Oscar Chaser

Gliddy glop gloopy, nibby nabby noopy, la la la lo lo! Kyle is joined by Alexis Floyd (Grey’s Anatomy, Inventing Anna) to chat the movie musical Hair, Miloš Forman’s follow-up to his 1976 Best Director win for One Flew Over the Cuckoo’s Nest. Together, they discuss the Age of Aquarius, admire Treat Williams’ undying sex appeal, and marvel at how you apparently used to be able to just rent a horse to ride around Central Park for the day.

Writer, director, actor and host of the podcast Wackadoodle Time Ellen Haun joins Kyle to chat Interiors, Woody Allen’s follow-up to his 1978 Best Director win for Annie Hall. Together, they discuss Diane Keaton’s hats, Mary Beth Hurt’s bob, and how Kyle’s aggravation at the recent Knicks/ World Cup sports monoculture moment made him realize that unfortunately Alvy Singer might be his spirit animal.

Writer, friend, former guest, and Greek mythology uber-nerd Thomas Constantine Moore rejoins Kyle to chat the #1 movie in the world - The Odyssey, Christopher Nolan’s follow-up to his Oppenheimer Best Director win. Together, they ponder Charlize Theron’s fishnet couture, Samantha Morton’s Pottery Barn abilities, and just how old Tom Holland is supposed to be in this movie.

Director/writer and Titanique on Broadway associate director Billie Aken-Tyers rejoins Kyle to speak on Richard Attenborough’s follow-up to his Gandhi Best Director win, the quite-bad film of A Chorus Line. Together, they affirm that Richard Attenborough will always be Ian Malcolm and Santa to them, investigate Michael Douglas’ choreographic (and oral sex) abilities, and do a deep-dive into that time Billie was on a British reality TV show casting Dorothy in a West End production of The Wizard of Oz.

Kyle is joined by filmmaker, actress, and James L. Brooks detective Isabel Pask to discuss Brooks’ ‘Terms of Endearment’ follow-up, the 1987 film ‘Broadcast News.’ Together, they dive into Polly Platt’s contributions to the Brooks oeuvre, theorize as to what madness could have brought him to Ella McCay, and (because Kyle didn’t get this out before the Oscars), their preferences in the Timmy v. Leo Best Actor race at this year’s Academy Awards.

Kyle is joined by noted ‘Forrest Gump’ and Robert Zemeckis enthusiast Holly Dennis (producer, ‘After Midnight’) to discuss Bobby Z’s ‘Gump’ follow-up, the 1997 science fiction film ‘Contact.’ The two discuss the three core tenets of the film and of life: science, religion, and Jodie Foster. But do aliens exist? Does Jodie have any chemistry with Matthew McConaughey? And is why is Holly so obsessed with the movie of ‘The Polar Express?’

Kyle is joined by the founder/ owner and Editor-in-Chief of AwardsWatch, Erik Anderson, to discuss Anthony Minghella’s 1999 follow-up to his Oscar win for Best Director, The Talented Mr. Ripley. The two chat Jude Law’s chest hair and Matt Damon’s chartreuse swim trunks, and Kyle recalls how Haley Joel Osment got him hooked on the Oscars, while Erik vents his unmitigated hatred for The Cider House Rules.

“We are in a cage.” Kyle is joined by Eric Wiegand (Stranger Things: First Shadow) to discuss what may very well be the greatest film Steven Spielberg ever made, A.I. Artificial Intelligence. They go long on the Kubrick and Spielberg of it all, Shakespeare in Love beating Saving Private Ryan at the 71st Academy Awards, and everybody’s favorite jaded robot bear Teddy.

Kyle sits down with Vegas compatriot and Chicago Fire alum Jimmy Nicholas to talk about the greatest movie ever made about movie stars, Ocean’s Eleven, Steven Soderbergh’s follow-up to his Best Director win for Traffic. But what are the best Vegas movies? Why is Livinston Dell so sweaty? And did they actually make a sequel to Gladiator, or was that just a bad dream?

Kyle is joined by his writing partner and ‘[insert movie here]: The Musical!’ co-host Sam French to chat about the 2005 remake of King Kong, Peter Jackson’s follow-up to his Best Director win for The Lord of the Rings: The Return of the King. But why is so much of this 3 hour movie focused on Jamie Bell cosplaying as an 11 year old? Can Naomi Watts do any wrong? And what did Sam and Kyle wear to opening night of the first Hobbit movie?