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This is part two of the episode where we talk about Che gelida manina and Si, mi chiamanon Mimi. Two of the best well known lovers in the opera. Ah and there is a present from Katya in this program.
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Who hasn't ever dreamed of a sincere and pure love like Rodolfo and Mimi's? 
These are two great favorites of all times throughouth the world. Please join us in our conversation around the Che gelida manina and Si, mi chiamanon Mimi
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

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This is the second part of the hilarious moments Rossini created for us in his best know Opera: Il barbiere di Siviglia.
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

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Ah, it's time for the very well know Largo al factotum and Una voce poco fa. 
Let's have lots of fun with Rossini and his hilarious compositions!
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

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This is the second part of these hyper famous duets in the also hyper famous La Traviata
If you would like to support this project
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

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Traviata and its lovers's duets are among the most famous pieces in the Opera world. 
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

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You can join our channel in Telegram:
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When we like to say to ourselves that we have progressed so much, that humanity has reached not only a good development in technology, but also in human rights and many other stuff, we are leaving out something that is very obvious: those childish behaviors of a good number of singers (artists in general as well).

How come that we find completely acceptable to call someone a divo or diva and take that as a license to do anything him pleases? From cancelling a given presentation, disdaining other singers and behaving like a child who wants everybody to wait until him/her feels in the mood for rehearsing. 

All those stories that people like for gossiping and pretending that his Opera star is just hilarious when what he/she really is is non-professional. Come on people, let’s make some progress and let’s start calling all that for what it really is: poor emotional intelligence and lack of professionalism. That will make the world of Opera a much better place for everyone!!!
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us Fan Mail

Opera – We love singing: The monsters that we all created: Div@s

When we like to say to ourselves that we have progressed so much, that humanity has reached not only a good development in technology, but also in human rights and many other stuff, we are leaving out something that is very obvious: those childish behaviors of a good number of singers (artists in general as well).

How come that we find completely acceptable to call someone a divo or diva and take that as a license to do anything him pleases? From cancelling a given presentation, disdaining other singers and behaving like a child who wants everybody to wait until him/her feels in the mood for rehearsing. 

All those stories that people like for gossiping and pretending that his Opera star is just hilarious when what he/she really is is non-professional. Come on people, let’s make some progress and let’s start calling all that for what it really is: poor emotional intelligence and lack of professionalism. That will make the world of Opera a much better place for everyone!!!
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us Fan Mail

Singers are likely to look the other way when it has to do about talking openly of  the limitations of his technique, his interpretation  or his voice. 

On the public’s side we have both: those whose idolatry for a given singer will limit them in the acceptance that their fav singer is just not the right  voice for a given role, or that maybe their voice has severe problems in his emission technique. And the other group of people who will attack any, even the smallest problem of a singer, one can read many nasty comments in the internet with people increpating a singer for a given minor defect that does not meet the perfection standard.

People, when will we be accepting that singers, as all humans, do have to deal continuously with limitations of a very broad nature? As public, we need to be mature enough to accept that for example Callas was not the voice for some roles, why can we not do that in a respectful and rational way? 

We will be talking about some common problems that make no singer perfect, even if he would like to think he is.

If you are looking for a place where we love music and we understand and respect different perspectives and thoughts, you are in the right place. Welcome!!!
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us Fan Mail

Singers are likely to look the other way when it has to do about talking openly of  the limitations of his technique, his interpretation  or his voice. 

On the public’s side we have both: those whose idolatry for a given singer will limit them in the acceptance that their fav singer is just not the right  voice for a given role, or that maybe their voice has severe problems in his emission technique. And the other group of people who will attack any, even the smallest problem of a singer, one can read many nasty comments in the internet with people increpating a singer for a given minor defect that does not meet the perfection standard.

People, when will we be accepting that singers, as all humans, do have to deal continuously with limitations of a very broad nature? As public, we need to be mature enough to accept that for example Callas was not the voice for some roles, why can we not do that in a respectful and rational way? 

We will be talking about some common problems that make no singer perfect, even if he would like to think he is.

If you are looking for a place where we love music and we understand and respect different perspectives and thoughts, you are in the right place. Welcome!!!
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging