to be savouredAppreciated with the delicate eyes she yearns for.More from Labanya Dey ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
Wednesdays on One Poem Only are a double feature: one poem here on the podcast, and one more by the same poet shared on Instagram.
Memory weighs more than boneCharlotte DawnYou can’t see the ghostsuntil you’re almost one—until your breath learns how to hesitate,until mirrors stop recognising youwithout thinking.They gather in the quiet margins:hospital hallways at 3 a.m.,old songs that bruise instead of heal,names you don’t say aloud anymore.The living pass straight through them,laughing, late for something,arms full of tomorrow.They don’t feel the cold.But you—you slow down enough to noticehow memory weighs more than bone,how absence has a voice,how survival leaves footprints backward.That’s when the ghosts turn their faces.Not to haunt you—but to ask if you rememberwho you werebefore you learned how to disappear.More from Charlotte Dawn ↓
Watch the Second Poem
You can watch and listen to Hash browns by Charlotte Dawn as part of our Wednesday double feature on Instagram at @rembrandts.cure.
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Two poems. One poet. Let the words keep moving.
One Poem Only is a daily ritual: one poem, center stage, just for now.
HarmonySeán TateHarmony, intermingled with melody, falls lightly from the heavensto coat the parched earth.Rough flakes made smooth by a rich flowing sequence.And the rhythm; listen as the rhythm courses down throughcracks to slumbering seeds.Listen to that steady beat: tap, tap, tap.More from Seán Tate ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.
Presence of ChoiceAlecia LewisI hold no one.They can come or go.Freely.Unbound.More from Alecia Lewis ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
One Poem More gathers all of this week’s poems from One Poem Only—an unhurried chance to listen again, or catch what you missed.
This week’s poemsPlus one new one to carry us into the week ahead
Prattle On Maggie DeversA bird in a backpack walked byTweeting plaintively from insideAnd the crows kept up their racketWith little varianceMore from Maggie Devers ↓
More from this week’s poets
Find links to each poet’s work, books, and social accounts in the show notes for the individual episodes.
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry is better when it’s lived with. Thank you for listening.
One Poem Only is a daily ritual: one poem, center stage, just for now.
To Imagination Emily Brontë When weary with the long day's care,And earthly change from pain to pain,And lost, and ready to despair,Thy kind voice calls me back again:Oh, my true friend! I am not lone,While then canst speak with such a tone!Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.
Last YearSamah Ayeshai spent the better half of last yearstaring at the ceiling,watching it bend more crookedthe longer i looked.More from Samah Ayesha ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
A daily reading from One Poem Only—a quiet space for a single poem, read aloud.
Women in MeAyushiI think I gather dreams like picking up stonesnear an abandoned highway wherethe road leads nowhere,where the wind pants like a tiger breathingand the woman in me returns to lookfor the girl she had lost years agoperhaps the salt in me will return to the seaand the light in me will break opena door, a wound, a memory, that no one can shuta spring thunder, bolts me awake from a dreamI am dragging my earthy-body towardsthe rivers of you, branching out like tendonsslowly the sun dissolves like sugar in waterall I hear are murmurs of momentskindness, kindness, kindnessits December and I am wrappedby the warmth of an afterthoughta kind of a forgiveness to all yourpast revolting selves.More from Ayushi ↓
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Poetry slows us down. Thank you for listening.
Mentioned in this episode:
One Poem Only submissions are open.
This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.
One Poem Only Submissions Form
Wednesdays on One Poem Only are a double feature: one poem here on the podcast, and one more by the same poet shared on Instagram.
The -ness of thingsSanjeevaniSadness incurable. Hopelessness, hold on—brink of collapse—unstable ecosystems, volatile geopolitics,anthropological coldness.Kindness—let the spider live.Closeness—us two, are we corrupt too?A likeness—before the doom, a thought of younearly smothers me in blue.Fondness—find me after the apocalypse,remember, black holes decay—oneness.Madness—this world and I,an intrinsic brokenness.Wilderness—A state of being.I lose, and I losein this cruel forest.Lightness, take me in.My -ness floats through. Premature nights and abandoned homes.My -ness sinks. Untouched ocean beds and fossils of creaturesveiled by archaeological secrecy. My -ness feels.More from Sanjeevani ↓
Watch the Second Poem
You can watch and listen to Deer killers and Careless Lovers by Sanjeevani as part of our Wednesday double feature on Instagram at @rembrandts.cure.
Support + Stay Connected to OPO
If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.
Two poems. One poet. Let the words keep moving.
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