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Matthew Bourne’s “Cinderella” at the Ahmanson is fascinating as much for what it isn’t as for what it is.
In Taylor Mac’s play “Hir” (spelled H-I-R - more on that in a minute), the old order simply won’t stand.
New Year - new theatre! Here’s my short list for the plays you shouldn’t miss this spring.
Last week I started looking back at the theatre in LA that made a difference in 2018. This week I round out that list with the kind of work I hope fills theaters in 2019.
Looking back at the best shows from a year of theatre is always a little strange. It’s not like KCRW’s list of best albums that you can instantly download and enjoy. Theatre is ephemeral - you can’t stream it or hit rewind. So reflecting on a year’s productions is less a guide to what you should see, and more an evaluation of where we are as an audience - and maybe a hint of where we’re going.
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Musings on what Los Angeles theater is - and can be. Want to know more? Subscribe to Anthony's weekly Theater newsletter.