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The company that created "Ganesh versus the Third Reich" is, in their own words, "a company driven by an ensemble of…actors perceived to have intellectual disabilities."
Anthony Byrnes reviews Theatre Movement Bazaar's latest piece, "Track 3," which tackles Chekhov’s "Three Sisters."
Now typically when I talk about the ephemeral quality of theater, it’s
something I’m celebrating. It’s part of what makes theater so magical
and essential. Theater can’t be repackaged in a ‘best of’ box set or
re-released in 3d. You need to be there in the room or . . . well . . . you missed it.
And that’s the flip side to that magic.
It’s
Take a break from the holiday chaos and treat yourself to the Fiasco Theater Company's production of Shakespeare's "Cymbaline" at the Broad Stage.
Nothing brings out family dysfunction quite like the holidays, does it? That's where Jon Robbin Baitz's play, "Other Desert Cities," at the Mark Taper Forum begins.
Take the best tunes from a director who turns out films with great soundtracks, cast talented singers with great pipes and you've got Rockwell's "For the Record."
From the publisher's feed
Musings on what Los Angeles theater is - and can be. Want to know more? Subscribe to Anthony's weekly Theater newsletter.