Part 1
Ash started the rehearsal with us singing a couple of verses of Can't Help Falling in Love, over the phone to his mother on the east coast, who is about to get married! After that we had the usual warmup, after which Ash did some explaining.
19:00 Ash explained why the chairs were different for rehearsal, set in a square with a voice part on each side. He explained that this was chosen by Robert Shaw, the great 20th century chorus director. He also talked about Vance George, a well-known Bay Area director who was a student of Robert Shaw; Vance George's students included Buddy James, who was Ash's mentor. Ash described count singing, a favorite technique of Robert Shaw, where we sing the number of the beats instead of the text: one and two and tee and four, and so on. Ash intends to use a practice of Robert Shaw, which is to rehearse using count singing and solfege right up to a concert. This was considered to build a feel for the music that the singers could then merge smoothly with the text. He said we wouldn't really rehearse text of the Beethoven until May. Based on last week's recording, he felt that we were just guessing at things, and we needed these new techniques to build a stronger performance. He asked us to go along with it.
25:56 Rehearsed Sometimes I Cry in count singing, singing on beat numbers not words.
1:00:25 Rehearse Beethoven 9 in the final Presto section, which we did on syllables ta-dee-ta-dee
1:19:17 Chorus committee announcements (no Why I Sing tonight) and break
Filesize: 107 MB
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Part 2
Start Rehearse Here I Stand, movement 2
25:58 Rehearse Beethoven 9, specifically the fugue (bar 655), after we discuss issues with our neighbors
28:30 Actually start singing the Beethoven, singing on ta for theme 1 (freude) and na for theme 2 (seid um schlungen)
Filesize: 63.8 MB
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