Today is the release date (in the US) for the highly-anticipated film, Avengers: End Game. Since it's been way to long since we've done this, and because we know there are many opera/super hero fans out there, we're fantasy casting our dream Avengers Opera. Have thoughts about our choices? Find us at operaafterdark.com and let us know!

Taking a break from all the Wagner and thanks to a listener request, we're diving into Jenufa, by composer Leos Janacek. This opera is pretty dark, but filled with rich and beautiful music that matches a dark time in the composer's own life.

We are back with the next installment of Wagner's epic Ring Cycle, DIE WALKÜRE! Kyle is excited for the ride of the Valkyries. Elspeth is still against this whole thing. And this is probably Naomi's favourite opera of the cycle (we spelled "favourite" the Canadian way, just for her). We also learn more about leitmotifs in this episode. And swords stuck in trees. And weather/season-related love metaphors. And rings of fire!

The OAD team embarks on Wagner's epic opera cycle, Der Ring des Nibelungen, AKA the Ring Cycle. Of course, we must start with the first of the four operas: Das Rheingold. We hope you enjoy this deep dive into Wagner's mythological world inspired by Norse mythology.

It took almost three full seasons, but we are finally talking about the polarizing composer Richard Wagner. Whether you love him or you hate him, most opera fans feel strongly about his contributions to the repertory and we are no exception. As is appropriate for Wagner, this episode is one of our longest, but it comes as our own Naomi Barrettara is about to join the Met Opera Quiz during the radio broadcast on Saturday, March 30, 2019. Be sure to tune in and cheer her on!

Today's opera directors are constantly finding ways to reinvent new productions of operas within the repertory, sometimes in strange and eye-catching ways. It can be argued that nobody reimagines opera quite like Australian director, Barrie Kosky, who is known for his provocative production concepts. OAD host, Kyle Homewood, got to witness this process firsthand, and the story is almost too good to believe.

We reach the end of our This vs. That series comparing show-stopping musicals to the operas that they are based on. This week, we discuss the musical Miss Saigon, based on the opera Madama Butterfly and with only slightly more redeemable characters but some questionable music and singing. You'll know it when you hear it! This is followed by a hilarious lesson in the Canadian dialect. Enjoy!

As we conclude our "This vs. That" series, comparing great operas to parallel works in the musical theater repertoire, we got pretty carried away with our last comparison: Madama Butterfly vs. Miss Saigon! So this is Part 1 of 2, where we share some VERY strong feelings about the character of B.F. Pinkerton, and just strong feelings in general about the VERY problematic story of Cio-Cio San as told through some of most beautiful music Puccini ever composed. Listen all the way to the end, and you will be treated to an outtake that ends in a place only tangentially related to the opera via the topic of puppets: Elspeth and Kyle's raw, emotional reaction to Warhorse!

In this episode, we cover the C in the ABC's of opera: Carmen. Although Bizet's composition is one of the most famous and often-performed operas in the world today, that was not always the case. Listen in for more about that in addition to hearing about how Don Jose ruins everyone's life!

This is the episode you have all been waiting for: when our obsession with "Elaborate Lives" is explained, and we deep dive into AIDA by Elton John and Tim Rice, comparing it to the original AIDA, a beloved opera classic by Giuseppe Verdi! Listen all the way to the end, and not only will you get a great reprise of "Elaborate Lives" with a dark minor turn, but you will ALSO learn all about Michael Bolton's secret passion...