Open-Door Playhouse

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​​​Do citizens have the right to judge elected leaders on personal morals? An idealistic voter lost faith in a political candidate and is demanding that he return the contribution she made to his campaign. A man with ties to the candidate appears at her door, offering her money if she will "back off." Can her values stand up to the test?

Bernadette Armstrong directs a cast that includes Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.

Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 440 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.

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Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

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Allison and Mark have been best friends since grade school. Now, they’re fortyish. Allison is a married suburban mom with three kids. Mark is single and gay. Allison has a lifelong fear of the dark. Just what happens when it’s Lights Out?

Bernadette Armstrong directs a cast that includes Cynthia Gravinese Brown as Allison, Matthew Scott Montgomery as Mark, and Noelle Evangelisti as The Nurse.

Michael A. Buzzelli is the playwright. He’s a stand-up comedian who has performed at such famous venues as the Ice House, The Improv, and The Comedy Store. He is the author of two books, All I Want for Christmas and Below Average Genius. Based near Pittsburgh, he is a theatre and arts critic, He is also an actor and Moth Grand Slam Storyteller.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

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Matt and Lisa always seem to have plenty of money. Neither one of them has jobs. This perplexes and vexes their friends Erin and Tom.

Miranda Stewart directs a cast that includes Michael Fletcher as Matt, Caitlin Bell as Lisa, Brittany Vallely as Erin, and Jaime Pla as Tom.

Kevin B is the playwright. His recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include The Little Match Girl Isn’t Going to Die, American Strippers, Does It Rain on Mars?, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, Beautiful Beautiful Cleopatra, and more. He is also an actor, director and producer.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

A wealthy couple is having dinner. They had invited two other couples to join them but the guests left after some sort of disagreement. What was it all about?

Rachel Berney Needleman directs Goreti da Silva as Louise and David Trice as Walter.

Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 280 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

A man gets the surprise of his life when he calls the Suicide Hotline.

Rachel Berney Needleman directs a cast that includes Noelle Evangelisti as Anita and Matt Foyer as Charlie.

Richard Fouts is the playwright. His previous plays include Running Mate, The Birthday Lottery, My Afternoon with Lenny, Summer Me, Winter Me, Family Secrets, and Dead Serious.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

A soap opera addict gets some much-needed advice from a TV spokesman.

Bernadette Armstrong directs a cast that includes Zelda Kimble as Beverly, Camille Ameen as Delilah, and Kevin Carr as Todd-Brentley and The Announcer.

Lori Londagin is the playwright. Her previous plays include Lockout, Scale, Chipotle, and First Rodeo. Her plays have been performed in Washington, Ohio, North Carolina, New York, and California.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

After their father’s funeral, adult siblings Sam and Grace, each somewhat embittered in their own way, discover that they had wildly divergent experiences while growing up.

Yunyi Zhu directs a cast that includes Christine Uhebe as Grace and Gerald James as Sam.

Amber Patterson is the playwright. This is her first play. She is also an actor.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

In this comedy, a generation gap is explored between a senior customer at a marijuana dispensary and the young dude running the place.

Gary Lamb directs a cast that includes Joyce Hananel as Susan and Justice Davis as Tommy.

Romney Humphrey is the playwright. An award-winning screenwriter, she is a former media writer and producer. Her many plays include Best Friends, Holidays, Dogs & Nuts, The Visit, The Mailbox, Games, and more.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

In 2064, Bruce Koinstra, an 85-year-old history professor, passes away in a moon colony senior housing complex. Following his memorial service, his husband of thirty years, Kirby, along with his forty-year old daughter Septima; and teen grandson Plurial gather at Bruce's Midwest Victorian home. They await the reading of Bruce's will and the demolition crew scheduled to raze the house. Reflecting on Bruce's life, they discuss the era when LGBT rights were restricted by archaic laws and when racial discrimination was widespread.

Bernadette Armstrong directs a cast that includes Daamen Krall as Bruce, Elaine Mello as Septima, Larry Coleman as Plurial, and Matthew Scott Montgomery as Kirby.

Lorenz Qatava is the playwright. He also wrote Speak My Words, Tell My Truth, a performance piece based on the stories and writings of five Black gay writers. He additionally wrote and published a gay romance novel set in the Southern Oregon wildfires called Rain After the Fire, as well as the plays The Rustin Arrest and On the Verge.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Send us Fan Mail

Buttercup is a detective in the big city. A woman has been abandoned by her husband, who has absconded with their funds. All the woman has left is a statue of a duck. She’s hiring Buttercup to locate her husband (and her money). But Buttercup is finding that the duck comes with strings attached.

Rachel Berney Needleman directs a cast that includes Maureen Davis as Buttercup, Annette Homewood as the Wife, Nathan Smythe as the Husband, and Kenajuan Bentley as the noirish Narrator.

Ned Eckhardt is the playwright. A professor of television and documentary production at Rowan University, he has produced and directed 16 documentaries. His previous plays include IMP, Redbone, and Porky C.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...