OsadaSlowianska

I love roast duck on rice.

Kid, a Bluepill born as Michael Karl Popper, is a teenager at Clearview High School who has recurring dreams of falling through the sky only to wake up upon hitting the cement. After one such dream, he logs on to a chatroom questioning his senses, and receives a response from Neo who reaffirms that his perception of reality being amiss. The following day, Kid's cellphone goes off in class; after being reprimanded and switching it off, his cellphone manages to ring again.

To the annoyance of his teacher, Michael answers the phone and on the line is Neo telling him to "get out now". He is chased through his high school by a band of Agents, and ends up cornered on the roof. Asserting his faith in Neo, Michael throws himself over the edge.

Members of Michael's family and school are shown attending his funeral, commenting on how he's "in another world now". Outside the Matrix however, Kid wakes up to the real world and sees Neo and Trinity watching over him aboard the Nebuchadnezzar. They remark that he has achieved "self substantiation", which was initially considered impossible. The Kid then thanks Neo for saving him, but Neo says that he "saved himself".

There are many Chinatown's in this world, some small, some large, some spanning entire city districts and some maybe only occupying a corner of a town.

Each Chinatown brings with it momentos representing our places of origin. Doesn't matter if it's a Cantonese-influenced Chinatown, with it's southern flavour of shops and eateries managed by a few big families from either Hong Kong or Guang Dong (Canton) or from the Mainland, devliering us an intense slice of China entire within the confines of what each Chinatown allows.

An exercise in card controls as well as maintaining full deck control, in the context of a fun little routine.

HE MAKE OX TAIL RI WAAAAGHHHHH

This stems from the creation of Darwin Ortiz, from his book 'LESSONS IN CARD MASTERY'. This suit production comes from Darwin's routine called "12 The Hard Way".

In case you forgot what a suit production is, it has nothing to do with your local dry cleaners (xD), but with...https://blurt.blog/blurt-1787181/@brave-smoke/repost-thirteen-silences-1743986064070

This is another form of suit production, less flashy as "Thirteen Silences" and with a different purpose.

"Thirteen Silences" was designed to be used as a opener to my one man close up card storytelling stage shows, using silence to add to the dramatic effect of the suit production build up.

This one is actually not my own creation, but a creation as mentioned above, by the great Darwin Ortiz (youtube him). This is his "12 The Hard Way" routine from his book "Lessons In Card Mastery". The production Darwin uses is his own; the one i use is not as beautiful as Darwin's, or other more excellent card men out there (the Japanese, South Americans, Spanish have beautiful ways of handling cards/objects that i cannot emulate...artistry is in their cultural genes man).

I would often use this for more casual type close up shows (my close up shows are max 50 people in a theatre/restaurant/private house/cafe setting - DSLR camera hooked up to a wide screen for zoomed-in pleasure of the happenings on the card table). The routine itself goes like this:

I give my interpreation of Johanne Nepomuk Hofziner's idea of "Card Magic being the poetry of conjuring".

A Card is randomly selected, identity unknown by all excluding the one who selected the card; let's call this person "Yul B. Sorry". Card is left in full view on the side, untouched by all. Preferably card is placed inside a wine glass, backs facing the audience. Preferably Yul B the one who will place their card in the wine glass. A very photogenic moment!

Since only YB knows the identity of the card, they hold a vital piece of information, plus unwittingly they have entered into the role of being a hook for the drama of this routine. Explained below. This is a vital concept that i realized, rooted in my style of always being one step ahead, always creating hooks by using a specific phrase, or a specific audience member; think of hooks as a motif in a poem. An example would be...

"Triggered by a long rain

Triggered by a wild rain

Triggered by an urgent rain

(my poem - "Triggered By A Long Rain")

In this scenario YB will by my hook that i will refer back to.

I then produce the 12 cards of one suit (say Hearts) as you see in the video.

Remember, one last card is missing, still backs facing the audience, in the wine glass, under the spotlight.

This is a crucial moment to capitalise on...only with years of experience, excellent time keeping, and sticking to the emotion being played (that of cockiness, to surprise, to astonishment of the error, leading to the finale; wonderful buffet of emotions); this is where my routine and performance of Darwin's routine differs.

I don't believe a word YB says. I gather all of the 12 cards i produced and ribbon spread them face down on the table. I still don't believe YB. Man talkin bollocks/bollox.

The card in wine glass is revealed and i shit myself. Everyone shits themselves. YB isn't sorry.

I then flip the 12 ribbon spread face-down cards, using a ribbon spread flip flourish we've all seen before, and all 12 cards are now in perfect sequencial order, with the correct suit that matches the card in wine glass.

I have performed this routine many times, but never have i had the privilege of having it recorded. I can only tell you that this routine is an audience killer. I have had many standing ovatations just with this...and it's only my show opener!

That's it!

Sharing thoughts on life, death, worry, names, food, purpose and others.

Been jumpin up and down since 3am, going all in with no insurance.

LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOL

"尋橋" - "Cham Kiu" ("Seeking the Bridge")

The Cham Kiu (尋橋) Form is the second open hand form of Wing Chun that puts the lessons learned in Siu Lim Tau (小念頭 - "The Little Idea") into motion and builds upon them. The importance of coordinating footwork and handwork together is paramount.

While Siu Lim Tau’s hand motions reference the self, Chum Kiu’s hand and leg motions reference an opponent in relation to the self. From this, we are introduced to several new concepts that either are not seen or not heavily stressed in Siu Lim Tau.

If Siu Lim Tau is about perfect structural alignment from a stationary standpoint, then Cham Kiu is application of this perfect structural alignment in the context of motion. In Cham Kiu we are introduced to the shifting stance as well as non-linear movements in all the Wing Chun hands. Also the ugliest kick in all of martial arts is introduced: the Wing Chun Kick.